In an Earthly world resembling the 1950s, a cloud of space radiation has shrouded the planet, resulting in the dead becoming zombies that desire live human flesh. A company called Zomcon ... See full summary »
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family. Along the way, they have misadventures and find fresh connections with an assortment of relatives and old friends who just might help them discover "home" on their own terms for the first time.
In an Earthly world resembling the 1950s, a cloud of space radiation has shrouded the planet, resulting in the dead becoming zombies that desire live human flesh. A company called Zomcon has been able to control the zombie population. Zombies can be temporarily neutralized by being shot, but can only be permanently neutralized by their brain being destroyed. Their ultimate disposal is through cremation, or burial, the latter which requires decapitation with the head being buried separately from the body. Conversely, Zomcon has created the domestication collar, when activated and placed on a zombie makes the zombie controllable and thus an eternally productive creature within society. Because all dead initially become zombies, the elderly are viewed negatively and suspectly. And all people, adult or child, learn to shoot to kill to protect society. Zomcon is the go to organization for all things zombie. In the town of Willard, the Robinsons - father Bill, mother Helen, and adolescent ... Written by
The pregnancy subplot involving Carrie-Anne Moss' character Helen Robinson was only added because Moss was really pregnant during filming, and they added the pregnancy scenes to keep the continuity through the movie as she grew larger. See more »
In a scene when Fido chases Roy Fraser into a hut, there's a bullet hole on Fido's back. That same bullet hole disappears when Fido's back is visible again in the same scene. See more »
Powder Your Face With Sunshine
Written by Carmen Lombardo and Stanley Rochinski
Performed by Kay Starr
Licensed courtesy of Soundies Inc. by arrangement with DePugh Music and Ahlert-Burke Corporation (ASCAP) and Warner/Chappell Music Canada Ltd. obo Lombardo Music,
Inc. See more »
I wish I didn't have to wait for this to come out in the US...
I suppose the ultimate curse of attending the Toronto Film Festival is your release date time table get messed up. Quite frankly, I'm just happy Fido got picked up for US distribution. In any case...
Ever seen Shaun of the Dead? Good. How about Lassie? Able to reconcile the two? Well, if you can your name might be Andrew Currie, Canadian helmer of the first ever family themed zombie comedy, or zomedy. (Seriously, that's what the press book in Toronto called it.) Though not as violent, dry, or British as Shaun of the Dead, Fido remains true to its roots: a devotion to old 50s black and white television including both Lassie and the infamous sci-fi pulp that was being pumped out during the period.
Fido's talented headliners (Carrie Anne Moss, Billy Connelly, Dylan Baker, and Tim Blake Nelson) stand as a testament to the brilliance of the script. The film explores all the implications of its premise: a world where zombies have been converted to servants because of the sheer number of them due to a strange accident. What would you use your new undead servant for? A butler? Manual labor? A pet? Unspeakable acts? Fido tackles all these possibilities in a sweet and surprisingly classy way, with much thanks to the work of Connelly (as one of said zombies) and young TV actor K'Sun Ray, who seems at times to be a better young Elijah Wood than the young Elijah Wood was.
If you're expecting another Shaun of the Dead, don't waste your time. There's not nearly enough gore and pokes at the genre to satisfy you and you'll just leave the theater bitter and depressed. But if you're willing to take a look at what happens to Shaun of the Dead when it jumps across the lake, you're in for a treat. Think of Fido as the sensitive, more often beaten up little brother to Shaun of the Dead's rebellious loser, and you're starting to get the drift. If you like (or at least tolerate) zombies, small children, and loads of deadpan satire, Fido's the film for you. If that's not the case....well, you know the drill. Just hit 'em square between the eyes.
79 of 100 people found this review helpful.
Was this review helpful to you?