| Photos (see all 15 | slideshow) |
| Sam Hennings | ... | Benjamin Steed | |
| Brenda Strong | ... | Mary Ann Steed | |
| Eric Johnson | ... | Joshua Steed | |
| Alexander Carroll | ... | Nathan Steed | |
| Brighton Hertford | ... | Melissa Steed | |
| Kimberly Varadi | ... | Becca Steed | |
| Colin Ford | ... | Matthew Steed | |
| Sarah Bastian | ... | Lydia Steed (as Sera Bastian) | |
| Emily Podleski | ... | Jessica Roundy | |
| Jim Grimshaw | ... | Josiah McBride | |
| Jonathan Scarfe | ... | Joseph Smith | |
| Melanie Hawkins | ... | Emma Smith | |
| Frank Ashmore | ... | Martin Harris | |
| Curtis Andersen | ... | Carl Rogers | |
| Jeff Ham | ... | Obadiah Cornwell | |
| Giulia Pagano | ... | Mother Smith | |
| Raphael Sbarge | ... | Parley Pratt | |
| Mike Pniewski | ... | Wilson Everett | |
| Matthew Carlton | ... | George Simpson | |
| Michael Bowen | ... | Robert Johnson | |
| Caitlin Bradbury | ... | Mary Partridge | |
| David Dwyer | ... | William Phelps | |
| R.D. Call | ... | Boggs | |
| Milton Bagby | ... | Caleb, farmer | |
| Danny Nelson | ... | Reverend Samuel Bogart | |
| Andrew Bowen | ... | Brigham Young | |
| Haynes Brooke | ... | Edward Partridge | |
| Nakotah LaRance | ... | Pidgeon | |
| Russ Comegys | ... | Ruffian | |
| John Henry Scott | ... | Deputy Frank | |
| Adam Heffernan | ... | Deputy Smiley | |
| Don Henderson Baker | ... | Ezra Booth | |
| Annie Abbott | ... | Edith Gates | |
| Wilbur Fitzgerald | ... | Magistrate | |
| Mark Scarboro | ... | Newell K. Whitney | |
| Mary Tanner Bailey | ... | Elsa Johnson | |
| Stephen Michael Ayers | ... | Father Smith (as Stephen Ayers) | |
| rest of cast listed alphabetically: | |||
| Nic Cornett | ... | Man with Rifle / Man on Horse (uncredited) | |
| William J. Mode | ... | Himself - Militiaman / Tavern Patron / Citizen (uncredited) | |
Directed by | |||
| Sterling Van Wagenen | |||
Writing credits(in alphabetical order) | ||
| Gerald N. Lund | novel "Like A Fire is Burning" | |
| Matt Whitaker | screenplay | |
Produced by | |||
| Jeff T. Miller | .... | co-producer | |
| Larry H. Miller | .... | executive producer | |
| Scott Swofford | .... | producer | |
Original Music by | |||
| Sam Cardon | |||
Cinematography by | |||
| Reed Smoot | |||
Film Editing by | |||
| Stephen L. Johnson | |||
Casting by | |||
| Rene Haynes | |||
Production Design by | |||
| Christopher R. DeMuri | |||
Art Direction by | |||
| Les Boothe | |||
Costume Design by | |||
| Cathren Warner | |||
Makeup Department | |||
| Gloria Belz | .... | makeup artist | |
| Ken Johnson | .... | key hair | |
| Sandy Jo Johnston | .... | makeup artist | |
| Edwin Matsu | .... | makeup artist | |
| Tena Parker | .... | key hair stylist (as Tena Parker-Liddiard) | |
Production Management | |||
| Rick Gordon | .... | post-production supervisor | |
Art Department | |||
| Brent Astrope | .... | construction coordinator | |
| George Harding III | .... | set dresser | |
| Matt Harris | .... | art department coordinator | |
| Janet S. Havranek | .... | art department buyer | |
| Steve Kaiser | .... | assistant property master | |
| Kee Miller | .... | draftsman | |
| Kelly Anne Ross | .... | art buyer (as Kelly Ross) | |
| Richard Salinas | .... | scenic artist | |
| Bartholomew Singer | .... | on-set greens | |
| E. Parker Webb | .... | stand-by greens | |
Special Effects by | |||
| Chad Hokama | .... | special effects assistant | |
Visual Effects by | |||
| Daphne Apellanes-Ackerson | .... | compositor: Matte World Digital | |
| Can Chang | .... | matchmove artist: Matte World Digital | |
| Glenn Cotter | .... | CG artist: Matte World Digital | |
| Jaymie Lam | .... | roto/paint artist: Matte World Digital | |
| Timothy Mueller | .... | digital compositor: Matte World Digital | |
| Todd R. Smith | .... | lead compositor: Matte World Digital | |
Stunts | |||
| Jeff Chumas | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Allen Dial | .... | electrician | |
| Mitch Stelling | .... | grip | |
| Brian Sullivan | .... | scenic cinematographer | |
Casting Department | |||
| Joanne Brooks | .... | casting assistant | |
| Kim McCray | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jacqueline Newell | .... | costume supervisor | |
| Amber Williams | .... | on-set costumer | |
Editorial Department | |||
| Chantelle Squires | .... | assistant editor | |
Music Department | |||
| Ted Hinckley | .... | music scoring supervisor | |
| Scott Johnson | .... | music editor | |
Transportation Department | |||
| Scott Doleto | .... | driver | |
| Brett Miller | .... | transportation coordinator | |
| Eric Solmonson | .... | transportation captain | |
Other crew | |||
| Tyler Atkinson | .... | set production assistant | |
| Suzanne Bingham | .... | script supervisor | |
| Ray Colley | .... | wrangler | |
| Kent Daniels | .... | production assistant | |
| Alan Oakes | .... | location manager | |
| David Payne | .... | assistant to director | |
| Ryan Pederson | .... | production assistant | |
| Fenton Quinn | .... | head wrangler | |
| Brooke Redmon | .... | assistant production coordinator | |
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| Jacob | San Paolo | Wrestling with God | Magnum Force | The Work and the Glory III: A House Divided |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
This second installment of the series based on the "Work and the Glory" books far exceeds the first effort. The music, cinematography, story line, acting and general "feel" of the movie are all great. I have not read the underlying novels, so I have no idea how or if the story details in the movie mirror the books, but I can say this: this movie is moving, inspiring, and dramatically (though slightly fictionally, since the main family is fictional) portrays a slice of true American history.
I do not believe the movie is preachy, at least not about Mormonism. I think most Americans (and others), who take for granted such notions as a free press and upright civil authorities who can be trusted to uphold the law, will easily recognize how different such things were back then.
Mormon history buffs will be a bit disappointed that some of the details were glossed over or left out. My only complaint is that, in an attempt to make this movie appeal to non-Mormon audiences, some of the more dramatic mythic stories from Joseph Smith's time, though alluded to in the movie, are not satisfyingly portrayed.
Not for young children, this movie gets a 9 from me; just a bit more coherence in the story line and some other such movie "polish" would have garnered a 10.
Bravo to all involved! And thanks for a family-friendly, beautiful, moral story that all who see can connect to.