| Photos (see all 14 | slideshow) |
| Sam Hennings | ... | Benjamin Steed | |
| Brenda Strong | ... | Mary Ann Steed | |
| Eric Johnson | ... | Joshua Steed | |
| Alexander Carroll | ... | Nathan Steed | |
| Brighton Hertford | ... | Melissa Steed | |
| Kimberly Varadi | ... | Becca Steed | |
| Colin Ford | ... | Matthew Steed | |
| Sarah Bastian | ... | Lydia Steed (as Sera Bastian) | |
| Emily Podleski | ... | Jessica Roundy | |
| Jim Grimshaw | ... | Josiah McBride | |
| Jonathan Scarfe | ... | Joseph Smith | |
| Melanie Hawkins | ... | Emma Smith | |
| Frank Ashmore | ... | Martin Harris | |
| Curtis Andersen | ... | Carl Rogers | |
| Jeff Ham | ... | Obadiah Cornwell | |
| Giulia Pagano | ... | Mother Smith | |
| Raphael Sbarge | ... | Parley Pratt | |
| Mike Pniewski | ... | Wilson Everett | |
| Matthew Carlton | ... | George Simpson | |
| Michael Bowen | ... | Robert Johnson | |
| Caitlin Bradbury | ... | Mary Partridge | |
| David Dwyer | ... | William Phelps | |
| R.D. Call | ... | Boggs | |
| Milton Bagby | ... | Caleb, farmer | |
| Danny Nelson | ... | Reverend Samuel Bogart | |
| Andrew Bowen | ... | Brigham Young | |
| Haynes Brooke | ... | Edward Partridge | |
| Nakotah Larance | ... | Pidgeon | |
| Russ Comegys | ... | Ruffian | |
| John Henry Scott | ... | Deputy Frank | |
| Adam Heffernan | ... | Deputy Smiley | |
| Don Henderson Baker | ... | Ezra Booth | |
| Annie Abbott | ... | Edith Gates | |
| Wilbur Fitzgerald | ... | Magistrate | |
| Mark Scarboro | ... | Newell K. Whitney | |
| Mary Tanner Bailey | ... | Elsa Johnson | |
| Stephen Michael Ayers | ... | Father Smith (as Stephen Ayers) | |
| rest of cast listed alphabetically: | |||
| Nic Cornett | ... | Man with Rifle / Man on Horse (uncredited) | |
| William J. Mode | ... | Himself - Militiaman / Tavern Patron / Citizen (uncredited) | |
Directed by | |||
| Sterling Van Wagenen | |||
Writing credits(in alphabetical order) | ||
| Gerald N. Lund | novel "Like A Fire is Burning" | |
| Matt Whitaker | screenplay | |
Produced by | |||
| Jeff T. Miller | .... | co-producer | |
| Larry H. Miller | .... | executive producer | |
| Scott Swofford | .... | producer | |
Original Music by | |||
| Sam Cardon | |||
Cinematography by | |||
| Reed Smoot | |||
Film Editing by | |||
| Stephen L. Johnson | |||
Casting by | |||
| Rene Haynes | |||
Production Design by | |||
| Christopher R. DeMuri | |||
Art Direction by | |||
| Les Boothe | |||
Costume Design by | |||
| Cathren Warner | |||
Makeup Department | |||
| Gloria Belz | .... | makeup artist | |
| Sandy Jo Johnston | .... | makeup artist | |
| Edwin Matsu | .... | makeup artist | |
| Tena Parker-Liddiard | .... | key hair stylist | |
Production Management | |||
| Rick Gordon | .... | post-production supervisor | |
Art Department | |||
| Brent Astrope | .... | construction coordinator | |
| George Harding III | .... | set dresser | |
| Matt Harris | .... | art department coordinator | |
| Janet S. Havranek | .... | art department buyer | |
| Steve Kaiser | .... | assistant property master | |
| Kee Miller | .... | draftsman | |
| Kelly Anne Ross | .... | art buyer (as Kelly Ross) | |
| Richard Salinas | .... | scenic artist | |
| Bartholomew Singer | .... | on-set greens | |
| E. Parker Webb | .... | stand-by greens | |
Special Effects by | |||
| Chad Hokama | .... | special effects assistant | |
Visual Effects by | |||
| Daphne Apellanes-Ackerson | .... | compositor: Matte World Digital | |
| Can Chang | .... | matchmove artist: Matte World Digital | |
| Can Chang | .... | rotoscope artist: Matte World Digital | |
| Glenn Cotter | .... | CG artist: Matte World Digital | |
| Jaymie Lam | .... | roto/paint artist: Matte World Digital | |
| Timothy Mueller | .... | digital compositor: Matte World Digital | |
| Todd R. Smith | .... | lead compositor: Matte World Digital | |
Stunts | |||
| Jeff Chumas | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Allen Dial | .... | electrician | |
| Mitch Stelling | .... | grip | |
| Brian Sullivan | .... | scenic cinematographer | |
Casting Department | |||
| Joanne Brooks | .... | casting assistant | |
| Kim McCray | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jacqueline Newell | .... | costume supervisor | |
| Amber Williams | .... | on-set costumer | |
Editorial Department | |||
| Chantelle Squires | .... | assistant editor | |
Music Department | |||
| Scott Johnson | .... | music editor | |
Transportation Department | |||
| Eric Solmonson | .... | transportation captain | |
Other crew | |||
| Tyler Atkinson | .... | set production assistant | |
| Suzanne Bingham | .... | script supervisor | |
| Ray Colley | .... | wrangler | |
| Kent Daniels | .... | production assistant | |
| Alan Oakes | .... | location manager | |
| David Payne | .... | assistant to director | |
| Ryan Pederson | .... | production assistant | |
| Fenton Quinn | .... | head wrangler | |
| Brooke Redmon | .... | assistant production coordinator | |
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| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Author Gerald N. Lund wrote a series of novels about the founding and expansion of Mormon Church entitled "Like a Fire is Burning." The Work and the Glory: American Zion is the second part in what will be a trilogy of films based on Lund's novels. American Zion is the Empire Strikes Back of the Mormon Church, if you will. But in all seriousness, religion or no religion (and I'm personally of no religious persuasion), it's a well-done, well-made, superbly-acted film that's a lot better than a majority of the crap that comes out of Hollywood these days.
The prologue briefly discusses everything that happened in the previous film, so even if you didn't see The Work and the Glory (Part 1), you can still jump into this movie and more or less figure out what's going on. In Part 1, the Mormon prophet Joseph Smith (played by a brooding-but-gorgeous Jonathan Scarfe am I going to hell for calling a prophet hot?) forms the Church of Latter Day Saints. In American Zion (Part 2) we witness their brutal history of oppression and learn why the Mormons kept migrating west. Everywhere they went, they were attacked, threatened, and forcefully removed. It's gut wrenching to watch. Men are whipped or covered in boiling tar, while women and children are sent on death marches through the snow. The early Mormons experienced a fate similar to the Native Americans and the Jews.
Look, I'm not Mormon, but this is a great movie. Every character is believable and the story really does suck you in. After seeing the first two films, I'm now totally invested in this story. And it ends on such a cliffhanger that I honestly can't wait to see the next film The Work and the Glory: A House Divided. This is top-quality historical drama, and any movie lover can enjoy it, not matter what their religion.