| Photos (See all 23 | slideshow) | Videos (see all 3) |
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Nicky Kentish Barnes | .... | co-producer | |
| Charles H. Joffe | .... | co-executive producer | |
| Duncan Reid | .... | executive producer: Ingenious Film Partners | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Stephen Tenenbaum | .... | executive producer | |
| David M. Thompson | .... | executive producer: BBC Films | |
| Peter Touche | .... | executive producer: Ingenious Film Partners | |
| Gareth Wiley | .... | producer | |
Cinematography by | |||
| Remi Adefarasin | |||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Patricia Kerrigan DiCerto | |||
| Gail Stevens | |||
| Juliet Taylor | |||
Production Design by | |||
| Maria Djurkovic | |||
Art Direction by | |||
| Nick Palmer | |||
Set Decoration by | |||
| Philippa Hart | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Polly Earnshaw | .... | makeup artist | |
| Charlotte Hayward | .... | makeup trainee | |
| Sallie Jaye | .... | hair designer | |
| Sallie Jaye | .... | makeup designer | |
| Chris Lyons | .... | special effects teeth | |
| Tracy Smith | .... | hairdresser (as Tracey Smith) | |
| Lisa Tomblin | .... | hairdresser | |
Production Management | |||
| Finlay Bradbury | .... | unit manager (as Finlay Pile) | |
| Tori Parry | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Tamana Bleasdale | .... | second assistant director | |
| Dan Channing-Williams | .... | crowd assistant director | |
| Chris Croucher | .... | crowd assistant director | |
| Michael Elliott | .... | first assistant director (as Mike Elliott) | |
| Samar Pollitt | .... | third assistant director | |
Art Department | |||
| Louise Begbie | .... | art department assistant | |
| Mat Bergel | .... | stand-by props | |
| Hannah Capron | .... | graphic artist: newspapers | |
| David Creed | .... | construction manager | |
| Chris Cull | .... | property master | |
| Gill Farr | .... | production buyer | |
| Simon Riley | .... | stand-by props | |
| Sarah Stuart | .... | stand-by art director | |
| Ian Taylor | .... | set carpenter | |
| Stephen Thomson | .... | dressing propman | |
| Martin Tronquart | .... | assistant property master | |
| Billy Wilson | .... | dressing prophand | |
Sound Department | |||
| Coll Anderson | .... | foley editor | |
| Esther Asiedu-Ofei | .... | sound trainee | |
| Carlos M. Cano | .... | apprentice sound editor | |
| Ryan Collison | .... | foley engineer | |
| Lee Dichter | .... | sound re-recording mixer | |
| Peter Glossop | .... | sound mixer | |
| Robert Hein | .... | supervising sound editor | |
| Stephane Malenfant | .... | sound assistant | |
| Sylvia Menno | .... | dialogue editor | |
| Shaun Mills | .... | boom operator | |
| Eytan Mirsky | .... | assistant sound editor | |
| Glenfield Payne | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
| David Wahnon | .... | foley editor | |
| David Wahnon | .... | sound editor | |
Special Effects by | |||
| Neil Toddy Todd | .... | special effects technician | |
Visual Effects by | |||
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Michelle Corney | .... | visual effects producer | |
| Adam Gascoyne | .... | digital compositor: MPC | |
| Tim Hey | .... | digital compositor: MPC | |
| Martin Hobbs | .... | executive producer: MPC | |
| Gemma James | .... | visual effects coordinator | |
| Tom Kimberley | .... | digital compositor: MPC | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Jennifer Loughnan | .... | visual effects coordinator (as Jen Loughnan) | |
| Alasdair McNeill | .... | roto/prep supervisor: MPC | |
| Andy Middleton | .... | texture artist: MPC | |
| Victoria Mowlam | .... | visual effects coordinator: MPC | |
| Adrian Pinder | .... | 3D artist: MPC | |
| Scott Pritchard | .... | digital compositor: MPC | |
| John Roberts-Cox | .... | 3D artist: MPC (as John Roberts Cox) | |
| John Roberts-Cox | .... | lead lighting technical director: MPC | |
| Aled Robinson | .... | visual effects editor: MPC | |
| Richard Stammers | .... | visual effects supervisor | |
| Miquel Ubeda | .... | digtial compositor: MPC London | |
| Sheila Wickens | .... | digital compositor: MPC (as Sheila Gorman) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
Camera and Electrical Department | |||
| Ben Adefarasin | .... | camera trainee | |
| John Adefarasin | .... | clapper loader | |
| John Arnold | .... | key grip | |
| Chris Bain | .... | daily focus puller | |
| Chris Clarke | .... | clapper loader: dailies | |
| Clive Coote | .... | still photographer | |
| David Cozens | .... | focus puller | |
| Ian Franklin | .... | rigging gaffer | |
| Mark Funnell | .... | best boy | |
| Chris Hammond | .... | electrician | |
| Tobias Marshall | .... | camera trainee | |
| Paul Molloy | .... | electrician | |
| Gary Parnham | .... | rigging electrician | |
| John Saunders | .... | electrician | |
| Llewellyn Thomas | .... | camera car | |
| Alf Tramontin | .... | Steadicam operator | |
| David Wall | .... | chief rigging electrician | |
| Ben Wilson | .... | additional camera operator | |
| Ben Wilson | .... | electrician | |
| Jimmy Wilson | .... | gaffer | |
Casting Department | |||
| Peter Bevan | .... | casting assistant | |
| William Davies | .... | casting associate | |
| Julie Dunne | .... | additional casting | |
| Julie Schubert | .... | casting assistant | |
| David Wheal | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Karen Beale | .... | wardrobe assistant | |
| Tracey Millar | .... | costume assistant | |
| Charlotte Sewell | .... | assistant costume designer | |
Editorial Department | |||
| Lisa Clifford-Owen | .... | assistant editor | |
| Kate Rose Itzkowitz | .... | apprentice editor | |
| Scott Kordish | .... | post-production coordinator | |
| Morgan Neville | .... | first assistant editor | |
| James Nichols Jr. | .... | assistant editor | |
| Tina Pacheco | .... | assistant editor | |
| Lawrence Howard Williams | .... | post digital media operator | |
| Phil Ashton | .... | color grader (uncredited) | |
Transportation Department | |||
| Lawrence Duncan | .... | facilities captain | |
| Richard Eksteen | .... | facilities driver | |
| Lee Isgar | .... | driver: Scarlett Johansson | |
| Gary Mavor | .... | facilities driver | |
Other crew | |||
| Sarah Allentuch | .... | assistant: Mr. Allen | |
| Kim Armitage | .... | script supervisor | |
| Carrie-Ann Banner | .... | assistant production coordinator | |
| Menna Bevan | .... | floor runner: dailies | |
| Matthew Bristowe | .... | title producer | |
| Bruno Cassoni | .... | location assistant | |
| Leah Chalk | .... | health and safety | |
| Francesca Dowd | .... | production coordinator | |
| Jake Edmonds | .... | health and safety advisor | |
| Richard Etchells | .... | title designer (as Dickie Etchells) | |
| Lucy Foulds | .... | location coordinator | |
| Flax Glor | .... | publicist | |
| Max Greenhalgh | .... | production runner | |
| Michael J. Harker | .... | completion bond company representative | |
| Michael Harm | .... | location manager | |
| Lisa Heathcote | .... | food stylist | |
| Natalie Kavanagh | .... | floor runner: dailies | |
| Begoña Lopez | .... | title producer | |
| Pietro Lorino Jr. | .... | post-production accountant | |
| Reel Meals | .... | caterer | |
| Louise O'Malley | .... | production accountant | |
| Jeremy Pelzer | .... | studio director ealing studios | |
| Scott Penrose | .... | magic consultant | |
| Dave Shaw | .... | diving advisor | |
| Cassandra Sigsgaard | .... | clearances coordinator | |
| Kerry Smith | .... | assistant accountant | |
| Aurelia Thomas | .... | assistant location manager | |
| David Wilcock | .... | cashier | |
| Alexandra Ducocq | .... | executive assistant: hugh jackman (uncredited) | |
| David Joy | .... | location runner (uncredited) | |
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| So Sweet, So Dead | The Quiet American | Rebecca | Dial M for Murder | Australia |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Great Woody Allen? No. Good Woody Allen? Definitely. I found myself, along with the audience in attendance, laughing hard and often at some of the best Woody Allen lines we've heard in a while. The aging Allen created an appropriate role for himself as Scarlett Johansson's "father" ... well, sort of. Some have said Johansson plays "a young Dianne Keaton." I beg to differ. She plays Woody's dialogue, which, in his comedies, always has a very similar feel...like, well, a Woody Allen comedy. That's fine for us Woody appreciators. She certainly did Woody's dialogue far better than the young cast of his last comedy, Melinda/Melinda. Some may find Woody's humor tiresome, but for those of us who love it when it's done right, we look forward to the next.