| Photos (see all 4 | slideshow) |
| Asher Beard | ... | Himself | |
| Nyan Boateng | ... | Himself | |
| Renan Ebeid | ... | Herself | |
| Dwight Howard | ... | Himself | |
| Jay-Z | ... | Himself (as Shawn Carter) | |
| Derek Jeter | ... | Himself | |
| Eugene Lawrence | ... | Himself | |
| Spike Lee | ... | Himself | |
| Dwayne Tiny Morton | ... | Himself | |
| Jeffrey Morton | ... | Himself | |
| Antonio Pena | ... | Himself | |
| Rick Pitino | ... | Himself | |
| Erica Telfair | ... | Herself | |
| Ethan Telfair | ... | Himself | |
| Sebastian Telfair | ... | Himself | |
| Jamel Thomas | ... | Himself | |
| Daniel Turner | ... | Himself | |
| Sonny Vaccaro | ... | Himself | |
| Michael Vechesky | ... | Himself | |
| Darius Washington | ... | Himself |
Directed by | |||
| Alistair Christopher | |||
| Jonathan Hock | |||
Produced by | |||
| Philip A. Aromando | .... | co-producer | |
| Jonathan Hock | .... | producer | |
| Diane Houslin | .... | executive producer | |
| Christopher Kenneally | .... | associate producer | |
| Asha Rubin | .... | associate producer | |
Original Music by | |||
| Pete Miser | |||
| Duncan Sheik | |||
Cinematography by | |||
| Alastair Christopher | |||
Film Editing by | |||
| Sam Citron | |||
| Steven Pilgrim | |||
Production Management | |||
| Connor Schell | .... | executive production manager | |
| Ron Wechsler | .... | executive in charge of production | |
Sound Department | |||
| Vince Caputo | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Ben Stauffer | .... | additional camera operator | |
| Michael Vechesky | .... | camera operator | |
Animation Department | |||
| Danny Gonzalez | .... | animator | |
| Jeremy Lasky | .... | animator | |
| Brendan Werner | .... | animator | |
Editorial Department | |||
| Alex Evans | .... | post-production associate | |
| Perry Fallick | .... | post-production assistant | |
| Misha Greenberg | .... | post-production assistant | |
| Fred Manzi | .... | post-production assistant | |
| Dante Motes | .... | post-production assistant | |
| Scott Sans | .... | post-production assistant | |
| Ivo Stainoff | .... | color timer | |
| Roni Sussman | .... | post-production assistant | |
Music Department | |||
| Anton Marchand | .... | music consultant | |
Other crew | |||
| Danny Gonzalez | .... | title designer | |
| Jeremy Lasky | .... | title designer | |
| Michael Lebrecht | .... | photographs courtesy of | |
| Jennifer Pottheiser | .... | photographs courtesy of | |
| Adam Scigliano | .... | logger | |
| Brendan Werner | .... | title designer | |
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| Slap Shot | The Basketball Diaries | Coach Carter | I Wanna Be Like Mike: The Story of the New NBA | Kokoyakyu: High School Baseball |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
| Add this title to MyMovies |
This is a good movie, because it is a documentary, and documentaries by nature start on such a higher playing field. As a documentary, it is somewhat below average. There are gaping holes and topics that are completely ignored that are integral to the subject matter. For one thing, there was not a single speaking agent or pro scout/rep in the movie. It is basically a summary of the games he played as a senior, a post season all-star game, the announcement of his shoe deal, one cover shoot, and coverage from the draft. That said, the content of the film is excellent... it is just not complete. I found Telfair's two older brothers to be radiant characters... the kind of stuff you'd never see in scripted material. Telfair's high school coach (not in as many scenes) was another highlight. Another odd thing about the movie is that it is clearly avoiding what is common knowledge to almost anyone who actually watched this. Telfair is struggling. He is arguably the 2nd/3rd PG on the worst team in the Western Conference... losing minutes to Jarret Jack (a late first round rookie) and Steve Blake (a backup on any other team). Lebron James was the first, and thus far only, elite performing star straight out of high school. This movie was clearly made in the wake of Lebron James in an effort to capture Lebron II. So instead of looking at the hype from the outside as a documentary, this movie itself is part of the hype. This is made clear based on the futile efforts to skirt Telfair's pro career. For one thing, this movie was released almost two years after its final event, the 2004 draft. Not all that suspicious, except that there was no text at the end of the movie, updating us with information on his pro career. Put those two together and it appears that ESPN tried to wait for him to be successful before airing the movie. Which gets us to what reeks about this movie. Telfair and his brothers seem intelligent and honorable, and they are being exploited in an effort to make money. This common nowadays with reality TV, but Telfair's career is at stake here. Dollar-crazed industries scrambled for the next Lebron, knowing and banking on the fact that plenty of money could be made before one of these guys even made it to the pros. This juicy topic is not addressed in the movie... as I said before, the packaging of this movie is just another example. The result is fans hating on Telfair and calling him a bust, which he is not. He isn't Todd Van Popple or Brian Bosworth... there was almost zero assurance for all the Telfair hype, again not his fault. That this movie was aired instead of the World Baseball Classic is another strike against the sickeningly self-indulgent ESPN. ESPN doesn't seem to realize that people like it and watch it because it is a window to sports, and not because of its slapdash, substandard original programing or haughty, moronic personalities.