| Alex Frost | ... | Dylan | |
| Marnette Patterson | ... | Gina | |
| Taylor Handley | ... | Ryan | |
| Max Van Ville | ... | Eric | |
| Bobby Brewer | ... | Faison | |
| Paul Benz | ... | Zac | |
| Mike Baldridge | ... | Mr. Jones | |
| Thomas F. Duffy | ... | Dylan's Father | |
| Shelly Lipkin | ... | Mr. Cramer | |
| James T. Callahan | ... | Principal Watson | |
| Chase Offerle | ... | Chaz | |
| Lindsay Huff | ... | Tina | |
| Nathan Vetterlein | ... | Jeremy | |
| Jesse Springer | ... | Victim | |
| rest of cast listed alphabetically: | |||
| Slade Barnett | ... | Chris Miller | |
| Rik Deskin | ... | Newspaper Teacher | |
| Michael Taylor Donovan | ... | Teacher | |
| Michael Hall | ... | Dane | |
| Rebecca Harpring | ... | Checker | |
| Sean Holt | ... | Skate Park Kid | |
| Michele Mariana | ... | Mrs. Ratchett | |
| Annelise Marie | ... | Disgusted Girl | |
| Patrick Moote | ... | Pizza Guy | |
| Orson Ossman | ... | J.B. | |
| Kait Raymond | ... | Frantic Kid | |
| Orly Shani | ... | Tessa | |
| Lucille Tolces | ... | Customer | |
| Adrienne Wade | ... | Grocery Store Flirt | |
Directed by | |||
| Jordan Albertsen | |||
Writing credits(WGA) | ||
| Jordan Albertsen | (screenplay) & | |
| David Sean Robinson | (screenplay) | |
| Jordan Albertsen | (story) | |
Produced by | |||
| Pete Barwell | .... | co-producer | |
| David Gilmore | .... | co-producer | |
| Eric Partch | .... | executive producer | |
| Brian Scott Robinson | .... | producer | |
| David Sean Robinson | .... | producer | |
Original Music by | |||
| Levi Burkle | |||
Cinematography by | |||
| Jeff Barklage | |||
Film Editing by | |||
| Sean Olson | |||
Casting by | |||
| Linda Phillips-Palo | |||
Production Design by | |||
| Melissa Cushman | |||
Art Direction by | |||
| Jessica Albright | |||
Costume Design by | |||
| Gerard Parr | |||
Makeup Department | |||
| Denise Currier | .... | assistant makeup artist | |
| Ken Niederbaumer | .... | key makeup artist | |
| Kelly O'Leary | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Jason C. Brown | .... | first assistant director | |
| Anna Ford | .... | second assistant director | |
| McKay Johnson | .... | second second assistant director | |
Sound Department | |||
| Sandy Berman | .... | sound designer | |
| Sandy Berman | .... | sound re-recording mixer | |
| Hugh Berry | .... | sound utility | |
| Dave Ruddick | .... | sound mixer | |
| Nathan Ruddick | .... | boom operator | |
| Steve Schatz | .... | sound re-recording mixer | |
| Steve Schatz | .... | supervising sound editor | |
Special Effects by | |||
| Ray Brown | .... | special effects foreman | |
| Michael E. Christ | .... | special effects technician | |
| Bob Riggs | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Derick Avitt | .... | camera loader | |
| Dan Ayers | .... | Steadicam operator | |
| Harry Calbom | .... | grip | |
| Alex Esber | .... | assistant camera | |
| Jim Hicks | .... | grip | |
| Joseph Hudson | .... | camera operator: "b" camera | |
| Mike Jensen | .... | jib operator | |
| Tony Konichek | .... | electrician | |
| Brad Lednik | .... | dolly grip | |
| Corey Lopardi | .... | gaffer | |
| Theresa Majeres | .... | grip (as Theresa Majeras) | |
| Devin Matthews | .... | video assist operator | |
| Ryan Middleton | .... | key grip | |
| Ingrid Pan | .... | grip | |
| Michael Stadler | .... | still photographer | |
| Eric Stalzer | .... | electrician | |
| Anthony Tackett | .... | second assistant camera | |
| Robby Terry | .... | best boy grip | |
| T.J. Williams Jr. | .... | assistant camera: "b" camera | |
| Dave Wilson | .... | best boy electric | |
Casting Department | |||
| Martha Murphy | .... | extras casting | |
| Paul Palo | .... | casting associate | |
Costume and Wardrobe Department | |||
| Mairi Chisholm | .... | costume supervisor | |
| Chris Koser | .... | assistant costumer | |
Editorial Department | |||
| Mato | .... | color timer | |
| Stephen Parsey | .... | assistant editor | |
Other crew | |||
| Barb Albertsen | .... | craft service coordinator | |
| Sommer Albertsen | .... | craft service | |
| Nick Bergthold | .... | assistant to director | |
| Rebecca Harpring | .... | script supervisor | |
| Lexie Lett | .... | craft service | |
| Robert Levine | .... | production accountant | |
| Michael Loyd | .... | production assistant | |
| Mike Ohman | .... | production assistant | |
| Karen Pinney | .... | production coordinator | |
| Collette Riggs | .... | craft service | |
| Adrienne Wade | .... | production secretary | |
| Susan Ward | .... | craft service | |
| Tavier Wasser | .... | production assistant | |
|
|
|
|
|
| The Standard v.15 | Faded | Spoonaur | A Little Step | Bus Stop |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
The Standard, which is said to have been based almost entirely on actual events and characters of Jordan Albertsen's teenage days, is a remarkably accurate portrayal of the life of a high schooler in the 21st century. Gone are the days of Fast Times... & Dazed and Confused - what The Standard delivers is the unfeathered truth of what high school means to today's teenagers.
Dealing with issues of friendship, girls, drugs and the standardization of high school curriculum, the film follows the lives of a handful of teenagers as they struggle to make it through their final month of the school year. With graduation near, Dylan is forced to reconsider his post-high school plans of moving to Boston with his girlfriend Gina. Feeling the pressure from his school, friends, Gina and his father, Dylan and the rest of the cast take us through a roller-coaster ride of the life of a high-schooler.
The Standard is filmed in a raw, realistic manner giving the audience full perspective into the lives of the characters. Edgy and daring, the film does not hesitate to break the rules of conventional story telling. Breathtaking scenery and an educated use of the camera (with shots borrowed from the early likes of Welles and others) is sure to remind the audience of what cinematography used to mean to the filmmaker.
With an outstanding cast of popular young actors and a few recognizable faces for the older folk, The Standard is sure to deliver an entertaining and heartfelt cinematic experience that'll leave the audience talking for days.