A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
In future Britain, Alex DeLarge, a charismatic and psycopath delinquent, who likes to practice crimes and ultra-violence with his gang, is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again. Written by
The movie is set in a verdant forest landscape but in reality it was shot in a location that had experienced the worst drought in years. For that reason, any bullets or explosions had to be put in digitally so as to reduce the risk of fire. See more »
When Vidal slices the mirror with the razor, the shaving cream is disturbed by finger marks in one shot while in all others it is smooth. See more »
A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world. She dreamed of blue skies, soft breeze, and sunshine. One day, eluding her keepers, the Princess escaped. Once outside, the brightness blinded her and erased every trace of the past from her memory. She forgot who she was and where she came from. Her body suffered cold, sickness, and pain. Eventually, she died. However, her father, the King, always knew...
See more »
The two "Stick Insects" are credited as Cheech and Chong, after which it says "MAY THEY REST IN PEACE". See more »
I saw this film toward the end of the Cannes Film Festival; it edged out all the others I'd seen, 30 of them, because of its wonderful story; history, politics and fantasy woven into a fabric spun by a superlative creative team headed by Guillermo del Toro. In comparison to this, his latest effort, del Toro's other films only hinted at the depth and breadth of his talent. In this film, much as I pride myself on foreseeing the outcome of most stories, I could not guess what would happen next. The film is quite long, yet suspense is sustained throughout. The music is some of the best I've heard in years, so well suited to the action that you almost don't notice its specific effect because of how well it is intertwined with the visual, emotional and intellectual experience.
In my opinion, del Toro's "...Labyrinth" deserved to win at Cannes over the Ken Loach film, "The Wind That Shakes the Barley". Actually, everyone I knew at the Festival who had seen both agreed with me. And the 22 minute ovation speaks clearly for the effect on the audience. It's hard to imagine that any film could beat it in a context other than Cannes where they have marked preferences, bordering on obsession, for certain directors.
Let's hope that the late December opening favors an Oscar nomination which it should win hands down, unless some other work of genius appears on the horizon. That doesn't seem likely because at Cannes the somewhat disappointing array of films was attributed to the fact that not much great product is being released this year. I might add that I had already seen Volver prior to Pan's Labyrinth, and I maintain that Pan is the better film. For me, it displaced all three of my top films of the year. I do love The Departed but, luckily, that's in another category which does not threaten Pan's access to Oscar. If I had to choose the very best picture of the year, without limitation by category, it would most assuredly go to Pan's Labyrinth for it demonstrates del Toro's originality and brilliance as both writer and director.
262 of 387 people found this review helpful.
Was this review helpful to you?