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Pan's Labyrinth (2006)

El laberinto del fauno (original title)
In the falangist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world.

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Top Rated Movies #131 | Won 3 Oscars. Another 98 wins & 105 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Serrano
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Gonzalo Uriarte ...
Eusebio Lázaro ...
Padre
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Sacerdote (as Paco Vidal)
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Lina Mira ...
Esposa del alcalde
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Storyline

In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again. Written by Tim

Plot Summary | Plot Synopsis

Plot Keywords:

fairy | hiding | spain | labyrinth | woods | See All (291) »

Taglines:

Innocence Has A Power Evil Cannot Imagine. See more »

Genres:

Drama | Fantasy | War

Motion Picture Rating (MPAA)

Rated R for graphic violence and some language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

19 January 2007 (USA)  »

Also Known As:

Pan's Labyrinth  »

Filming Locations:

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Box Office

Budget:

€13,500,000 (estimated)

Opening Weekend:

€1,545,313 (Spain), 15 October 2006, Limited Release

Opening Weekend USA:

$779,427, 31 December 2006, Limited Release

Gross USA:

$37,634,615

Cumulative Worldwide Gross:

$87,041,569
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

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Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Guillermo del Toro conceived the Pale Man as an allusion to the perverted image of stigmata - ghastly wounds that are supposed to signify grace and piety. See more »

Goofs

When Ofelia enters the lair of the Pale Man, she sets the hour glass down on the wall (where she entered). From when she puts it down to when it is next in shot, quite a lot of sand has fallen, and this is even before she's walked into the banquet chamber. There is no way that the sand would have lasted past when she was eating the grapes, let alone to when it supposedly did run out. See more »

Quotes

[first lines]
Pan: A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world. She dreamed of blue skies, soft breeze, and sunshine. One day, eluding her keepers, the Princess escaped. Once outside, the brightness blinded her and erased every trace of the past from her memory. She forgot who she was and where she came from. Her body suffered cold, sickness, and pain. Eventually, she died. However, her father, the King, always knew...
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Crazy Credits

The title and the names of the actors and the production staff are not shown until the end of the film. See more »

Connections

Referenced in Shhh (2012) See more »

Soundtracks

The Moribund Tree and the Toad/El árbol que muere y el sapo
Written by Javier Navarrete
Produced by Emmanuel Chamboredon Ian P. Hierons
Courtesy of Milan Entertainment
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Frequently Asked Questions

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User Reviews

 
Innocence and brutality
12 October 2006 | by See all my reviews

I saw the movie yesterday in the Spanish premiere and I confirm: it's one of the best Guillermo del Toro's films (if not the best ever). Innocence and brutality, fantasy and reality, together in a wonderful fairy tale about the power of magic in dark times. The performances are great, mainly from Sergi López, Maribel Verdú and the big revelation of the film: the 12 years girl Ivana Baquero. Del Toro repeats the context of the film "El Espinazo del Diablo" ("The Devil's Backbone"), the Spanish Post-Civil War, with the same philosophy: the supernatural invading the daily life in a depressive environment and the innocence of children trapped between both world. But "El Laberinto del Fauno" is most compact, most mature and best done in very aspects, and perhaps it's the most personal movie from Del Toro.


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