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El laberinto del fauno (2006)
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Overview
User Rating:
Director:
Writer:
Guillermo del Toro (written by)
Release Date:
19 January 2007 (USA)
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Tagline:
What happens when make-believe believes it's real? more
Plot:
In the fascist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world. full summary | full synopsis
Awards:
Won 3 Oscars.
Another 68 wins
&
58 nominations
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NewsDesk:
(39 articles)
John’s Top Eleven Films of the Decade
(From Reel Loop. 6 December 2009, 3:47 PM, PST)
Pan's Labyrinth
(From LateFilmFull. 8 April 2009, 4:35 AM, PDT)
(From Reel Loop. 6 December 2009, 3:47 PM, PST)
Pan's Labyrinth
(From LateFilmFull. 8 April 2009, 4:35 AM, PDT)
User Comments:
Unexpected brilliance.
more (913 total)
Cast
(Cast overview, first billed only)| Ivana Baquero | ... | Ofelia | |
| Sergi López | ... | Captain Vidal | |
| Maribel Verdú | ... | Mercedes | |
| Doug Jones | ... | Fauno / Pale Man | |
| Ariadna Gil | ... | Carmen Vidal | |
| Álex Angulo | ... | Doctor | |
| Manolo Solo | ... | Garcés | |
| César Vea | ... | Serrano | |
| Roger Casamajor | ... | Pedro | |
| Ivan Massagué | ... | El Tarta | |
| Gonzalo Uriarte | ... | Francés | |
| Eusebio Lázaro | ... | Padre | |
| Francisco Vidal | ... | Sacerdote (as Paco Vidal) | |
| Juanjo Cucalón | ... | Alcalde | |
| Lina Mira | ... | Esposa del alcalde |
Additional Details
Also Known As:
Pan's Labyrinth (International: English title)
The Labyrinth of the Faun (International: English title) (informal literal title)
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The Labyrinth of the Faun (International: English title) (informal literal title)
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MPAA:
Rated R for graphic violence and some language.
Parents Guide:
Runtime:
UK:119 min | Finland:120 min | Canada:112 min (Toronto International Film Festival)
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
USA:R |
UK:15 |
Switzerland:16 (canton of Geneva) |
Switzerland:16 (canton of Vaud) |
Ireland:16 (theatrical rating) |
Italy:VM14 |
France:-12 |
Finland:K-15 |
Singapore:R21 |
Norway:15 |
Australia:MA |
Belgium:KNT |
Singapore:NC-16 (cut) |
Taiwan:R-12 |
Germany:16 |
Argentina:18 |
Portugal:M/16 |
Hong Kong:IIB |
Spain:18 |
Canada:13+ (Quebec) |
New Zealand:R16 |
Malaysia:18PL |
Netherlands:16 |
Mexico:C |
Philippines:R-13 (MTRCB) |
South Korea:15 |
Brazil:16 |
Japan:PG-12 |
Iceland:12 |
Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) |
Sweden:15 |
Ireland:18 (DVD rating)
Filming Locations:
Company:
Fun Stuff
Trivia:
Guillermo del Toro is famous for compiling books full of notes and drawings about his ideas before turning them into films, something he regards as essential to the process. He left years worth of notes for this film in the back of a cab, and when he discovered them missing, he thought it was the end of the project. However, the cab driver found them and, realizing their importance, tracked him down and returned them at great personal difficulty and expense. Del Toro was convinced that this was a blessing and it made him ever more determined to complete the film.
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Goofs:
Revealing mistakes: When Ofelia goes down the stairs in the labyrinth and is talking to the faun, his shadow still shows Doug Jones' legs while they are in the stilts. The special effects crew took out his physical legs, but the shadow still exists.
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Quotes:
Movie Connections:
Referenced in Dangerous Days: Making Blade Runner (2007) (V)
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Soundtrack:
A Princess (Una Princesa)
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FAQ
A NOTE REGARDING SPOILERSThe Pale Man doesn't have eyes on his face. How did Doug Jones see where he was going?
Why is the English title of this movie not the same as the Spanish?
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more (913 total)
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This is a movie with a simple and straightforward plot which contains layers and layers of intelligent writing, metaphors and message.
To speak further about the script will end up in spoilers and that would be pointless since my very purpose writing this review is to encourage people to see it.
This is no small feat, interpreting fantasy as something of a product of a real world, cross-referencing how the child acts to her real surroundings and the "other world", metaphors that describe the accelerated state of growing up some of us are put through... Incredible. Simple, straightforward yet there is so much to be appreciated.
Those who are saying how it's predictable and thus not enjoyable, I ask of you, which movie nowadays aren't predictable? Hell, even 21 grams was predictable but so damned good. It's not about how it ends, you can always predict how a movie would end if you've ever taken a half-decent script writing class or have some common sense. It's always about how well you tell a story.
I'm grateful there are still directors who aren't tied down to this new epidemic of including a plot twist simply because they need a plot twist.
Pan's Labyrinth features some of the best storytelling and attention to detail without being affected by the now ever-popular opinion of cameras having to be put through several technical difficulties to make the shots eligible to be called a brilliant shot.
I am also grateful for them not dubbing it. Watching it in its' original language is much, much more rewarding even if I had to rely on the subtitles for most of the time.
This is a brilliant movie. Watch it.