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Pan's Labyrinth (2006)

El laberinto del fauno (original title)
2:30 | Trailer

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In the falangist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world.


129 ( 74)
Top Rated Movies #130 | Won 3 Oscars. Another 99 wins & 105 nominations. See more awards »


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Cast overview, first billed only:
Gonzalo Uriarte ...
Eusebio Lázaro ...
Sacerdote (as Paco Vidal)
Lina Mira ...
Esposa del alcalde


In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again. Written by Tim

Plot Summary | Plot Synopsis

Plot Keywords:

fairy | hiding | spain | labyrinth | woods | See All (291) »


Open the door to another world and an exciting new vision in cinema See more »


Drama | Fantasy | War

Motion Picture Rating (MPAA)

Rated R for graphic violence and some language | See all certifications »

Parents Guide:




| |


Release Date:

19 January 2007 (USA)  »

Also Known As:

Pan's Labyrinth  »

Filming Locations:



Box Office


€13,500,000 (estimated)

Opening Weekend:

€1,545,313 (Spain), 15 October 2006, Limited Release

Opening Weekend USA:

$779,427, 31 December 2006, Limited Release

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

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Technical Specs



Sound Mix:

| |


Aspect Ratio:

1.85 : 1
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Did You Know?


Doug Jones was the only American on the set, and the only one who didn't speak Spanish. See more »


After the car stops for Carmen at the start of the film, Carmen gets back into the car first followed by Ofelia who is sitting on the right hand side as they drive off. When the car arrives at the mill Carmen gets out of the car from the right hand side followed by Ofelia. See more »


[first lines]
Pan: A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world. She dreamed of blue skies, soft breeze, and sunshine. One day, eluding her keepers, the Princess escaped. Once outside, the brightness blinded her and erased every trace of the past from her memory. She forgot who she was and where she came from. Her body suffered cold, sickness, and pain. Eventually, she died. However, her father, the King, always knew...
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Crazy Credits

The title and the names of the actors and the production staff are not shown until the end of the film. See more »


Referenced in Dangerous Days: Making Blade Runner (2007) See more »


Pan's Labyrinth Lullaby/Nana del laberinto del Fauno
Written by Javier Navarrete
Produced by Emmanuel Chamboredon Ian P. Hierons
Courtesy of Milan Entertainment
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Frequently Asked Questions

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User Reviews

Unexpected brilliance.
14 December 2006 | by See all my reviews

This is a movie with a simple and straightforward plot which contains layers and layers of intelligent writing, metaphors and message.

To speak further about the script will end up in spoilers and that would be pointless since my very purpose writing this review is to encourage people to see it.

This is no small feat, interpreting fantasy as something of a product of a real world, cross-referencing how the child acts to her real surroundings and the "other world", metaphors that describe the accelerated state of growing up some of us are put through... Incredible. Simple, straightforward yet there is so much to be appreciated.

Those who are saying how it's predictable and thus not enjoyable, I ask of you, which movie nowadays aren't predictable? Hell, even 21 grams was predictable but so damned good. It's not about how it ends, you can always predict how a movie would end if you've ever taken a half-decent script writing class or have some common sense. It's always about how well you tell a story.

I'm grateful there are still directors who aren't tied down to this new epidemic of including a plot twist simply because they need a plot twist.

Pan's Labyrinth features some of the best storytelling and attention to detail without being affected by the now ever-popular opinion of cameras having to be put through several technical difficulties to make the shots eligible to be called a brilliant shot.

I am also grateful for them not dubbing it. Watching it in its' original language is much, much more rewarding even if I had to rely on the subtitles for most of the time.

This is a brilliant movie. Watch it.

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