Jessica, whose father killed her mother and committed suicide, is a police officer. While investigating a murder, she finds herself in the center of her own investigation, when her former lovers start dying.
Samuel L. Jackson,
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Chris is young idealistic cop who falls in love and gets married to Pam, a beautiful but emotionally unstable woman who suffers from alcoholism and drug addiction. While Chris is trying ... See full summary »
A drifter enters a small town looking for employment. While working at the local cattle ranch, he meets and falls in love with the beautiful Kitty and becomes involved in a deadly yet erotic love triangle.
Young big-city journalist Fredericka Rose is assigned to do a "puff piece" on Bob Ryan on the eve of his 100th birthday. Fredericka goes through the motions, but Ryan gradually gets to her, and changes the way she thinks about her life.
The sins of the fathers. In a town near Little Rock, Lucy Fowler works hard for a construction firm; on weekends she drinks, goes home with someone, and come early morning, wakes and leaves as fast as she can. She cares a lot about her father, newly back in town, a painfully shy man who has nothing to say to her. She does go to a Holy Roller church with him about the same time that she starts, fitfully, a relationship with Cal Percell, new in town and a good guy. She kisses him sober, but still has demons to confront. What's the source of her careless ways; can she turn coal into a diamond? Written by
LEAVIN' AIN'T THE ONLY WAY TO GO
Performed by Eric James Jochmans (as Eric James)
Written by Steven Bliss, Eric James Jochmans, Tommy Parham
Published by KaDaLaNa Music (ASCAP) and Porpoiseful Publishing Co. (BMI)
Courtesy of BME/Brewman Music & Entertainment
Produced by Alan Brewer (uncredited) See more »
Saw this at the Chicago Film Festival and it was a great experience. The movie is a glimpse into the life and relationships of Lucy (Ashley Judd). I went in thinking it was going to be very intense and sad (especially after seeing some of the movie stills) and was very pleasantly surprised at the descriptive intense way the complex Lucy was portrayed and the light feel of the movie despite some very unhappy circumstances. I left the movie feeling like I got to know a good person and had some hope - but didn't see Hollywood clichés or forced happily ever afters.
The writer/director Joey Lauren Adams didn't take any shortcuts and quite happily didn't try to make a movie that appealed to everyone. This is a "real" southern town with "real" people. In the after movie question and answer session with Ms. Adams, she said it would be an interesting exercise to re-shoot the entire movie, keeping the dialog, with a man in the lead role. I keep going back to that . I'd love to hear/see/read the different reactions of critics and audiences to the male and female versions of "Lucy".
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