Ruby, a young woman, arrives in a Florida resort town during the off season to make a fresh start. She gets work as a sales clerk in a souvineer shop run by Mildred Chambers. She dates, and... See full summary »
A down-and-out film producer agrees to make his nephew's film about 19th century English statesman Benjamin Disraeli, but can only get financing if he casts a well-known action star. ... See full summary »
Chris is young idealistic cop who falls in love and gets married to Pam, a beautiful but emotionally unstable woman who suffers from alcoholism and drug addiction. While Chris is trying ... See full summary »
The sins of the fathers. In a town near Little Rock, Lucy Fowler works hard for a construction firm; on weekends she drinks, goes home with someone, and come early morning, wakes and leaves as fast as she can. She cares a lot about her father, newly back in town, a painfully shy man who has nothing to say to her. She does go to a Holy Roller church with him about the same time that she starts, fitfully, a relationship with Cal Percell, new in town and a good guy. She kisses him sober, but still has demons to confront. What's the source of her careless ways; can she turn coal into a diamond? Written by
The jukebox Lucy picks up sits in the back of the pick-up truck for most of the movie because she doesn't know what she is going to do with it. After her breakdown, she goes back to apologize to her father for her drunken outrage the night before and when she pulls up, the jukebox is missing from the back of her truck - it's easy to tell as the jukebox is higher than the cab of her pick-up. In the next scene, when she goes to visit Cal, the jukebox is back on her pick-up truck. See more »
It's like grapefruit, right? It's real nice and stuff and people love it, but when they're done, what's left over is pretty ugly.
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This is the most admirable chick flick I've ever seen
There are no true jerks in this film, and that's at odds with reality, but otherwise this is an incredibly affecting film about an ordinary woman on the attractive side who frequents the local tavern looking for a quick tumble and one too many drinks. I've somehow met women like this though I'm not sure when and where. But Ashley Judd is so completely convincing and skilled at bringing this woman's story to the screen that I was completely won over. My wife likes her movies, but I've always found them a bit off the mark whenever I've seen one. In this film Joey Lauren Adams has done a truly worthwhile bit of directing and writing in shining a light on a small town story. The audience at Roger Ebert's Overlooked Film Festival where I just saw it on the big screen seemed as appreciative as I was. She was heartily applauded when she came on to describe how this little gem was put together, and I, for one, was glad she was there to gather in the public appreciation. But I would have liked to have seen Ashley Judd too. Joey pointed out that she originally wanted to play the lead, but there's no question in my mind that no one could have nailed it like Ashley did. The supporting actors add spice and depth with quality and economy, but this is Ashley's show, and she does a wonderful job that's kicked her permanently up a few notches in my book. For once I sat through what I consider a chick flick and not only did I not fall asleep but felt truly entertained. Now that's a first, but let's not make a habit of it!
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