Erik is expelled from school for fighting. He ends up at a private boarding school where the senior students control the young ones. Erik finds a friend in Pierre, his room mate. The story ... See full summary »
Up-and-coming sports reporter rescues a homeless man ("Champ") only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Samuel L. Jackson,
Kang Tae Sik is a 43-year-old former silver medalist boxer. He now spends his days hawking himself as a human punching bag to passersby in a shopping district in Seoul and other times hiding from various loan sharks. His wife wants a divorce and is threatening to take take their own only son with her. Yoo Sang Hwan is a troubled youth, who was only recently released from prison. Sang Hwan robbed and beat up his elderly neighbor in an attempt to pay off his debts. While in prison, a guard recommended Sang Hwan take up boxing as a way to release his aggression. Now, with his father having passed away, his mother's whereabouts unknown and his grandmother just having a stroke, Sang Hwan is desperate. An amateur boxing competition takes place, providing hope for these two men. They will meet in the ring. Written by
Boxing is used in this movie as the main plot, but this is not a Rocky episode and the protagonists do not fight for glory, fame or wealth. The climax match is just for the domestic rookie contest title and even a win would not improve the life of either Kang or Ryu that much. Boxing has long been dying as a professional sports anyway, at least in Korea.
So what these two main characters fight for? They are just trying to regain the minimum dignity as a human being, the last desperate effort to climb up from the deepest bottom of their existence. Therefore, you know, sometimes who wins is not so important.
This film was not a big hit when it was released to Korean theaters, and no wonder it was as the majority of movie consumers are happy youngsters.
Many of them think this is just another tear-jerking melodrama. It is not, I guarantee, but you would not be able to appreciate the real thing unless you have once gone through your own hell in the life. I cried with Ryu at the end of the movie, I felt his sorrow and happiness so real just as they were mine, it was mentally painful.
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