| Photos (see all 9 | slideshow) | Videos |
| Lázaro Ramos | ... | Deco | |
| Wagner Moura | ... | Naldinho | |
| Alice Braga | ... | Karinna | |
| José Dumont | ... | Sergipano | |
| rest of cast listed alphabetically: | |||
| Tinho Bahia | ... | Lutador de Boxe | |
| Harildo Deda | ... | Careca | |
| Fernanda de Freitas | ... | Nilma | |
| Luís Olho de Gato | ... | Sparing | |
| Andréa Elia | ... | D. Lenita | |
| Felipe Ferreira | ... | Joilson | |
| Nonato Freire | ... | Escrivão | |
| Fernando Fulco | ... | Delegado | |
| Carolina Kahro Ribeiro | ... | Jamily | |
| Agnaldo Lopes | ... | Cliente Karinna 2 | |
| Ricardo Luedy | ... | Cliente Karinna 1 | |
| Olga Machado | ... | Médica | |
| Wilson Mello | ... | Ferreirinha | |
| Maria Menezes | ... | Luzinete | |
| João Miguel | ... | Edvan | |
| Dois Mundos | ... | Himself | |
| Marcos Pedroso | ... | Seu Marquinhos | |
| Adelena Rios | ... | Dançarina Strip 1 | |
| Leno Sacramento | ... | Rufino | |
| Débora Santiago | ... | Sirlene | |
| Guiga Scott | ... | Locutor Xanadu | |
| Ricardo Spencer | ... | Marcelo | |
| Divina Valéria | ... | Zilu | |
| Taís Wagner | ... | Prostituta 1 | |
Directed by | |||
| Sérgio Machado | |||
Writing credits(in alphabetical order) | ||
| Karim Ainouz | writer | |
| Sérgio Machado | writer | |
| Adriana Rattes | contributing writer | |
| Gil Vicente Tavares | contributing writer | |
Produced by | |||
| Robert Bevan | .... | associate producer | |
| Mauricio Andrade Ramos | .... | executive producer | |
| Donald Ranvaud | .... | associate producer | |
| Walter Salles | .... | producer | |
Original Music by | |||
| Carlinhos Brown | |||
| Beto Villares | |||
Cinematography by | |||
| Toca Seabra | |||
Film Editing by | |||
| Isabela Monteiro de Castro | |||
| Isabella Monteiro | |||
Art Direction by | |||
| Marcos Pedroso | |||
Costume Design by | |||
| Cristina Camargo | |||
| André Simonetti | |||
Makeup Department | |||
| Rosa Versoça | .... | makeup artist | |
Production Management | |||
| Claudia Reis | .... | unit production manager | |
| Severo Santos | .... | set production manager | |
| Marcelo Torres | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Daniela Carvalho | .... | second assistant director | |
| Márcia Faria | .... | chief assistant director | |
| Maria Farkas | .... | first assistant director | |
Art Department | |||
| Dan Rodrigues | .... | property master | |
Sound Department | |||
| Rômulo Drummond | .... | boom operator | |
| Leandro Lima | .... | sound recordist | |
| Maurício Pascuet | .... | foley artist | |
| André Tadeu | .... | sound re-recording assistant | |
| Armando Torres Jr. | .... | sound re-recording mixer | |
Special Effects by | |||
| Mauricio Couto Bevilaqua | .... | special effects technician | |
Visual Effects by | |||
| Marcelo Ferreira PeeJay | .... | digital artist | |
| Marcelo Ferreira PeeJay | .... | digital effects artist | |
| Marcelo Siqueira | .... | post production supervisor | |
| Lilian Stock Bonzi | .... | digital effects artist | |
| Ariel Wollinger | .... | digital effects artist | |
| Ariel Wollinger | .... | film recording supervisor | |
Camera and Electrical Department | |||
| Kika Cunha | .... | camera assistant | |
| Julia Equi | .... | camera assist | |
Music Department | |||
| Fil Pinheiro | .... | music production | |
Other crew | |||
| Leticia Prisco | .... | production assistant | |
| Claudia Reis | .... | production coordinator | |
| Maria Fatima Toledo | .... | acting coach | |
| New Siah Leng | .... | illustrator: concept (uncredited) | |
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| Cidade de Deus | Little Athens | Lo strano vizio della Signora Wardh | City of Shoulders and Noses | Pixote: A Lei do Mais Fraco |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Brazil section |
| Add this title to MyMovies |
Reading the IMDb comments from non-Brazilian reviewers, I get the impression "Cidade Baixa" has been mismarketed internationally -- it's far from the ambition, impact, range or scope of "City of God" or "Central Station". It's rather a modest chamber movie about a love triangle setting apart lifelong friends Deco (the incredibly overrated Lázaro Ramos, here in a one-note-so-minimalist-it's-really-lifeless performance) and Naldinho (intense, charismatic Wagner Moura) over the sexual attention and ultimately the "true" love of stripper Karinna (newcomer Alice Braga, sexy, lovely, inexperienced and unconvincing).
Director Sérgio Machado's only previous solo feature effort was "Onde a Terra Acaba", a well-researched documentary on Brazilian legendary filmmaker Mário Peixoto and his single finished film, the 1931 classic "Limite". Like many directors who cross the bridge from documentaries to fiction, Machado here is completely taken over by "the magic of acting". While Machado's undisguised fascination with his three lead stars is overwhelming, the characters in "Cidade Baixa" lack real essence -- the emotional outbursts are there, but the motivations are never clear. The great performance and best designed character comes from veteran José Dumont: he creates a multi-layered, throbbing character in five minutes and has more truth and energy than the three stars combined.
The plot is painfully predictable, it has been told before (and better) countless times. The film's ultimate point -- that a threesome is as good an arrangement as any -- is only shyly hinted at, and probably won't come across for many viewers, but the sexual tension is tangible the whole time. The film is professionally accomplished, but I'm not sure the director's choice for claustrophobic settings and overuse of close-up shots is helpful to the story-- indeed it's a shame that we hardly get to see the open spaces and the entrancing population of Cidade Baixa (the lower part of the city of Salvador, capital of Bahia), which, after all, is the title of the movie! If you blink, you'll miss the falling-to-pieces but still impressive colonial architecture, and you may not see the low-life poverty and fight-for-life vibrancy typical of that neighborhood, because the camera only has eyes for the three stars. Even the Lacerda elevator (the architectural landmark that divides the Lower from Upper City) is seen but for a few seconds. And, for those of us who know and love Salvador for its magical spiritual and carnal energy, the life-affirming music, the irrepressible live-and-let-live savoir-vivre, it's really hard to believe how grim, bleak and sullen all these characters are.
Anyway, the film is never boring, has some good scenes and it's thankfully unpretentious, but the loose ending can be a letdown for many viewers. Maybe next time the talented but still unimposing Sérgio Machado will find a finer balance to his elements, adding a thicker, less tired plot and widening his framings to fully explore his locations, all of which deserves his attention as much as his cast.