On a fishing boat at sea, a 60-year old man has been raising a girl since she was a baby. It is agreed that they will get married on her 17th birthday, and she is 16 now. They live a quiet and secluded life, renting the boat to day fishermen and practicing strange divination rites. Their life changes when a teenage student comes aboard...
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A sixty and something year old captain has been raising for ten years a girl since she was six in his old fishing vessel that is permanently anchored offshore with the intention of marrying her on her seventeenth birthday. He survives bringing fishermen to fish in the vessel and predicting the future using his bow and shooting arrows in a Buddhist painting on the hull of the vessel while the girl moves back and forth in a swing. He also uses the bow and arrows to protect the girl against sexual assault of the fishermen. They live happily until the day that a teenage student comes to the ship and the girl feels attracted to him. When the teenager discovers that the girl was abducted when she was six and does not know the world, he returns to the vessel to bring the girl back to her parents. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
You decide where you should support yourself, while you surf across the vastness of films, and art, that you try. Kim Ki Duk is one of most dear ports i seek for shelter, these days. I thought Bin Jip was transcendental in several ways. It was a sketch of love, a beautiful idea of seeing without looking, feeling without touching. It allows us to experiment in our minds, to subtract the noise of ordinary emotional pornography, and lift us to a different world. My personal experimentation of both Bin-Jip and this one was enhanced by the fact that it was a shared experience, with someone very important (bin-jip was even suggested by her).
I suppose this may be a personal question, but to me Bin Jip, having much to do with this film, tops it in every respect. And it shouldn't. I mean, this one is, in its core, much closer to what it talks about. It should be a step further, regarding the other one. Isolation, the old man and the girl completely separated while sharing the same boat, the same life, the same room! The old man doesn't touch the girl, but bathes her every night. The disturbances that overcome the quietness of the see. Metaphors, The bow, the rope. This is built out of oppositions, or better still, contradictions. But the outcome works similar to Bin-jip. The couple consummate their love when the old man disappears. The same philosophy of not touching, here achieved through a more spectacular scene, where sex is consummated, after the old man leaves to the sea.
So, this is a safe port, a beautiful journey, and if you expect nothing of it, you will get many good things. Compared to Bin Jip this is even more depurated, and all the imagery is more worked our and developed. So it works out the visual complaints i had with bin-jip. But it is less subtle, less developed, and thus, less challenging.
My opinion: 4/5
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