| Manuela Vellés | ... | Ana | |
| Charlotte Rampling | ... | Justine | |
| Bebe | ... | Linda (as Bebe Rebolledo) | |
| Nicolas Cazalé | ... | Said | |
| Asier Newman | ... | Anglo | |
| Matthias Habich | ... | Klaus | |
| Lluís Homar | ... | Ismael | |
| Gerrit Graham | ... | Míster Halcón | |
| Raúl Peña | ... | Lucas | |
| Giacomo Gonnella | ... | Guardaespaldas | |
| Leslie Charles | ... | Jovoskaya | |
| Juanma Lara | ... | Dueño | |
| Diego Molero | ... | Adiestrador | |
| Angel Facio | ... | San Juan (as Ángel Faccio) | |
| Antonio Vega | ... | Himself | |
| Gloria De Miguel | ... | Anciana India | |
| Patricia Arredondo | ... | Mujer Mexicana | |
| Rafael Pérez | ... | Hombre Mexicano | |
| rest of cast listed alphabetically: | |||
| Rikar Gil | |||
| Hugo Catalán | ... | Camarero (uncredited) | |
| Laura De Pedro | ... | Girl at Party (uncredited) | |
| Sue Flack | ... | Tourist (uncredited) | |
| Filippo Morelli | ... | (uncredited) | |
| Sybelle Silverphoenix | ... | NYC Pedestrian (uncredited) | |
Directed by | |||
| Julio Medem | |||
Writing credits(in alphabetical order) | ||
| Julio Medem | ||
Original Music by | |||
| Jocelyn Pook | |||
Cinematography by | |||
| Mario Montero | |||
Film Editing by | |||
| Julio Medem | |||
Casting by | |||
| Sara Bilbatúa | |||
Art Direction by | |||
| Montse Sanz | |||
Costume Design by | |||
| Estíbaliz Markiegi | |||
Makeup Department | |||
| Rodolfo Dellibarda | .... | special makeup effects artist | |
| Pedro Raúl de Diego | .... | special makeup effects artist | |
| Ana López Puigcerver | .... | makeup designer | |
| Sergio Pérez | .... | hair stylist | |
Production Management | |||
| Mari Arnedo | .... | production manager | |
| Izaskun Montilla | .... | assistant production manager | |
| Jeff Stolow | .... | unit production manager | |
| Koldo Zuazua | .... | production leader | |
Art Department | |||
| Kote Camacho | .... | storyboard artist | |
| Vicent Díaz | .... | set designer | |
| José Luis Moya | .... | construction coordinator | |
| Ramón Moya | .... | construction manager | |
| Iñaki Rubio | .... | property master | |
| José Luis Saldaña | .... | painter | |
Sound Department | |||
| Polo Aledo | .... | sound editor | |
| Tomás Erice | .... | boom operator | |
| Patrick Ghislain | .... | foley mixer | |
| Iván Marín | .... | sound recordist | |
| Daniel Peña | .... | foley editor | |
| David Rodríguez | .... | adr recordist | |
| Ricardo Viñas | .... | dolby sound consultant | |
| Roberto Herrador | .... | sound edit intern (uncredited) | |
Visual Effects by | |||
| Sonsoles Aranguren | .... | digital compositor | |
| Juan Ignacio Cabrera | .... | digital compositor | |
| Ramón Cervera | .... | digital compositor | |
| Eduardo Cestari | .... | digital compositor | |
| Daniel de Madrid | .... | digital compositor | |
| Blas Galera | .... | digital conform editor | |
| Tote González | .... | visual effects | |
| Isidro Jiménez | .... | digital compositor | |
| Ezequiel Larrú | .... | digital effects artist | |
| Javier Martínez Calvo | .... | graphic designer | |
| Marcos Onaindia | .... | visual effects supervisor | |
| Gabriel G. Roy | .... | digital compositor | |
| Telson S.L. | .... | digital post production & effects | |
| Jaime Suárez | .... | graphic designer | |
Stunts | |||
| Pablo Casillas | .... | stunt coordinator | |
Animation Department | |||
| Kote Camacho | .... | animation director | |
| Oliver Sala | .... | animator | |
Costume and Wardrobe Department | |||
| Mónica García | .... | costume assistant (as Mónica G. Lancha) | |
Editorial Department | |||
| Isabel Cano | .... | post-production coordinator | |
| Nuria López | .... | post-production coordinator | |
| María José Martín | .... | post-production director | |
| Ximo Michavila | .... | digital film colorist | |
| Verónica Pérez | .... | scanning and film recording | |
Music Department | |||
| Avshalom Caspi | .... | music co-producer | |
| Miguel d'Oliveira | .... | music programmer | |
| Terry Davies | .... | conductor | |
| Hilary Skewes | .... | musician contractor | |
Other crew | |||
| Patricia Alcolea | .... | production assistant | |
| Manuel Calvo | .... | production assistant | |
| Rosa Garcia Merino | .... | head of publicity | |
| Rosa García | .... | head of promotion | |
| Abi Jackson | .... | location assistant: New York | |
| Javier Martínez Calvo | .... | titles designer | |
| Ana Medem | .... | art works | |
| Izaskun Montilla | .... | production assistant | |
| François Vila | .... | press agent | |
Thanks | |||
| Sue Flack | .... | thanks | |
| Ara Katz | .... | special thanks | |
| Ana Medem | .... | dedicatee | |
| Filippo Morelli | .... | thanks | |
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| Kings & Queen | My Own Private Idaho | The Notebook | Step Up | Notes on a Scandal |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
Chaotic Ana is Julio Medem's ode to the female and the myths of the motherland. Despite some bloody and shocking scenes, is also an ode against male violence, wars, and those individuals who starts them; however, the film also shows a blind faith in the good of human kind, despite the tragedies and havoc that we create and surround us. Moreover, Chaotic Ana is both a reflection on death and the void left by the departed - Medem's tribute to his late sister Anne. The film is also an invitation to see Art as a form of individual expression, a timeless biography of the living, and a living legacy of the deceased.
In his odyssey of discovery of The Female, Medem takes us from the cave to the skyscraper, with the ocean as an element of continuity.
This is a very intimate, personal film that touches universal themes and myths(from Oedipus and Electra to primitive matriarchal mythologies) to share personal experiences, feelings and ideas that relate to Women and the Female.
The editing is complex and very dynamic. Every single small detail in the film has an intrinsic connection with the story, is part of it, not as an object, but as object that conveys meaning. I especially liked some of visual shows shown in the House of the Artists.
The film continuously unsettles the viewer. However, the violent, shocking and sex scenes have a purpose within the story.
The actors are all OK in the movie. But this is not a movie for the actors to shine, but a movie in which the script, the story, is what matters. The actors are here just as Medem's "mediums". In fact, Medem has curated this film to the smallest detail.
You cannot watch this movie as if you were watching a normal movie, not in the same mood, or with the same intention or attention. This film requires of you 1/ A willingness to let the odd, the chaos and surprise express themselves freely. 2/ To embrace Medem's personal story being shared with you. 3/ An attention to the detail. 4/ Have into account that this film is personal as it is related to the figure of Medem's late sister, who was also a remarkable painter, and that many of the references and scenes in the film are related to her.
Movies like this are a challenge for the viewer and are never popular or highly rated. But this is just a sign that most people don't watch movies, just see them.