| Photos (See all 28 | slideshow) | Videos (see all 4) |
| Tyrese Gibson | ... | O2 | |
| Shawn Parr | ... | Newscaster #1 | |
| Henry Hunter Hall | ... | Junior (as H. Hunter Hall) | |
| Johnny C. Pruitt | ... | Guard | |
| Meagan Good | ... | Coco | |
| Darris Love | ... | Rock | |
| Larenz Tate | ... | Lucky | |
| William Duffy | ... | Newscaster #2 | |
| Game | ... | Meat (as The Game) | |
| Kimora Lee Simmons | ... | Fencing House Lady | |
| Wil E. Young | ... | Man | |
| DeWayne Turrentine Jr. | ... | Gangster #1 (as Syco Smoov) | |
| Wade Allain-Marcus | ... | Gangster #2 | |
| Paul Terrell Clayton | ... | Black Security Guard (as Terrell Clayton) | |
| Ray Bengston | ... | White Security Guard | |
| Earl Minfield | ... | Bank Manager | |
| Dagmar Stansova | ... | Bank Woman | |
| Kasi Lemmons | ... | Angry Black Woman | |
| Laura Miro | ... | Newscaster #3 | |
| Thommy Abate | ... | Look-A-Like (as Poverty) | |
| Dawn Reavis | ... | Newscaster #4 | |
| Dylan Tays | ... | Newscaster #5 | |
| Yolanda Whittaker | ... | Female Radio DJ (voice) (as Yolanda 'YoYo' Whitaker) | |
| Julio Gonzalez | ... | Male Radio DJ (voice) | |
| Michael Eric Dyson | ... | Radio Guest (voice) | |
| rest of cast listed alphabetically: | |||
| Misty Alli | ... | CoCo's friend (uncredited) | |
| Cecelia Antoinette | ... | Neighbor (uncredited) | |
| Erik Betts | ... | Policeman #2 (uncredited) | |
| Christopher Carrington | ... | Father (uncredited) | |
| Julius Denem | ... | P Money (uncredited) | |
| Johnny Drocco | ... | Man Leaving in Limo (uncredited) | |
| Aldo Gonzalez | ... | Drug Handler (uncredited) | |
| Vernon Hawthorne | ... | Meat's Bodyguard #1 (uncredited) | |
| Farley Jackson | ... | Meat's Bodyguard #2 (uncredited) | |
| Jensen LeFlore | ... | Basketball player (uncredited) | |
| Sean Anthony Moran | ... | Impatient Jacker (uncredited) | |
| Jalen Parham | ... | Coco's Son (uncredited) | |
| Carolena Sabah | ... | Streetwalker (uncredited) | |
| Don Salmon | ... | Cop (uncredited) | |
| Schatar Sapphira | ... | Bank Teller (uncredited) | |
| Michelle Stevenson | ... | Police Officer (uncredited) | |
Directed by | |||
| Vondie Curtis-Hall | (as Vondie Curtis Hall) | ||
Writing credits(WGA) | ||
| Vondie Curtis-Hall | (screenplay) (as Vondie Curtis Hall) and | |
| Darin Scott | (screenplay) | |
| Michael Mahern | (story) | |
Produced by | |||
| A. Demetrius Brown | .... | executive producer | |
| Marc D. Evans | .... | executive producer | |
| Ted Field | .... | executive producer | |
| Preston L. Holmes | .... | producer (as Preston Holmes) | |
| Amy J. Kaufman | .... | executive producer (as Amy Kaufman) | |
| Stan Lathan | .... | executive producer | |
| Trevor Macy | .... | executive producer | |
| Russell Simmons | .... | executive producer | |
Original Music by | |||
| Terence Blanchard | |||
Cinematography by | |||
| Shane Hurlbut | (director of photography) | ||
Film Editing by | |||
| Terilyn A. Shropshire | |||
Casting by | |||
| Robi Reed | |||
Production Design by | |||
| Warren Alan Young | (as Warren A. Young) | ||
Art Direction by | |||
| Yoo Jung Han | (as Yoojung Han) | ||
Set Decoration by | |||
| Cheryle Grace | (as Cheryle A. Grace) | ||
Costume Design by | |||
| Marie France | |||
Makeup Department | |||
| Paula Ashby | .... | hair stylist (as Paula Ashby Nicholson) | |
| Eddie M. Barron | .... | hair stylist | |
| Adam Brandy | .... | makeup artist | |
| Becky Cotton | .... | makeup artist | |
| Rob Hinderstein | .... | special makeup effects artist | |
| Jasmine Kimble | .... | key hair stylist | |
| Geneva Nash Morgan | .... | first assistant makeup artist (as Geneva Nash-Morgan) | |
| Linda Stevenson-Khan | .... | first assistant hair stylist | |
| Joanetta Stowers | .... | makeup department head (as Joanetta S. Stowers) | |
Production Management | |||
| Adriana Aimo | .... | production manager: Mexico | |
| David Dresher | .... | post-production supervisor | |
| Susan Ehrhart | .... | production supervisor | |
| Dwight Williams | .... | unit production manager | |
Art Department | |||
| Alysia Allen | .... | art department coordinator | |
| Rick Chavez | .... | assistant property master | |
| Elizabeth Colomba | .... | visual consultant | |
| Warren Drummond | .... | storyboard artist | |
| Matthew D. Egan | .... | propmaker | |
| Manuel Eslava Fajardo | .... | set decorator: Mexico | |
| Robert 'Cass' McEntee | .... | construction coordinator | |
| Prentice Randolph | .... | on-set dresser | |
| Miles S. Richman | .... | paint foreman | |
| Angela Simpson | .... | art department production assistant | |
| John Warner | .... | on-set dresser | |
| Jeffrey Whitman | .... | carpenter | |
Sound Department | |||
| Bobbi Banks | .... | adr editor | |
| Thom Brennan | .... | supervising foley editor | |
| Jeff Erdmann | .... | boom operator | |
| Alan Freedman | .... | adr mixer | |
| Gary Gegan | .... | sound re-recording mixer | |
| Matthew Iadarola | .... | supervising re-recording mixer | |
| Jason W. Jennings | .... | sound effects editor | |
| Steven Klinghoffer | .... | cable person | |
| Cliff Latimer | .... | adr supervisor | |
| Eric A. Norris | .... | supervising sound editor | |
| David Parker | .... | production sound mixer | |
| Matthew Reale | .... | sound mixing recordist | |
| Philip Rogers | .... | adr recordist | |
| Roy Seeger | .... | first assistant sound editor | |
| Edward M. Steidele | .... | foley artist | |
| Chris Trent | .... | foley mixer | |
| Jerry Trent | .... | foley artist | |
| Steven D. Williams | .... | supervising sound editor | |
Special Effects by | |||
| Elia P. Popov | .... | special effects foreman | |
| Chris L. Ward | .... | special effects technician | |
Visual Effects by | |||
| Barb Benoit | .... | digital compositor | |
| Dennis Berardi | .... | visual effects executive producer: Mr. X Inc. | |
| Rob Del Ciancio | .... | digital compositor | |
| Bonnie Dickson | .... | tape operator | |
| Robert Greb | .... | digital compositor | |
| Annu Gulati | .... | digital compositor | |
| Evan Jacobs | .... | visual effects supervisor | |
| Sarah McMurdo | .... | visual effects production manager | |
| Darcy Reno | .... | senior systems administrator (as Darcy Bangsund) | |
| Michael Stewart | .... | digital compositor: Mr. X Inc. | |
| Mai Suzuki | .... | digital restoration artist | |
| Tim Vincent | .... | digital intermediate colorist | |
| Aaron Weintraub | .... | compositing supervisor | |
| Fiona Campbell Westgate | .... | visual effects producer | |
| Diane Wright | .... | digital asset manager: Laser Pacifc | |
Stunts | |||
| Ronald Kartoon Antwine | .... | stunts | |
| Rick Avery | .... | stunt driver | |
| Erik Betts | .... | stunt double: Tyrese Gibson/Larenz Tate | |
| Julius Denem | .... | utility stunts | |
| Jody Hart | .... | stunt driver | |
| Jermaine Holt | .... | stunt double | |
| Hubie Kerns Jr. | .... | stunt driver | |
| Bret Kiene | .... | stunt driver | |
| Paul M. Lane | .... | stunts | |
| Scott Leva | .... | stunt driver | |
| Jalil Jay Lynch | .... | stunts | |
| John Moio | .... | stunts | |
| Chris O'Hara | .... | stunt performer | |
| Robert Powell | .... | utility stunts | |
| Marcus Salgado | .... | fight choreographer | |
| Marcus Salgado | .... | technical advisor: stunts | |
| Jeff Sanders | .... | utility stunts | |
| Kevin Scott | .... | stunt driver | |
| Sharon Swainson | .... | utility stunts | |
| Crystal Weaver | .... | utility stunts | |
| Krista Woods | .... | stunt double | |
| Larry Holt | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Demetricus Holloway | .... | set costumer | |
| Patty Malkin | .... | costumer | |
| Elaine McGhee | .... | set costumer | |
Editorial Department | |||
| Nancy Fuller | .... | digital intermediate producer | |
| Lara B. Grant | .... | assistant editor | |
| Kenny Marsten | .... | first assistant editor | |
| Kurt Smith | .... | color timer | |
| Lawrence Howard Williams | .... | post digital media operator | |
Music Department | |||
| Jabari Ali | .... | music supervisor | |
| Kon Artis | .... | composer: additional music (as Denaun Porter) | |
| Christine Bergren | .... | music legal and clearance | |
| Todd Bozung | .... | supervising music editor | |
| Howard Drossin | .... | additional composer: score | |
| Howard Drossin | .... | orchestrator | |
| Art Ford | .... | music consultant | |
| Derrick Hodge | .... | musician | |
| John Houlihan | .... | music consultant | |
| Kory Kruckenberg | .... | scoring assistant engineer | |
| Jen Monnar | .... | music editor | |
| Jen Pray | .... | music legal and clearance | |
| Carl Sealove | .... | music editor | |
| Del Spiva | .... | music editor | |
Transportation Department | |||
| Brian Allen | .... | driver | |
| Duke Foster | .... | transportation coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Anthony Gregorio | .... | transportation | |
| Paul Jones | .... | driver | |
| Craig Lietzke | .... | picture car coordinator | |
| Chad Wadsworth | .... | production van driver: basecamp | |
Thanks | |||
| Erica Huggins | .... | special thanks | |
| Scott Kroopf | .... | special thanks | |
| Kasi Lemmons | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
WAIST DEEP follows a tried and true formula: Ex-con's son is kidnapped by his ex-partner in crime, a ransom is demanded, the ex-con works diligently to put together the ransom while doing his best to undermine his old partner, and there's a final showdown between them. The kid is cute, the ex-con is an impressive slab of beef, the former partner is suitably menacing and fugly beyond belief, and of course there's a pretty female to help things along. The formula works most of the time, but the movie is so predictable that in the end I asked myself why I bothered to rent it. There is a heckuva car chase near the end that sort of makes up for a dull middle. The movie, which could have just as easily starred Bruce Willis or Mel Gibson in his prime, clearly was aimed at an urban audience even though it was heavily marketed as a mainstream flick. That's why I rented it. It could have been a lot worse, I suppose.