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ShowBusiness: The Road to Broadway (2007)

PG  |   |  Documentary  |  19 April 2007 (USA)
7.9
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Ratings: 7.9/10 from 300 users   Metascore: 73/100
Reviews: 6 user | 19 critic | 14 from Metacritic.com

Going behind the curtain to capture the most controversial, passionate, risky and high-profile Broadway season in decades.

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Cast

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Storyline

Follows the four high-profile productions that would eventually become Tony nominees for Best Musical of 2004: "Wicked," (currently the highest grossing musical of all time), the Rosie O'Donnell/Boy George musical brought from London, "Taboo," Tony Kushner's "Caroline, or Change," and a grown-up puppet show called "Avenue Q." Digging behind the scenes, from casting and out-of-town previews to the suspense-filled Tony Awards, "ShowBusiness" provides an engrossing look at the inner workings of Broadway musicals. Listening in to critics around the dinner table, interviews with the creators, footage of rehearsals and openings all combine to make this one of the most entertaining documentaries (and dramas) about the world of musical theater. Written by Andrew Stephens

Plot Summary | Add Synopsis

Taglines:

The Real Drama is Behind the Curtain.

Genres:

Documentary

Motion Picture Rating (MPAA)

Rated PG for language and some sexual references
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Details

Official Sites:

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Release Date:

19 April 2007 (USA)  »

Also Known As:

Showbiznes: Droga na Broadway  »

Filming Locations:


Box Office

Opening Weekend:

$8,829 (USA) (11 May 2007)

Gross:

$151,792 (USA) (29 February 2008)
 »

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Did You Know?

Trivia

The song that Idina Menzel sings over the credits is a much-changed version of "Lullaby of Broadway," written by Al Dubin and Harry Warren. The song originally appeared in the Warner Brothers film Gold Diggers of 1935 (1935)and won the 1936 Academy Award for Best Original Song. It was one of many Warren and Dubin songs eventually included in the 1980 musical "42nd Street" (based mostly, but not entirely, on their 1933 movie of the same name). The version that Menzel sings in this documentary was arranged by Jan Folkson and Jeanine Tesori and given an almost entirely new tune, as well as some new lyrics - a spoken interlude drawn from Harlem Renaissance poet Claude McKay's 1920 poem "On Broadway;" Billy Porter performed the McKay portion of the song. See more »

Crazy Credits

The end credits are intercut with outtake footage of the film's subjects, including: a clip of "Caroline or Change" director George C. Wolfe discussing his love of dairy foods such as cheese and ice cream during a rehearsal, Alan Cumming visiting a psychic, and "Taboo" star Euan Morton lifting the kilt he wore to the Tonys to reveal that underneath, he is wearing boxer shorts with the Scottish flag on them. See more »

Soundtracks

One Night Only
Music by Henry Krieger
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User Reviews

 
A business like any other
25 September 2008 | by (United States) – See all my reviews

"Show Business" provides us with a behind-the-scenes glimpse into the making of four original musicals that debuted on Broadway during the 2004 season: "Wicked," an inside-out re-interpretation of "The Wizard of Oz," told from the viewpoint of the Wicked Witch of the West; "Taboo," a Rosie O'Donnell-backed chronicle of the life of Boy George; "Avenue Q," a parody of "Sesame Street," done with live actors and puppets; and "Caroline, or Change," a civil rights drama set in the Deep South of the 1960s.

The movie follows all four shows through their various stages of rehearsal, their opening (and sometimes closing) nights, their reception by audiences and critics, and their recognition (or lack thereof) by the Tony Awards. To bring this self-contained and exclusive world to life, director Dori Berinstein interviews a healthy dose of Broadway insiders and hangers-on, including producers, performers, writers, composers, fans and reviewers. The movie captures all the joy and heartbreak, along with all the pressures - both artistic and financial - that go into the creation of a Broadway show (there's a reason, after all, why they call it "show BUSINESS"!).

This doesn't quite qualify as a must-see documentary, but fans of musical theater - and of these shows in particular - should relish all the juicy backstage info they'll find here.


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