Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an... See full summary »
Two women embark on a road trip after they are brought together by circumstance. Rebecca (Portman) flees her hotel after a fight with her mother-in-law (Maura) and hails a taxi driven by Hanna (Lazlo).
The fire department in a small town is having a big party when the ex-boss of the department celebrates his 86th birthday. The whole town is invited but things don't go as planned. Someone ... See full summary »
Unable to deal with her parents, Jeannie Tyne runs away from home. Larry and Lyne Tyne search for her, and in the process meet other people whose children ran away. With their children gone... See full summary »
The painter Goya becomes involved with the Spanish Inquisition when his muse, Ines, is arrested by the church for heresy. Her father, Thomas, comes to him hoping that his connection with Brother Lorenzo, whom he is painting, can secure the release of his daughter. Written by
The orange long-sleeved gown with accordion-pleat trim on the over-sleeves worn by an extra in the square at the end of the film is the same costume worn by an extra in the Pump Room when Anne talks with Mr. Elliot in Persuasion (2007), by Lady Willoughby when she meets Lady Russell in the Pump Room in Persuasion (1995), and by the dance teacher during the fan-language lesson in The Regency House Party (2004). See more »
When Ines is kneeling in Lorenzo's office, the mic is visible at the top of the screen, above and to the left of her head. See more »
[Bonaparte and Lorenzo are looking at paintings of Maria Luisa]
I met her once... don't recall her being quite so ugly though. How did she have so many lovers?
She was the Queen, Your Majesty.
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The title of the film 'Goya's ghosts' is mentioned in the opening credits as if the ghosts are part of the cast: "... Stellan Skarsgard, Goya's ghosts and Randy Quaid" See more »
This is one of the most beautiful movies I have seen. The actors are excellent, transferring their feelings of being lost, of hope and despair. And the movie itself is beautifully done - in the tradition of Amadeus, Ragtime and Valmont. I suggest seeing it on big screen.
It is nice to see Forman return with such a movie. Also, congratulations to the cast:
Javier Bardem (Brother Lorenzo), Natalie Portman (Inés/Alicia), Stellan Skarsgård (Goya).
I especially liked Natalie's performance. It is rare that such a young actress in Hollywood delivers such a performance in such a movie.
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