When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
Jill Johnson is being forced to babysit at a BIG house all by herself for exceeding her telephone minutes. Then all of a sudden a stranger calls making these weird remarks. Jill decides to call the police to trace the call. Jill is freaked out when she finds out that the call is coming from inside the house! Jill runs in a hurry trying to get the children and leave. Will Jill make it in the house in time? Will she live? Well you just have to watch the movie to find out! Written by
There were at least five different versions of the peach/coral colored t-shirt Jill wears throughout the movie; a special "waterproof wet-look" version was made for her to wear through her scenes with water. See more »
In the scene where Jill is in the Guest House and answers the phone, when she hangs it up we get a look at the screen on it. You can clearly see that the battery is almost empty, but she just picked it up off the charging station a minute ago. See more »
I'm starting to wonder if all these PG-13 horror movies are just glorified screen tests for young and emerging talent. Get a first-time screenwriter, an inexperienced director, a few TV actors looking for their bigscreen break and see what they can do. 'When a Stranger Calls' is a little better than most such recent offerings, but is still completely by-the-book; riddled with plot holes and genre clichés.
The story is unbelievably simplistic. The slim 87 minute running time is heavily padded with inconsequential friends and a pointless cheating boyfriend. The killer is devoid of even the token motivation of Jason or Michael or even the original movie's killer, and as a result is never particularly frightening. The police behave in such an unbelievably ineffectual and lazy manner as to verge on professional misconduct. Simon West brings the same attractive banality to proceedings that he managed with Lara Croft, but his style of directing is decidedly generic, possessing no indicators of real talent or vision. The performances are routine, dark hallways replace genuine horror, and the scares are of the tired cat-in-the-closet variety.
The cinematography and production design, however, are above average for this kind of film. The house is beautifully designed, all dark wood and glassy reflections, and there are a few moments that are of visual interest.
Though lacking an ounce of dramatic originality, it acts as a reasonably satisfying 'dark house' thriller, and maintains interest longer than most of its ilk.
124 of 185 people found this review helpful.
Was this review helpful to you?