A popular and common urban legend. Jill is babysitting for Ms. McKenzie, who leaves Jill alone in the house late at night while the children sleep peacefully upstairs. While Jill does her ... See full summary »
Angie, a young Brazilian artist, abandons her old life and embarks on a journey around the country. Running from her past, and searching for her foundation in life, Angie finds not only herself but love in its many forms.
Jill Johnson is being forced to babysit at a BIG house all by herself for exceeding her telephone minutes. Then all of a sudden a stranger calls making these weird remarks. Jill decides to call the police to trace the call. Jill is freaked out when she finds out that the call is coming from inside the house! Jill runs in a hurry trying to get the children and leave. Will Jill make it in the house in time? Will she live? Well you just have to watch the movie to find out! Written by
Jill's high school is "Fernhill". Director Simon West went to a "Fernhill High School" in his native Herfordshire, England. See more »
While in the pond under the walking bridge, Jill's bangs go from pushed to the side to down in her eyes, to pushed to the side with no obvious reason for the movement. See more »
Where is he?
We got him. He's in that police car right over there. In ankle cuffs, handcuffs. Enought sedatives to kill a horse. We're gonna take him to the hospital. We'll have four cops guarding him around the clock.
That's not enough.
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I'm starting to wonder if all these PG-13 horror movies are just glorified screen tests for young and emerging talent. Get a first-time screenwriter, an inexperienced director, a few TV actors looking for their bigscreen break and see what they can do. 'When a Stranger Calls' is a little better than most such recent offerings, but is still completely by-the-book; riddled with plot holes and genre clichés.
The story is unbelievably simplistic. The slim 87 minute running time is heavily padded with inconsequential friends and a pointless cheating boyfriend. The killer is devoid of even the token motivation of Jason or Michael or even the original movie's killer, and as a result is never particularly frightening. The police behave in such an unbelievably ineffectual and lazy manner as to verge on professional misconduct. Simon West brings the same attractive banality to proceedings that he managed with Lara Croft, but his style of directing is decidedly generic, possessing no indicators of real talent or vision. The performances are routine, dark hallways replace genuine horror, and the scares are of the tired cat-in-the-closet variety.
The cinematography and production design, however, are above average for this kind of film. The house is beautifully designed, all dark wood and glassy reflections, and there are a few moments that are of visual interest.
Though lacking an ounce of dramatic originality, it acts as a reasonably satisfying 'dark house' thriller, and maintains interest longer than most of its ilk.
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