| Photos (see all 2 | slideshow) |
Directed by | |||
| Roger Weisberg | |||
| Pamela Harris | (co-director) | ||
| Frances Reid | (co-director) | ||
| Edward Rosenstein | (co-director) | ||
Produced by | |||
| Deborah Clancy | .... | associate producer | |
| Pamela Harris | .... | co-producer | |
| Frances Reid | .... | co-producer | |
| Edward Rosenstein | .... | co-producer | |
| Roger Weisberg | .... | producer | |
Original Music by | |||
| Richard Fiocca | |||
Cinematography by | |||
| Jim Arnold | |||
| Rick Butler | |||
| Brian Danitz | |||
| Vicente Franco | |||
| Slawomir Grunberg | |||
| John Hazard | |||
| Hilary Morgan | |||
| Peter Nelson | |||
| Mark Stoddard | |||
| Fawn Yacker | |||
Film Editing by | |||
| Sandra Christie | |||
| Lewis Erskine | |||
| Christopher White | |||
Production Management | |||
| Tammy Arnstein | .... | production manager | |
| Alexis Jallad | .... | production manager | |
| Corrie Kaufman | .... | production manager | |
| Jessie Pepper | .... | production manager | |
Sound Department | |||
| Tom Bergin | .... | sound | |
| Ray Day | .... | sound | |
| William Doll | .... | sound | |
| Richard Fleming | .... | sound | |
| Francisco La Torre | .... | sound | |
| Lawrence Loewinger | .... | sound | |
| Jason Longo | .... | sound | |
| Dow McKeever | .... | sound editor | |
| Dow McKeever | .... | sound re-recording mixer | |
| Gabriel Miller | .... | sound | |
| Lauretta Molitor | .... | sound | |
| Marsha Moore | .... | sound editor | |
| York Phelps | .... | sound | |
| Juan Rodriguez | .... | sound | |
| Bernard Russo | .... | sound | |
| John Steadwell | .... | sound | |
Visual Effects by | |||
| Rob Roth | .... | title designer | |
Editorial Department | |||
| Josh Braslow | .... | assistant editor | |
Other crew | |||
| Aspen Baker | .... | production assistant | |
| Chris Borgia | .... | production intern | |
| Kaity Cheng | .... | production intern | |
| Lea Cho | .... | production intern | |
| Heather Clayton | .... | production intern | |
| Emily Dimiero | .... | production intern | |
| Alexander Emerson | .... | production intern | |
| Connor Flynn | .... | production intern | |
| Solange Jorge | .... | production intern | |
| Andrew Levine | .... | production intern | |
| Beth Levine | .... | production intern | |
| Mei Chun Lin | .... | production intern | |
| Sonal Mahida | .... | production intern | |
| Colette Mercier | .... | production assistant | |
| Dee Ouellette | .... | production assistant | |
| Daniel Powell | .... | production intern | |
| Ruby Privateer | .... | production assistant | |
| Sheela Reddy | .... | production intern | |
| Adrian Rodelo | .... | production assistant | |
| Dani Rotstein | .... | production intern | |
| Shane Sahadi | .... | production assistant | |
| Jennifer Schoen | .... | production intern | |
| Elyse Steinberg | .... | production intern | |
| Jessica Windt | .... | production intern | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
"Waging a Living" tells four inter-cut stories of strife and struggle from the streets of America, as it examines the many nuances of being part of the growing population of 'working poor'. Each story becomes more eye-opening than the last, as we get to intimately know the four people the film spotlights. Overall the film shows a faulty system rife with one catch-22 situation after another, where attempts to move away from poverty only prove to create a new type of poverty.
The DVD of "Waging a Living" contains a short film called "Rosevelt's America" that feels less like a companion piece and more like a missing storyline from the film, and does not have its own reference on IMDb. It was made by the same filmmakers as "Waging a Living", and it follows a good natured Liberian refugee who also struggles from paycheck to paycheck, but sees the U.S. system with an outsider's optimistic perspective, full of hope and promise. On the other hand "Waging a Living" offers a far gloomier picture, so in a matter of speaking if they are taken together a much broader scope of the situation is revealed.