Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time.... See full summary »
A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
In northern Australia at the beginning of World War II, an English aristocrat inherits a cattle station the size of Maryland. When English cattle barons plot to take her land, she reluctantly joins forces with a rough-hewn stock-man to drive 2,000 head of cattle across hundreds of miles of the country's most unforgiving land, only to still face the bombing of Darwin, Australia, by the Japanese forces that had attacked Pearl Harbor only months earlier. Written by
Faraway Downs was dismantled in 2011. An indigenous organization in Kimberley, Western Australia, claimed it was located on their land and requested its removal. Despite a report predicting it could attract as many as 90,000 visitors annually if restored with an Australia movie theme,Tourism Western Australia decided not to keep Faraway Downs as a tourist attraction. See more »
Lady Sarah Ashley's mount, her last horse before she leaves England, has a freeze brand on its shoulder. Freeze branding was invented in the 1960s and used to ID valuable horses in the 1980s. See more »
My grandfather, King George, he take'em me walkabout, teach me black fella way. Grandfather teach'em me most important lesson of all. Tell'em story. That day I down the billabong. King George, he teach me how to catch'em fish using magic song. See, I not black fella. I not white fella either. Them white fellas call me mixed-blood, half-caste, creamy. I belong to no one.
That day I see'em them white fellas. They were pushing them cheeky bulls across the river onto Carney land.
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This film struggled throughout its epic length to stay upright. Unfortunately at the end it stumbled and fell like a pile of bricks.
It tried to juggle so much but in the end, it all turned out to be too little. The film starts like a corny slapstick comedy, turns into a romantic fantasy, then into an outback adventure, then into a war movie, a heartfelt drama, a comment on the stolen generation, a comment on racism... etc, etc. It's just too much. Yes, it's supposed to be an epic, but things like this need to be handled with finesse. Unfortunately, it isn't in this case. The themes were too muddled, the script too stretched - it's a mess. The characters are cardboard cutouts, the acting is over the top and cheesy, the pacing is off, the bizarre use of Somewhere Over the Rainbow... It's just a broken film.
Being an Australian, I did hope that this movie would be alright, but it turned out to be almost 3 hours of wankery that disgracefully cost our taxpayers over $40m.
On a more positive note, on the whole it wasn't BORING, and it was aesthetically and aurally pleasing - even though it made use of countless, shameless green screen shots which were simply unnecessary.
There was ONE great scene in the film, and that's when Hugh Jackman and his Aboriginal friend enter the ruined pub. That was absolutely excellent. Too bad the rest of the film couldn't live up to that in the slightest.
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