Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
In northern Australia at the beginning of World War II, an English aristocrat inherits a cattle station the size of Maryland. When English cattle barons plot to take her land, she reluctantly joins forces with a rough-hewn stock-man to drive 2,000 head of cattle across hundreds of miles of the country's most unforgiving land, only to still face the bombing of Darwin, Australia, by the Japanese forces that had attacked Pearl Harbor only months earlier. Written by
When Lady Ashley travels from England to Australia, the orchestral score is an homage to Johann Sebastian Bach's "Hunting Cantata" (BWV 208), especially the aria "Sheep may safely graze." Australian composer Percy Grainger used that cantata as a source of inspiration for some of his own compositions. See more »
The Japanese did not land troops on any island near Darwin. See more »
My grandfather, King George, he take'em me walkabout, teach me black fella way. Grandfather teach'em me most important lesson of all. Tell'em story. That day I down the billabong. King George, he teach me how to catch'em fish using magic song. See, I not black fella. I not white fella either. Them white fellas call me mixed-blood, half-caste, creamy. I belong to no one.
That day I see'em them white fellas. They were pushing them cheeky bulls across the river onto Carney land.
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Shapeless epic with a shifting center. Everything feels fake even the real magnificent scenery but it's really the script that tried to be about a lot of things but ends up being about nothing. The potential poetry in the plight of the Aborigines smells of opportunism, at least, it wasn't filled with the honesty of Philip Noyce's "Rabbit Proof Fence" for instance. On a personal, and maybe shallow perspective, I'm truly upset about Nicole Kidman for whatever she's done to her face, I was so aware of the swelling in her upper lip that it distracted me away from any sort of emotion. Hugh Jackman is gorgeous but his acting here is so exterior that I couldn't believe him for a moment. He is the new Rock Hudson and I think he'll be at his best in bright feel good, sexy comedies. Buz Lhurman's "Australia" seems filmed by a foreigner. There is not a hint of the Australia I got to know and be fascinated by of the films of Peter Weir just to name one great Aussie director. Buz Lhurman has been a lucky director with lots and lots of of chutzpah. Let's see what happens next.
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