Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time.... See full summary »
A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
In northern Australia at the beginning of World War II, an English aristocrat inherits a cattle station the size of Maryland. When English cattle barons plot to take her land, she reluctantly joins forces with a rough-hewn stock-man to drive 2,000 head of cattle across hundreds of miles of the country's most unforgiving land, only to still face the bombing of Darwin, Australia, by the Japanese forces that had attacked Pearl Harbor only months earlier. Written by
This film's opening prologue states: "After the bombing of Pearl Harbour on the 7th December 1941, the Imperial Japanese Navy steamed south, unleashing their fire on Darwin, a city in the Northern Territory of Australia. 'The Territory' was a land of crocodiles, cattle barons and warrior chiefs where adventure and romance was a way of life. It was also a place where Aboriginal children of mixed-race were taken by force from their families and trained for service in white society. These children became known as the Stolen Generations." See more »
When the Japanese patrol arrives at the beach, they do not see a 30-foot sailboat close enough to shore that little children could walk or easily swim out to it. See more »
My grandfather, King George, he take'em me walkabout, teach me black fella way. Grandfather teach'em me most important lesson of all. Tell'em story. That day I down the billabong. King George, he teach me how to catch'em fish using magic song. See, I not black fella. I not white fella either. Them white fellas call me mixed-blood, half-caste, creamy. I belong to no one.
That day I see'em them white fellas. They were pushing them cheeky bulls across the river onto Carney land.
[...] See more »
Baz Luhrmann has done a great job with 'Australia'. While cliché's and political agenda runs rife, this is set nicely into an historic, epic story in three distinct acts.
Great casting - Hugh Jackman was what the role needed, and he played the role very well. Nicole Kidman, while being rubbished by several critics, appeared somewhat typecast in her role, but that style was exactly what the role needed, and I think she did a great job at pulling it off. However, I think that the standout performances actually came from Brandon Walters (in his first film), Jack Thompson (in a minor role) and David Wenham who brought 'aussie sleaze' to a new level. Unfortunately, I had trouble believing in Ben Mendelsohn's character of Captain Dutton, but seemed to finish on a high, pulling the 'British stiff upper lip' thing fairly well.
Luhrman's epic was long, and had the full gamut of Luhrmanesque style, which we've come to love through his films. Stylised backgrounds, unique, visual approaches, and a sense of humour that is truly Luhrman, flood the film bringing a rich Australian environment.
'Australia' presents to the world, perhaps a very different Australia to what a lot of people think. While the fictional characters and some of the style is very reminiscent of "Gone with the Wind", the historical Darwin during the 'Stolen Generation' era and the impact of World War Two on Australia's doorstep may be a new insite to many.
I enjoyed 'Australia' a lot. While it wasn't the best film I've ever seen, I definitely think it's worth looking at - even if it's just to see what Baz Luhrman has done.
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