Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
In northern Australia at the beginning of World War II, an English aristocrat inherits a cattle station the size of Maryland. When English cattle barons plot to take her land, she reluctantly joins forces with a rough-hewn stock-man to drive 2,000 head of cattle across hundreds of miles of the country's most unforgiving land, only to still face the bombing of Darwin, Australia, by the Japanese forces that had attacked Pearl Harbor only months earlier. Written by
Baz Luhrmann searched Australia for over a year for a young boy to play Nullah. After a series of workshops at Fox Studios Australia, Luhrmann and his team traveled to Broome and camped with Brandon Walters' family at 80 Mile Beach, Western Australia. Luhrmann decided to cast Walters during the camp-out. See more »
Near the beginning of the movie, the Aboriginal boy rides a black horse, then jumps off the animal. As he jumps off, the lead rein is hooked to a bridle held by an off-camera horse trainer, keep the horse from moving. See more »
My grandfather, King George, he take'em me walkabout, teach me black fella way. Grandfather teach'em me most important lesson of all. Tell'em story. That day I down the billabong. King George, he teach me how to catch'em fish using magic song. See, I not black fella. I not white fella either. Them white fellas call me mixed-blood, half-caste, creamy. I belong to no one.
That day I see'em them white fellas. They were pushing them cheeky bulls across the river onto Carney land.
[...] See more »
This film struggled throughout its epic length to stay upright. Unfortunately at the end it stumbled and fell like a pile of bricks.
It tried to juggle so much but in the end, it all turned out to be too little. The film starts like a corny slapstick comedy, turns into a romantic fantasy, then into an outback adventure, then into a war movie, a heartfelt drama, a comment on the stolen generation, a comment on racism... etc, etc. It's just too much. Yes, it's supposed to be an epic, but things like this need to be handled with finesse. Unfortunately, it isn't in this case. The themes were too muddled, the script too stretched - it's a mess. The characters are cardboard cutouts, the acting is over the top and cheesy, the pacing is off, the bizarre use of Somewhere Over the Rainbow... It's just a broken film.
Being an Australian, I did hope that this movie would be alright, but it turned out to be almost 3 hours of wankery that disgracefully cost our taxpayers over $40m.
On a more positive note, on the whole it wasn't BORING, and it was aesthetically and aurally pleasing - even though it made use of countless, shameless green screen shots which were simply unnecessary.
There was ONE great scene in the film, and that's when Hugh Jackman and his Aboriginal friend enter the ruined pub. That was absolutely excellent. Too bad the rest of the film couldn't live up to that in the slightest.
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