39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is ...
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Colin's a sad-eyed British artist holed up in a rundown hotel in small-town Vermont after being dumped by his fiancée. The hotel owner plays matchmaker and introduces him to a local girl. ... See full summary »
A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genova changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
A beautiful young single mother feels the pressure from the ex-pat Nigerian community to get married. Her precocious son has met his hero, a cynical English comic book writer and decides he... See full summary »
Memoir of the lives of a family growing up on a post World War I British estate headed up by a strong disciplinarian, her daughter, her inventor husband, their ten year old son, and his ... See full summary »
Awaking from a coma to discover his wife has been killed in a car accident, Ben's world may as well have come to an end. A few weeks later, Ben's out of hospital and, attempting to start a ... See full summary »
39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is very vocal about her disappointment, while her natural son Freddy, a doctor, is most understanding. Shy but fascinating British author Frank meets April, his doted son Jimmy Ray's teacher, which soon leads to a full-flung affair. At the same time April's birth mother Bernice Graves locates her and begins attempting to establish a relationship. On top of all these balls in the air, April discovers she's finally expecting Ben's baby. Written by
ThinkFilm and Canadian distributor TVA Films bought the U.S. and Canadian rights, respectively, for the film at the 2007 Toronto Internation Film Festival. See more »
Bernice tells April she was conceived at a drive-in showing Bullitt. But the film reveals April was born during April, 1967. Bullitt was made in 1968. See more »
Why are you talking so fast?
Because I don't think Jimmy Ray should know that I'm here.
Well if we're going to be family he should probably know he didn't just dream you up half-naked in his house and besides he knows you're here.
No he doesn't! I was very careful to wait until he was a safe distance away.
Hi, Ms. Epner!
Hi, Jimmy Ray.
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a grounded in reality chick flick that is terrific
This movie is not bad at all.
I caught the first 10 minutes as I waiting for the film I came to see started. I was intrigued and came back the following week to see this little gem of a movie.
With Colin Firth and Matthew Broderick playing against type, it was a relief not to see them so admirable in their roles. Yes, Bette Midler played the typical yenta shrew but hey, at least we see Bette. She's been away from the screen for far too long.
I'll be the first to tell you I have never been a Helen Hunt fan at all. I have never even seen her hit t.v. series, Mad About You. Something about her just rubbed me the wrong way in the movies I have seen her in. But then, I saw this movie and I loved it and she did a terrific job in her production.
Seriously. All these people who are criticizing her are slamming her for the wrong reasons. Why? This is one of those FEW films in life in which it's neither the director, writer, or actor's fault. If there is any downside, it's the editor's fault. Yes, it is.
Why? Because the editor chopped up the scenes. In the editing room, a director can become a genius or a fool. This is one of those cases. I do not fault Helen's direction. I fault the editor here. Some of these scenes should have been allowed to breathe on their own, not jump cut from one emotion to the next.
Despite that editing distraction, this chick flick has heart, it does have emotion. How do I know this? I heard a lot of sniffling, tears of sorrow and joy in the audience when this film ended. That is what a film is suppose to do, make you feel something, be a participant, not a witness.
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