39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is ...
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Awaking from a coma to discover his wife has been killed in a car accident, Ben's world may as well have come to an end. A few weeks later, Ben's out of hospital and, attempting to start a ... See full summary »
39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is very vocal about her disappointment, while her natural son Freddy, a doctor, is most understanding. Shy but fascinating British author Frank meets April, his doted son Jimmy Ray's teacher, which soon leads to a full-flung affair. At the same time April's birth mother Bernice Graves locates her and begins attempting to establish a relationship. On top of all these balls in the air, April discovers she's finally expecting Ben's baby. Written by
The ultra sound picture at 6 weeks is not developmentally correct. At 6 weeks, you would be unable to distinguish the baby's features (hands, spine, etc). The baby would look more like a bean in shape. See more »
Why are you talking so fast?
Because I don't think Jimmy Ray should know that I'm here.
Well if we're going to be family he should probably know he didn't just dream you up half-naked in his house and besides he knows you're here.
No he doesn't! I was very careful to wait until he was a safe distance away.
Hi, Ms. Epner!
Hi, Jimmy Ray.
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Cool, Clear Water
Written by Bonnie Raitt
Performed by Bonnie Raitt
Open Secret Music (ASCAP) used by permission. All rights reserved
Courtesy of Capitol Records
Under License from EMI Film & Television Music
Produced by Don Was and Bonnie Raitt
Recorded and Mixed by Ed Cherney
Edited version from the original appearing on the Bonnie Raitt album, 'Longing in Their Hearts' (Capitol Records,
1994) See more »
Seen at a September 2007 Toronto Film Festival screening.
First time director, Helen Hunt, said this movie was 10 years in the making. Her passion for the film and subject matter is evident, but also sets her up for her biggest downfall. She indulges the movie (her baby) which is interesting given this is relationship themed (mother/ daughter). Had she struck closer to that thread, the movie would have a tighter, more focused feel.
As it is, the outer reach of her film, a foray into her intimate, romantic relationships, with the intent of colouring her main character (April) instead seems like an untrained hand that colours outside of the lines. As a movie director, if this was her greatest weakness; I still give her kudos for doing a pretty good job. The woman took on a heavy load: first time directing, co-producer, co-writing the screenplay, and acting in the main role, all done on a 27 day shoot schedule! I almost feel guilty for any criticism.
At the post-screening Q&A Ms Hunt told us that the original story centred exclusively on the mother/daughter relationship. She wrote in the characters of Ben, her passive husband (Matthew Broderick) and Frank, her 'quickest rebound in history' mate (Colin Firth) herself. Understandablly she wants to add subtext to April's world and all the issues she's dealing with, but I felt somewhat 'pinballed' from scene to scene without feeling a smooth transition. A little more editing of these extra layers would help.
I can't leave it unsaid that what repeatedly struck me was why April loved her husband and continued to connect with him. He was such a shallow and thoughtless person. To me, that particular character was the weakest link in the movie.
Overall, I found many funny and poignant moments in the movie and think it deserves a look by a larger audience.
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