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39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is ... See full summary »

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Cast

Cast overview, first billed only:
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Ben
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Stephanie Yankwitt ...
...
Sheila (as Lillias D. White)
...
Kenneth Stern ...
Rabbi (as Rabbi Kenneth A. Stern)
Robert LuPone ...
Ted
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Storyline

39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is very vocal about her disappointment, while her natural son Freddy, a doctor, is most understanding. Shy but fascinating British author Frank meets April, his doted son Jimmy Ray's teacher, which soon leads to a full-flung affair. At the same time April's birth mother Bernice Graves locates her and begins attempting to establish a relationship. On top of all these balls in the air, April discovers she's finally expecting Ben's baby. Written by KGF Vissers

Plot Summary | Add Synopsis

Taglines:

A thoroughly modern woman in a thoroughly modern crisis. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

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Release Date:

9 May 2008 (USA)  »

Also Known As:

Cuando todo cambia  »

Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend:

$72,594 (USA) (25 April 2008)

Gross:

$3,735,303 (USA) (12 September 2008)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

ThinkFilm and Canadian distributor TVA Films bought the U.S. and Canadian rights, respectively, for the film at the 2007 Toronto Internation Film Festival. See more »

Goofs

When April picks up Frank in her car outside his house, both the driver side and passenger side windows are up. But every time the camera is behind either of their heads while they're talking in the car, you can see their hair blowing from the wind coming through the open car window where the camera is mounted. See more »

Quotes

Frank: You made love on the day we met?
April Epner: [awkward pause] Ah, yeah... Sorry.
[Frank looks around uncomfortably]
April Epner: What happened?
Frank: Um... I've gotta take a walk.
April Epner: Really?
See more »

Connections

References Bullitt (1968) See more »

Soundtracks

Mazel Tov Zelda - Zeydns Tants
Written by Dave Tarras
Performed by The Klezmatics
Courtesy of Rounder Records
See more »

Frequently Asked Questions

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User Reviews

 
Deserves a look
18 April 2008 | by (Canada) – See all my reviews

Seen at a September 2007 Toronto Film Festival screening.

First time director, Helen Hunt, said this movie was 10 years in the making. Her passion for the film and subject matter is evident, but also sets her up for her biggest downfall. She indulges the movie (her baby) which is interesting given this is relationship themed (mother/ daughter). Had she struck closer to that thread, the movie would have a tighter, more focused feel.

As it is, the outer reach of her film, a foray into her intimate, romantic relationships, with the intent of colouring her main character (April) instead seems like an untrained hand that colours outside of the lines. As a movie director, if this was her greatest weakness; I still give her kudos for doing a pretty good job. The woman took on a heavy load: first time directing, co-producer, co-writing the screenplay, and acting in the main role, all done on a 27 day shoot schedule! I almost feel guilty for any criticism.

At the post-screening Q&A Ms Hunt told us that the original story centred exclusively on the mother/daughter relationship. She wrote in the characters of Ben, her passive husband (Matthew Broderick) and Frank, her 'quickest rebound in history' mate (Colin Firth) herself. Understandablly she wants to add subtext to April's world and all the issues she's dealing with, but I felt somewhat 'pinballed' from scene to scene without feeling a smooth transition. A little more editing of these extra layers would help.

I can't leave it unsaid that what repeatedly struck me was why April loved her husband and continued to connect with him. He was such a shallow and thoughtless person. To me, that particular character was the weakest link in the movie.

Overall, I found many funny and poignant moments in the movie and think it deserves a look by a larger audience.


39 of 53 people found this review helpful.  Was this review helpful to you?

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