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Then She Found Me (2007)

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39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is ... See full summary »

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3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Ben
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Stephanie Yankwitt ...
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Sheila (as Lillias D. White)
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Kenneth Stern ...
Rabbi (as Rabbi Kenneth A. Stern)
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Ted
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Storyline

39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is very vocal about her disappointment, while her natural son Freddy, a doctor, is most understanding. Shy but fascinating British author Frank meets April, his doted son Jimmy Ray's teacher, which soon leads to a full-flung affair. At the same time April's birth mother Bernice Graves locates her and begins attempting to establish a relationship. On top of all these balls in the air, April discovers she's finally expecting Ben's baby. Written by KGF Vissers

Plot Summary | Add Synopsis

Taglines:

manchmal kommt alles auf einmal (German tagline) See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

9 May 2008 (USA)  »

Also Known As:

Cuando todo cambia  »

Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend:

$72,594 (USA) (27 April 2008)

Gross:

$3,735,303 (USA) (14 September 2008)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Reunited real-life exes Helen Hunt and Matthew Broderick, who dated 20 years earlier when making the movie Project X. See more »

Goofs

About twenty minutes before the end of the picture, when Bernice confronts April at Frank's place, a crew person can be seen for a few seconds in the lower left hand corner of the screen. See more »

Quotes

April Epner: There is a Jewish story, an ordinary Jewish joke. A father was teaching his little son to be less afraid, to have more courage, by having him jump down the stairs. He put his son on the second stair and said, "Jump, and I'll catch you," and then on the third stair and said, "Jump, and I'll catch you." And the little boy was afraid, but he trusted his father and did what he was told and jumped into his arms. The father put him on the next step, and then the next, each time telling him, "Jump, ...
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Connections

Features Le Mans (1971) See more »

Soundtracks

Mazel Tov Zelda - Zeydns Tants
Written by Dave Tarras
Performed by The Klezmatics
Courtesy of Rounder Records
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Frequently Asked Questions

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User Reviews

 
a grounded in reality chick flick that is terrific
7 July 2008 | by (Austin, Texas) – See all my reviews

This movie is not bad at all.

I caught the first 10 minutes as I waiting for the film I came to see started. I was intrigued and came back the following week to see this little gem of a movie.

With Colin Firth and Matthew Broderick playing against type, it was a relief not to see them so admirable in their roles. Yes, Bette Midler played the typical yenta shrew but hey, at least we see Bette. She's been away from the screen for far too long.

I'll be the first to tell you I have never been a Helen Hunt fan at all. I have never even seen her hit t.v. series, Mad About You. Something about her just rubbed me the wrong way in the movies I have seen her in. But then, I saw this movie and I loved it and she did a terrific job in her production.

Seriously. All these people who are criticizing her are slamming her for the wrong reasons. Why? This is one of those FEW films in life in which it's neither the director, writer, or actor's fault. If there is any downside, it's the editor's fault. Yes, it is.

Why? Because the editor chopped up the scenes. In the editing room, a director can become a genius or a fool. This is one of those cases. I do not fault Helen's direction. I fault the editor here. Some of these scenes should have been allowed to breathe on their own, not jump cut from one emotion to the next.

Despite that editing distraction, this chick flick has heart, it does have emotion. How do I know this? I heard a lot of sniffling, tears of sorrow and joy in the audience when this film ended. That is what a film is suppose to do, make you feel something, be a participant, not a witness.


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