Then She Found Me (2007)

New York Jew Benjamin 'Ben' suppressed his child-wish for ten years, but finally leaves his wife and school colleague April Epner, which most of all disappoints her dying bossy adoptive ... See full summary »

Director:

Helen Hunt

Writers:

Alice Arlen (screenplay), Victor Levin (screenplay),

Stars:

Helen Hunt, Bette Midler, Colin Firth

2 wins.

Cast

Cast overview, first billed only:
Helen Hunt	...	April Epner
Bette Midler	...	Bernice Graves
Colin Firth	...	Frank
Matthew Broderick	...	Ben
Ben Shenkman	...	Freddy
Lynn Cohen	...	Trudy Epner
John Benjamin Hickey	...	Alan
Salman Rushdie	...	Dr. Masani
Daisy Tahan	...	Ruby
Tommy Nelson	...	Jimmy Ray
Stephanie Yankwitt	...	Stacey
Lillias White	...	Sheila (as Lillias D. White)
David Callegati	...	Gianni
Kenneth Stern	...	Rabbi (as Rabbi Kenneth A. Stern)
Robert LuPone	...	Ted

Storyline

New York Jew Benjamin 'Ben' suppressed his child-wish for ten years, but finally leaves his wife and school colleague April Epner, which most of all disappoints her dying bossy adoptive mother Bernice Graves, who has hell-bent on grandchildren, while Bernice's natural son Freddy, a doctor, is most understanding. Shy but fascinating British author Frank meets April, his doted son Jimmy Ray's teacher, which soon leads to a full-flung affair. Only then April discovers she's finally expecting Ben's baby, but both are emotionally committed elsewhere.

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Plot Keywords:

talk show host | sonogram | sex in a car | wedding | pregnancy | 

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Taglines:

Life can change in a heartbeat.

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Genres:

Comedy | Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for language and some sexual content

Details

Official Sites:

Offical site Official site [Japan]

Country:

USA

Language:

English Hebrew

Release Date:

1 May 2008 (Israel)

Also Known As:

Cuando todo cambia

Filming Locations:

Brooklyn, New York City, New York, USA

Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend:

$72,594 (USA) (25 April 2008)

Gross:

$3,735,303 (USA) (12 September 2008)

Company Credits

Production Co:

Black Watch Productions, Blue Rider Pictures, John Wells Productions

Technical Specs

Runtime:

100 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Tony Goldwyn was initially set to direct.

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Goofs

The passenger side shoulder belt in April's car is present for Bernice's scene and missing for Frank's.

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Quotes

April Epner: Your wife was seeing someone else?
Frank: Pretty much everyone else. I was too much for her.
April Epner: Your wife? I'm sure she didn't feel that way.
Frank: She told me.
April Epner: What did she say?
Frank: 'You're too much for me.'
April Epner: Ugh.

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Connections

Featured in The Tonight Show with Jay Leno: Episode #19.119 (2011)

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Soundtracks

"Mazel Tov Zelda - Zeydns Tants"
Written by Dave Tarras
Performed by The Klezmatics
Courtesy of Rounder Records

User Reviews

Another Biological Clock Ticks…But Hunt Provides Heart and Conviction to Her Directorial Debut

Having just seen "Baby Mama", which covers the same emotional territory but in much broader slapstick terms, this 2008 serio-comedy is driven far more by character than situation. In this case, the protagonist is 39-year-old April Epner, a New York schoolteacher who was raised in a close-knit Jewish family and desperately wants the biological connection of a birth child before her alarm clock goes off. She marries fellow teacher Ben, an inarticulate schlub with a terminal case of the Peter Pan Syndrome. After a brief time, he wants out of the marriage, and at almost the same time, April's adoptive mother Trudy dies. Not even a month goes by before April's biological mother suddenly shows up in the form of the brazenly overbearing but genuinely likable Bernice Graves, a cable talk-show hostess who is something of a local media celebrity. If life was not complicated enough, April also finds herself drawn to Frank, the single father of one of her pupils. Unlike Ben, he feels the same about April but is fighting his own bitterness about his own recent divorce.

Not only does Helen Hunt star as April, but she also co-wrote the screenplay with Alice Arlen and Victor Levin and makes her big-screen directorial debut. Granted she's more impressive as an actress than a filmmaker, but as a director and writer, she makes the most of a storyline that stacks the deck a bit like a Lifetime TV-movie. There are enough realistic surprises that take the plot off the rails in a good way. Looking gaunt and avoiding much make-up, Hunt is really playing a variation of the beaten-down waitress she played in "As Good As It Gets", as she carries that same constantly pained expression of disappointment and looks about to explode during moments of emotional duress. However, a decade later, Hunt inhabits the character more naturalistically this time and with a deeper sense of vulnerability and haggard exhaustion. Perhaps to minimize any unnecessary dramatic risk, Hunt cast the other principal roles with actors playing familiar parts. Matthew Broderick effectively portrays Ben as the perpetually dazed man-child he is, while perennial love interest Colin Firth gives texture to the seemingly ideal suitor Frank, especially as he edges toward the breaking point in tolerating the sum of April's foibles.

In one of her increasingly rare screen appearances, Bette Midler gives a scene-stealing performance as Bernice. She lights up the movie with Bernice's unfettered sense of abandonment while gradually exposing the secrets that threaten to undermine her newly found relationship with her daughter. Other parts are played with minimum fuss - Ben Shenkman as April's physician brother Freddy feeling put-upon for having a biological tie to their mother, and Salman Rushdie (author of "The Satanic Verses" which brought him a death sentence from the Ayatollah Khomeini in 1989) as April's doctor. Hunt provides her actors, especially herself, plenty of good, meaty scenes with opportunities for bravura moments. It just doesn't quite come together as a whole by the end, and that may be that Hunt is so used to the sitcom format of the long-running series, "Mad About You". The result is that some laughs feel a bit contrived, some scene transitions seem jarring, and some expected character revelations are given short shrift. Nonetheless, the dramatic developments toward the end carry the emotional impact necessary to make the movie truly affecting, and Hunt should be given credit for a most auspicious debut as a filmmaker.