A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
Every town has its own ghost story, and a local folktale around Ravens Fair is about a ventriloquist named Mary Shaw. After she went mad in the 1940s, she was accused of kidnapping a young boy who yelled out in one of her performances that she was a fraud. Because of this she was hunted down by townspeople who in the ultimate act of revenge, cut out her tongue and then killed her. They buried her along with her "children," a handmade collection of vaudeville dolls, and assumed they had silenced her forever. However, Ravens Fair has been plagued by mysterious deaths around them after Mary Shaws collection has returned from their graves and have come to seek revenge on people that killed her and their families. Far from the pall of their cursed hometown, newlyweds Jamie and Lisa Ashen thought they had established a fresh start, until Jamie's wife is grotesquely killed in their apartment. Jamie returns to Ravens Fair for the funeral, intent on unraveling the mystery of Lisa's death. Once... Written by
There are two different versions of the "Mary Shaw" poem. In the movie the poem goes, "Beware the stare of Mary Shaw. She had no children only dolls. And if you see her in your dreams, be sure you never, ever scream." On the trailer it was, "Beware the stare of Mary Shaw. She had no children, only dolls. And if you see her do not scream, she'll rip your tongue out at the seam." See more »
After Lisa puts the white sheet over Billy the Doll, it constantly changes position in the way it is draped on the bed. See more »
Beware the stare of Mary Shaw / She had no children only dolls / And if you see her in your dreams / Be sure to never ever scream.
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The 1930s Universal Pictures logo is used in the opening credits. See more »
This movie helped me regain my faith in horror movies to scare me. Also, faith that there are still directors out there waiting for there chance to scare us again. When I was younger, I got scared watching horror movies. When I got older, except for Nightmare on Elm Street and John Carpenter's The Thing, I haven't really been scared. I enjoy the movies, but not scared. This movie re-instated the fact that I "can" be scared.
Then there are the creative transitions in the movie. Awesome! Those and the atmospheric lighting and musical score created a most eerie atmosphere. Sometimes the slightest of tension before the storm.
The triumph being the director's choice of sound editing. Shhh! I won't give this away. But I extremely appreciated that gem. (RE: the title of the movie)
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