With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
Darren Lynn Bousman
Every town has its own ghost story, and a local folktale around Ravens Fair is about a ventriloquist named Mary Shaw. After she went mad in the 1940s, she was accused of kidnapping a young boy who yelled out in one of her performances that she was a fraud. Because of this she was hunted down by townspeople who in the ultimate act of revenge, cut out her tongue and then killed her. They buried her along with her "children," a handmade collection of vaudeville dolls, and assumed they had silenced her forever. However, Ravens Fair has been plagued by mysterious deaths around them after Mary Shaws collection has returned from their graves and have come to seek revenge on people that killed her and their families. Far from the pall of their cursed hometown, newlyweds Jamie and Lisa Ashen thought they had established a fresh start, until Jamie's wife is grotesquely killed in their apartment. Jamie returns to Ravens Fair for the funeral, intent on unraveling the mystery of Lisa's death. Once... Written by
(at around 1h 10 mins) During the climax, in the storage area with all 101 dolls, you can see Jigsaw's doll from the "Saw" films sitting on the floor, and Edgar Bergen's doll Charlie McCarthy on one of the shelves. The doll that Detective Lipton throws over his shoulder in this scene is a replica of ventriloquist Jimmy Nelson's doll, Danny O'Day. See more »
(at around 55 mins) When Detective Lipton confronts Jamie at his father's house, the perspiration on the left side of the Detective's face alternates between dry and wet between shots. See more »
If you have nightmares easily, I suggest staying away from this film: it's pure nightmare fuel. If you have an active imagination, you could have trouble sleeping with the film's imagery burned into the back of your eyeballs.
The story's intriguing enough. There just aren't enough horror films these days about menacing old ventriloquist ladies that are buried with their creepy dolls, who have come back from the dead to seek vengeance on the families that put her in the grave, by tearing out their tongues. The atmosphere is heavy, the creepy music is provided by SAW'S Charlie Clouser, the colors are washed out, and the sets are surreal.
Many will dismiss it as a formulaic, clichéd horror film. The SAW creators, who are huge horror fans, have fun making their own version of the American horror film by throwing in plenty of classic tropes such as the wise-cracking detective (Donnie Wahlberg) and the crazy old lady that knows more than she should.
I was pleased that the film didn't shy away from gore: it wasn't gratuitous, but it did enhance the horror. Most ghost stories tend to be separate from the gore flicks (I'm a fan of both), but I always enjoy seeing them combined. Another aspect that was interesting was the "silence" mode that signaled the presence of evil.
It's got plenty of horror elements to provide scares: aged film, folk tales, singing children, antique furniture, voice recordings fading out, flickering lights, dead loved ones beckoning from beyond the grave, photographs of dead families, cackling old women, wide-eyed dolls, billowing curtains, plenty of thunder and lightning, open caskets, dank crawlspaces, and a pervading sense of evil throughout.
Critics won't dig it, but I've shown it to two groups of friends and the majority were terrified and claimed it to be one of the scariest movies they'd seen. If you're a fan of atmospheric horror that aims to creep you to the bone, you should be more than pleased.
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