Pablo blends documentary and animation elements to tell the saga of "famous unknown" Pablo Ferro, a man with a personal journey that spans from Havana, during the pre-Cuban revolution to ... See full summary »
Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame and glamor. His alternative magazine, "Post Modern Review", pokes fun at the media obsessed stars and bucks trends, and so when Young is offered a job at the diametrically opposed conservative New York based "Sharps" magazine it's something of a shock! It seems "Sharps" editor Clayton Harding is amused by Young's disruption of a post-BAFTA party with a pig posing as Babe. Thus begins Sidney's descent into success - his gradual move from derided outsider to confidante of starlet Sophie Maes. Initially helping him out at Sharps is colleague Alison Olsen, who has her own secret. Wither their friendship? Written by
When we first meet Sophie Maes (Megan Fox), she says she is a vegetarian and would never wear fur, yet we see her at the party towards the end of the movie wearing what looks like a real fur shawl. However, this is most likely a testament to how movie stars sell out their beliefs when they become famous. See more »
[Meeting with Sidney for the first time in Clayton's corporate office]
You think you've arrived, don't you? Hate to break it to you, but you're only in the first room. In about a year, maybe longer, you'll discover a secret doorway at the back of the first room that leads to the second. And in time, if you're lucky, you'll discover another doorway in the back of the second room that leads to the third. There are seven rooms altogether. You're in the first. I'm in the seventh. Don't you forget it...
[...] See more »
Written by Richard Parfitt (uncredited) and Owen Powell (uncredited)
Performed by Duffy
Courtesy of Polydor Records Ltd
Under licence from Universal Music Operations
Publishing Copyright Control See more »
Great fun, absorbing and thought provoking. Plenty of fascinating characters.
I was pleasantly surprised to find that How to Lose Friends and Alienate People was nowhere near as 'gross-out' a comedy as the trailer had led me to expect. I rapidly became absorbed in the unfolding of the narrative and remained engrossed throughout. Pacing of the more visual humorous content was, I thought, spot on. (I mean I got the impression I was witnessing Pegg's attempts at restoring lost control very much 'in real time', so to speak.) At other moments there was time allowed to share the main protagonists' (i.e. Pegg's and Dunst's) reflection on how events were affecting them and what had led them to where they now found themselves. All the characters were well cast, to some extent interesting in and of themselves, and generally quite likable. (Any apparent ruthless ambition displayed tended to be tempered by a corresponding good natured resilience.) An entertaining, intelligently scripted, brilliantly directed and superbly acted film that I would thoroughly recommend.
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