Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame and glamor. His alternative magazine, "Post Modern Review", pokes fun at the media obsessed stars and bucks trends, and so when Young is offered a job at the diametrically opposed conservative New York based "Sharps" magazine it's something of a shock! It seems "Sharps" editor Clayton Harding is amused by Young's disruption of a post-BAFTA party with a pig posing as Babe. Thus begins Sidney's descent into success - his gradual move from derided outsider to confidante of starlet Sophie Maes. Initially helping him out at Sharps is colleague Alison Olsen, who has her own secret. Wither their friendship? Written by
Megan Fox was cast in her role before Transformers (2007) was released. Director Robert B. Weide had hoped he would have been the one credited with uncovering this new talent and so after Transformers (2007) was a big hit and Fox quickly becoming an international sex symbol, he remarked he was disappointed, not for her but for the fact he wasn't the one who first brought her to the cinematic stage. See more »
When Sidney is looking at Lawrence from inside an office, the camera and lighting kit is clearly visible in the reflection of the glass while trying to create Sidney's point of view. See more »
I Don't Feel Like Dancin'
Written by Babydaddy (as Scott Hoffman), Jake Shears (as Jason Sellards) and Elton John
Performed by Scissor Sisters
Courtesy of Polydor UK Ltd
Under licence from Universal Music Operations
Published by EMI Music Publishing Ltd/HST Mgt Ltd
Administered by Universal Music Publishing Ltd See more »
Amazing performance from Simon Pegg who just gets better and better with every role. As usual he plays the part of a very cringy character who makes you want to hide behind your cushion in embarrassment for him sometimes, but thats what Pegg is all about.
The laughs were regular and eye watering and everyone of them aimed at Penn. The movie was very cleverly put together where every character plays a very sophisticated and serious part with Penn being the only humour involved which is a huge credit to the Director Robert Weide.
And I cant let this one go without a quick round of applause to Gilliam Anderson who shone throughout. Highly recommended to all.
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