Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame and glamor. His alternative magazine, "Post Modern Review", pokes fun at the media obsessed stars and bucks trends, and so when Young is offered a job at the diametrically opposed conservative New York based "Sharps" magazine it's something of a shock! It seems "Sharps" editor Clayton Harding is amused by Young's disruption of a post-BAFTA party with a pig posing as Babe. Thus begins Sidney's descent into success - his gradual move from derided outsider to confidante of starlet Sophie Maes. Initially helping him out at Sharps is colleague Alison Olsen, who has her own secret. Wither their friendship? Written by
Toby Young, the man around whom the film is based, was banned from the set as he was reportedly annoying actors and interrupting Robert B. Weide as he tried to direct scenes. See more »
When Sidney is looking at Lawrence from inside an office, the camera and lighting kit is clearly visible in the reflection of the glass while trying to create Sidney's point of view. See more »
[Meeting with Sidney for the first time in Clayton's corporate office]
You think you've arrived, don't you? Hate to break it to you, but you're only in the first room. In about a year, maybe longer, you'll discover a secret doorway at the back of the first room that leads to the second. And in time, if you're lucky, you'll discover another doorway in the back of the second room that leads to the third. There are seven rooms altogether. You're in the first. I'm in the seventh. Don't you forget it...
[...] See more »
Get on the Floor
Written by Aniff Akinola, Ben Blease, Johnny Jay
Performed by The Ironweed Project
Licensed courtesy of The Ironweed Project
Published by Universal Music Publishing Ltd/Copyright Control See more »
Great fun, absorbing and thought provoking. Plenty of fascinating characters.
I was pleasantly surprised to find that How to Lose Friends and Alienate People was nowhere near as 'gross-out' a comedy as the trailer had led me to expect. I rapidly became absorbed in the unfolding of the narrative and remained engrossed throughout. Pacing of the more visual humorous content was, I thought, spot on. (I mean I got the impression I was witnessing Pegg's attempts at restoring lost control very much 'in real time', so to speak.) At other moments there was time allowed to share the main protagonists' (i.e. Pegg's and Dunst's) reflection on how events were affecting them and what had led them to where they now found themselves. All the characters were well cast, to some extent interesting in and of themselves, and generally quite likable. (Any apparent ruthless ambition displayed tended to be tempered by a corresponding good natured resilience.) An entertaining, intelligently scripted, brilliantly directed and superbly acted film that I would thoroughly recommend.
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