Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame and glamor. His alternative magazine, "Post Modern Review", pokes fun at the media obsessed stars and bucks trends, and so when Young is offered a job at the diametrically opposed conservative New York based "Sharps" magazine it's something of a shock! It seems "Sharps" editor Clayton Harding is amused by Young's disruption of a post-BAFTA party with a pig posing as Babe. Thus begins Sidney's descent into success - his gradual move from derided outsider to confidante of starlet Sophie Maes. Initially helping him out at Sharps is colleague Alison Olsen, who has her own secret. Wither their friendship? Written by
At the party, Sophie Maes (Megan Fox) gathers her hair in her right hand, holds it above her shoulders and lowers herself into the pool. She walks across the pool in water that is just deep enough to wet her bust and as she climbs out of the pool we can see a distinct "tide mark" on her halter-necked dress, above which her shoulders and neck are dry. In the next scene, Sophie emerges from a lift/elevator with wet shoulders and neck. See more »
Einstein said, Try not to become a man of success rather to become a man of value!
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For Reasons Unknown
Written by Brandon Flowers (as Flowers)
Performed by The Killers
Courtesy of Island Def Jam (United States)
Under licence from Universal Music Operations
Published by Universal Music Publishing Ltd See more »
Great fun, absorbing and thought provoking. Plenty of fascinating characters.
I was pleasantly surprised to find that How to Lose Friends and Alienate People was nowhere near as 'gross-out' a comedy as the trailer had led me to expect. I rapidly became absorbed in the unfolding of the narrative and remained engrossed throughout. Pacing of the more visual humorous content was, I thought, spot on. (I mean I got the impression I was witnessing Pegg's attempts at restoring lost control very much 'in real time', so to speak.) At other moments there was time allowed to share the main protagonists' (i.e. Pegg's and Dunst's) reflection on how events were affecting them and what had led them to where they now found themselves. All the characters were well cast, to some extent interesting in and of themselves, and generally quite likable. (Any apparent ruthless ambition displayed tended to be tempered by a corresponding good natured resilience.) An entertaining, intelligently scripted, brilliantly directed and superbly acted film that I would thoroughly recommend.
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