Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame and glamor. His alternative magazine, "Post Modern Review", pokes fun at the media obsessed stars and bucks trends, and so when Young is offered a job at the diametrically opposed conservative New York based "Sharps" magazine it's something of a shock! It seems "Sharps" editor Clayton Harding is amused by Young's disruption of a post-BAFTA party with a pig posing as Babe. Thus begins Sidney's descent into success - his gradual move from derided outsider to confidante of starlet Sophie Maes. Initially helping him out at Sharps is colleague Alison Olsen, who has her own secret. Wither their friendship? Written by
Toby Young, the man around whom the film is based, was banned from the set, as he was reportedly annoying cast members, and interrupting Robert B. Weide as he tried to direct scenes. See more »
When the group is leaving the first party, Eleanor Johnson talks to Sophie Maes before getting into the car. The shot then turns back to Sophie with her saying "Yea" when clearly her lips were not even moving. See more »
With absolutely ZERO to make anyone like him in any way, "How to Lose Friends & Alienate People" just goes too far to be enjoyable.
This film is based on the novel by the same name by Toby Young and is about his life in New York when he worked for "Vanity Fair" magazine. How close the book, this movie and reality are related to each other is something I do not know. I'd love to know if Young is really this thoroughly hateful and boorish.
In England, Sidney Young (Simon Pegg) spends his life trying to crash celebrity parties to get stories for his fledgling blog or magazine (I'm not sure which--nor do I really care). For no apparent reason, the editor of a HUGE magazine in New York (Jeff Bridges) calls Young and offers him a job. So, his years of crashing parties is over--with "Sharps" magazine, he now has entrée--albeit, it's at a very low-level job. Once in New York, Young pretty much alienates himself from everyone because he's a worthless, boorish and despicable guy. Folks with Asperger's Syndrome would be MUCH more adept given the same opportunity. Yet, again and again, he manages to say and do the wrong thing. Why a co-worker (Kirsten Dunst) eventually grows to care about him is inexplicable, as he gives them almost nothing to like. And, how this guy manages to eventually be a success is beyond me.
The problem is that the character of Sidney Young is so abrasive, so annoying, so shallow and so thoroughly unlikable that it just doesn't seem possible. He is possibly the worst person I've seen in a film that isn't Hitler or some other despotic world dictator. Heck, Freddy Kruger and Jason are more charismatic and likable than Sidney Young! Had they made him HARD to like instead of IMPOSSIBLE to like, it might have worked. Or, at least, it would have worked a lot better.
So, if Young is this awful, what else is there if anything? Well, not much. Most of the rest of the folks in the film aren't likable, either. Plus, you'll be assaulted with a lot of nastiness--such as the often use of the 'ol F-bomb AND a full-frontal she-male* nude scene (I did NOT need to see this). All in all, a film I kept HOPING would become better but didn't. A huge disappointment. And, it makes you wonder how very talented folks (such as Pegg and Kirsten Dunst) agreed to star in such an unlikable film.
*What is the best and most accepted way to say this? I have no idea but the person looked exactly like a sexy lady with male genitalia.
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