RANDOM ACTS OF VIOLENCE is an ultra low budget thriller/black comedy about Malcolm - a New Yorker who gets tired of how gentrified, tepid and antiseptic it's all become. So he decides to ... See full summary »
Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame and glamor. His alternative magazine, "Post Modern Review", pokes fun at the media obsessed stars and bucks trends, and so when Young is offered a job at the diametrically opposed conservative New York based "Sharps" magazine it's something of a shock! It seems "Sharps" editor Clayton Harding is amused by Young's disruption of a post-BAFTA party with a pig posing as Babe. Thus begins Sidney's descent into success - his gradual move from derided outsider to confidante of starlet Sophie Maes. Initially helping him out at Sharps is colleague Alison Olsen, who has her own secret. Wither their friendship? Written by
The scene where Sidney leaves Elizabeth Maddox alone in the hallway after she tripped and fell is based on a similar incident involving Anna Wintour and a Vanity Fair intern. See more »
Sidney's limo drives westbound past B.B. King's but the next shot is of Times Square which is to the east. See more »
What's the greatest film ever made?
It's hard to say. I mean, I personally love La Dolce Vita...
[Imitates game show buzzer]
[Continues, dead pan]
[a bit perplexed]
I beg your pardon?
Con Air, right? It's got everything, hasn't it? You know, you've got Malkovich for your acting chops, you got Nicky Cage for your action, Steve Buscemi for your comedy, John Cusack for the gays. Right? It's like a smorgasbord, isn't it?
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For Reasons Unknown
Written by Brandon Flowers (as Flowers)
Performed by The Killers
Courtesy of Island Def Jam (United States)
Under licence from Universal Music Operations
Published by Universal Music Publishing Ltd See more »
Amazing performance from Simon Pegg who just gets better and better with every role. As usual he plays the part of a very cringy character who makes you want to hide behind your cushion in embarrassment for him sometimes, but thats what Pegg is all about.
The laughs were regular and eye watering and everyone of them aimed at Penn. The movie was very cleverly put together where every character plays a very sophisticated and serious part with Penn being the only humour involved which is a huge credit to the Director Robert Weide.
And I cant let this one go without a quick round of applause to Gilliam Anderson who shone throughout. Highly recommended to all.
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