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How to Lose Friends & Alienate People (2008)

 -  Comedy | Drama | Romance  -  3 October 2008 (USA)
6.5
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Ratings: 6.5/10 from 55,397 users   Metascore: 35/100
Reviews: 95 user | 134 critic | 25 from Metacritic.com

A British writer struggles to fit in at a high-profile magazine in New York. Based on Toby Young's memoir "How to Lose Friends & Alienate People".

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(screenplay), (book)
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Cast

Cast overview, first billed only:
Kelan Pannell ...
Janette Scott ...
...
...
...
Kelly Jo Charge ...
Apollo Awards Presenter
Christian Smith ...
Apollo Awards Guest
...
Felicity Montagu ...
...
Herself
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Ian Bonar ...
...
...
...
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Storyline

Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame and glamor. His alternative magazine, "Post Modern Review", pokes fun at the media obsessed stars and bucks trends, and so when Young is offered a job at the diametrically opposed conservative New York based "Sharps" magazine it's something of a shock! It seems "Sharps" editor Clayton Harding is amused by Young's disruption of a post-BAFTA party with a pig posing as Babe. Thus begins Sidney's descent into success - his gradual move from derided outsider to confidante of starlet Sophie Maes. Initially helping him out at Sharps is colleague Alison Olsen, who has her own secret. Wither their friendship? Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

celebrity | starlet | pig | party | writer | See more »

Taglines:

Brace yourselves, America. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language, some graphic nudity and brief drug material | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 October 2008 (USA)  »

Also Known As:

Kako izgubiti prijatelje i otuđiti se od ljudi  »

Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend:

£1,154,607 (UK) (3 October 2008)

Gross:

$2,775,593 (USA) (5 December 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The scene where Sidney leaves Elizabeth Maddox alone in the hallway after she tripped and fell is based on a similar incident involving Anna Wintour and a Vanity Fair intern. See more »

Goofs

At the stately home, when Sydney says, "Do you want another drink?" and she says, "Yeah, I'll have a half of lager.", he gets up and touches her on the shoulder, with his fingers pointing down the front of her dress. In the next shot, with his hand still on her shoulder, his fingers are now pointing down her back. See more »

Quotes

Richard Young: Einstein said, Try not to become a man of success rather to become a man of value!
See more »

Connections

References Love at First Bite (1979) See more »

Soundtracks

Heavy Like Sunday
Written by Leona Naess and Samuel Dixon
Performed by Leona Naess
Courtesy of Polydor UK Ltd
Under licence from Universal Music Operations
Published by Chrysalis Music/EMI Music/Universal Music Publishing MGB Ltd (c) 2008 Used with Permission. All Rights Reserved
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Great fun, absorbing and thought provoking. Plenty of fascinating characters.
24 October 2008 | by (Sheffield, England.) – See all my reviews

I was pleasantly surprised to find that How to Lose Friends and Alienate People was nowhere near as 'gross-out' a comedy as the trailer had led me to expect. I rapidly became absorbed in the unfolding of the narrative and remained engrossed throughout. Pacing of the more visual humorous content was, I thought, spot on. (I mean I got the impression I was witnessing Pegg's attempts at restoring lost control very much 'in real time', so to speak.) At other moments there was time allowed to share the main protagonists' (i.e. Pegg's and Dunst's) reflection on how events were affecting them and what had led them to where they now found themselves. All the characters were well cast, to some extent interesting in and of themselves, and generally quite likable. (Any apparent ruthless ambition displayed tended to be tempered by a corresponding good natured resilience.) An entertaining, intelligently scripted, brilliantly directed and superbly acted film that I would thoroughly recommend.


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