| Photos (See all 30 | slideshow) | Videos (see all 10) |
| Robert De Niro | ... | Jonathan Flynn | |
| Paul Dano | ... | Nick Flynn | |
| Julianne Moore | ... | Jody Flynn | |
| Olivia Thirlby | ... | Denise | |
| Eddie Rouse | ... | Carlos | |
| Steve Cirbus | ... | Jeff | |
| Lili Taylor | ... | Joy | |
| Victor Rasuk | ... | Gabriel | |
| Liam Broggy | ... | Young Nick | |
| Chris Chalk | ... | Ivan | |
| Wes Studi | ... | Captain | |
| Thomas Middleditch | ... | Richard | |
| Sarah Quinn | ... | Religious Girl | |
| Ben Foronda | ... | Punky Guy (as Benjamin Foronda) | |
| Dale Dickey | ... | Marie | |
| Joshua Alscher | ... | Crack Smoker | |
| Dawn McGee | ... | Waitress | |
| Billy Wirth | ... | Travis | |
| Michael Gibson | ... | Sergeant Bob | |
| Kelly McCreary | ... | Inez (as Kelly J. McCreary) | |
| Deidre O'Connell | ... | Frowzy Woman | |
| Katherine Waterston | ... | Sarah | |
| Robert Andrews | ... | Homeless Man 1 | |
| Michael Genadry | ... | Young Counselor | |
| Kelli Crump | ... | Desk Clerk | |
| Dara Tomanovich | ... | Beautiful Woman | |
| Jane Lee | ... | Laura | |
| Evan Wadle | ... | Young Guy | |
| Victor Pagan | ... | Beady-Eyed Bill | |
| Rony Clanton | ... | Skid | |
| Michael Buscemi | ... | Dennis | |
| Lorenzo Murphy | ... | Morphine Addict | |
| William Sadler | ... | Ray | |
| Joseph Prioleau | ... | George | |
| Lee Stringer | ... | Homeless Man in Line | |
| John O'Brien | ... | Airline Pilot | |
| Joey Boots | ... | NA Guy | |
| Luis Moco | ... | Punk Rocker | |
| Marilyn Torres | ... | Little Girl's Mother | |
| Stephen Williams | ... | Counselor | |
| Roy Milton Davis | ... | Homeless Man 2 | |
| Rufino Colon | ... | Shelter Guest 1 | |
| Jeff Ware | ... | Jerry | |
| Samira Wiley | ... | Asha | |
| Stuart Rudin | ... | Moses | |
| Gabriel Millman | ... | Housing Counselor | |
| Thomas Hoffman | ... | Barlow | |
| Joyce Myricks | ... | Nurse / Counselor | |
| Dwight Folsom | ... | Isaac Clegg | |
| Carlton Bembry | ... | Counselor 2 | |
| George Asatrian | ... | Beating Teen 1 | |
| Anthony Piccolo | ... | Beating Teen 2 | |
| Kevin Keels | ... | Banker at Party | |
| rest of cast listed alphabetically: | |||
| Kevin Cannon | ... | Crackhead Mugger (uncredited) | |
| Dj Nino Carta | ... | Homeless Man #2 in Line (uncredited) | |
| Louise Devery | ... | Buttercup Bartender (uncredited) | |
| Nick Flynn | ... | Man interviewing for placement (uncredited) | |
| Peggy Friend | ... | Lady in cab (uncredited) | |
| Marty Krzywonos | ... | Shelter Guest (uncredited) | |
| John Mitchell | ... | Shelter Guest 104 (uncredited) | |
| Michael Morana | ... | Jody's Ex Boyfriend (uncredited) | |
| Paul Senza | ... | Housing Counselor (uncredited) | |
Directed by | |||
| Paul Weitz | |||
Writing credits | ||
| Paul Weitz | (written by) | |
| Nick Flynn | (book "Another Bullshit Night in Suck City") | |
Produced by | |||
| Dan Balgoyen | .... | co-producer | |
| Caroline Baron | .... | executive producer | |
| Michael Costigan | .... | producer | |
| Nick Flynn | .... | executive producer | |
| Kerry Kohansky | .... | executive producer | |
| Meghan Lyvers | .... | executive producer | |
| Andrew Miano | .... | producer | |
| Jane Rosenthal | .... | executive producer | |
| Paul Weitz | .... | producer | |
Original Music by | |||
| Damon Gough | (as Badly Drawn Boy) | ||
Cinematography by | |||
| Declan Quinn | (director of photography) | ||
Film Editing by | |||
| Joan Sobel | |||
Casting by | |||
| Joseph Middleton | |||
Production Design by | |||
| Sarah Knowles | |||
Art Direction by | |||
| Ryan Heck | |||
Set Decoration by | |||
| Susan Perlman | |||
Costume Design by | |||
| Aude Bronson-Howard | |||
Makeup Department | |||
| Jerry DeCarlo | .... | key hair stylist | |
| Julie Anna Kehoe | .... | first assistant hair stylist (as Julie Anna Kehoe-Lipman) | |
| Björn Rehbein | .... | first assistant makeup artist (as Bjoern Rehbein) | |
| Susan Reilly LeHane | .... | makeup artist: Julianne Moore (as Susan Reilly Lehane) | |
| Carla White | .... | key makeup artist | |
| Joseph Farulla | .... | makeup artist (uncredited) | |
| Craig Lindberg | .... | additional makeup artist (uncredited) | |
| Rosemary Redlin | .... | makeup artist (uncredited) | |
Production Management | |||
| Caroline Baron | .... | unit production manager | |
| Isabel Henderson | .... | post-production supervisor | |
| Gabrielle Mahon | .... | production supervisor | |
| Ben Urquhart | .... | post production executive (uncredited) | |
Second Unit Director or Assistant Director | |||
| Casey Madigan | .... | second second assistant director | |
| Christo Morse | .... | first assistant director | |
| Annie Tan | .... | second assistant director | |
Sound Department | |||
| Jamie Baker | .... | foley editor | |
| Michael Barry | .... | sound re-recording mixer | |
| Ron Bochar | .... | sound re-recording mixer | |
| Ron Bochar | .... | supervising sound editor | |
| David Boulton | .... | adr recording engineer | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| James Cruz | .... | mix technician (as Jimmy Cruz) | |
| Ruth Hernandez | .... | adr editor | |
| Paul Hsu | .... | sound effects editor | |
| George A. Lara | .... | foley engineer | |
| Branka Mrkic | .... | dialogue editor (as Branka Mrkic-Tana) | |
| James Nichols | .... | sound consultant: Dolby | |
| Brendan Jamieson O'Brien | .... | boom operator (as Brendan O'Brien) | |
| Adam Sanchez | .... | utility sound | |
| Sara Stern | .... | assistant sound editor | |
| Thomas Varga | .... | production sound mixer (as Tom Varga) | |
| Michael Miller | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Drew Jiritano | .... | special effects coordinator | |
| Andrew Mortelliti | .... | assistant special effects coordinator | |
| Richard Moran | .... | special effects technician (uncredited) | |
| Stephen Powers | .... | special effects (uncredited) | |
Visual Effects by | |||
| Aaron Baker | .... | digital artist: Method Studios | |
| Aleksandar Djordjevic | .... | digital artist: Method Studios | |
| Jason Hawkins | .... | digital artist: Method Studios | |
| Alice Kahn | .... | visual effects coordinator: Method Studios | |
| Tram Le | .... | visual effects producer | |
| Gregory D. Liegey | .... | visual effects supervisor: Method Studios (as Gregory Liegey) | |
| David Piombino | .... | digital artist: Method Studios | |
| Lesley Robson-Foster | .... | on set visual effects supervisor | |
| Cara Buckley | .... | head of production: Method Studios NYC (uncredited) | |
| Alejandro Monzon | .... | rotoscope artist (uncredited) | |
Stunts | |||
| Brian Keith Allen | .... | stunts | |
| Bobby Beckles | .... | stunts | |
| Peter Bucossi | .... | stunt coordinator | |
| Chris Colombo | .... | stunts | |
| Norman Douglass | .... | stunts | |
| Roy Farfel | .... | stunts | |
| Greg Harvey | .... | stunts | |
| Don Hewitt | .... | stunts (as Don Hewitt Sr.) | |
| Donald John Hewitt | .... | stunts (as Donald J. Hewitt) | |
| Asa Liebmann | .... | stunts | |
| Mick O'Rourke | .... | stunts | |
| Gary Tacon | .... | stunts | |
| Khiry Ward | .... | stunts | |
Casting Department | |||
| Tineka Becker | .... | casting associate | |
| Todd Feldman | .... | extras casting associate | |
| Jason Harris | .... | adr voice casting | |
| Kristian Sorge | .... | extras casting | |
Costume and Wardrobe Department | |||
| Ngina Bowen | .... | set costumer | |
| Careen Fowles | .... | set costume supervisor | |
| Catherine Riley | .... | assistant costume designer (as Katie Riley) | |
| Monica Ruiz-Ziegler | .... | costumer: Robert De Niro (as Monica Ruiz Ziegler) | |
| Lindsey C. Brush | .... | costume coordinator (uncredited) | |
| Chandra Moore-Telfer | .... | costume ager/dyer (uncredited) | |
| Yaneya Rovira | .... | daily set costumer (uncredited) | |
Editorial Department | |||
| Matt Breitenbach | .... | digital intermediate assist | |
| Ryan Duffy | .... | digital scanning and recording: Deluxe New York | |
| Alex Durie | .... | digital restoration: Deluxe New York | |
| Joe Gawler | .... | digital intermediate colorist: Deluxe New York (as Joseph Gawler) | |
| Markus Janner | .... | digital scanning and recording: Deluxe New York | |
| Brent Kleinman | .... | digital intermediate engineer: Deluxe New York | |
| Christian Kontis | .... | digital restoration: Deluxe New York | |
| Tim Mullen | .... | digital intermediate engineer: Deluxe New York | |
| David Pultz | .... | lab timer: Deluxe New York | |
| Matt Roozen | .... | post-production assistant (as Matthew Roozen) | |
| Jonathan Sanden | .... | digital intermediate editor: Deluxe New York | |
| Darrell R. Smith | .... | digital intermediate supervising producer: Deluxe New York | |
| Jason Swiniuchowski | .... | post-production assistant | |
| Jay Tilin | .... | smoke artist: Deluxe New York | |
| Ofe Yi | .... | assistant editor | |
| Thomas Centrone | .... | colorist (uncredited) | |
| Molle DeBartolo | .... | digital intermediate project manager (uncredited) | |
| Mathieu Reid | .... | color timer (uncredited) | |
| Seth Weinman | .... | post-production technician: dailies (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearances | |
| Andy Brown | .... | music performer | |
| Andy Brown | .... | orchestra conductor | |
| Linda Cohen | .... | music supervisor | |
| Caroline Dale | .... | musician: cello solos | |
| Jessica Dannheisser | .... | orchestrator | |
| John M. Davis | .... | music editor | |
| Matthias Gohl | .... | music arranger (as Teese Gohl) | |
| Damon Gough | .... | music performer (as Badly Drawn Boy) | |
| Sally Heath | .... | musician: piano | |
| Martin Hollis | .... | recording engineer | |
| The London Metropolitan Orchestra | .... | music performer | |
| Stephen McLaughlin | .... | music mixer (as Steve McLaughlin) | |
| Stephen McLaughlin | .... | music score producer (as Steve McLaughlin) | |
| Seadna McPhail | .... | recording engineer | |
| Angie Pollock | .... | additional vocals | |
| Paul Saunderson | .... | music arranger | |
| Mary Scully | .... | musician: contra bass (as Mary Sculley) | |
| Steve Wright | .... | music production assistant | |
Transportation Department | |||
| Thomas Beauter | .... | driver (as Thomas D. Beauter) | |
| Scott Bucciero | .... | driver | |
| David Buckman | .... | driver (as David 'mo chedda' Buckman) | |
| Jim Buckman | .... | transportation captain | |
| Peter Connors | .... | transportation co-captain (as Pete Connors) | |
| Rocco Curatolo | .... | driver | |
| Jesse Czypinski | .... | driver (as Jesse Supinski) | |
| Christopher Defeo | .... | driver | |
| Billy Featherstone | .... | driver | |
| Kenneth Garrison | .... | driver | |
| Angelo Geremia | .... | driver | |
| Steven R. Guglielmetti | .... | driver | |
| Steve Hollingsworth | .... | driver | |
| Greg Jacobs | .... | driver | |
| Greg Miller | .... | driver | |
| Richard Nelson Jr. | .... | driver (as Richard Nelson) | |
| James Pompey | .... | driver | |
| Ernest Sanders | .... | driver | |
| William Speranza | .... | driver (as William J. Speranza) | |
| Daniel Stewart | .... | driver | |
Other crew | |||
| Norman W. Boyd Jr. | .... | prosthodontics: Robert De Niro | |
| Renee Burke | .... | script supervisor (as Renee Foley Burke) | |
| Maurice Cabrera | .... | parking coordinator | |
| Agust Calabro | .... | production assistant | |
| Michael Coast | .... | assistant: Robert De Niro (as Mike Coast) | |
| Lauren Cozzens | .... | production secretary | |
| Mark Curley | .... | location assistant | |
| Robert Darwell | .... | legal services: Sheppard Mullin Richter & Hampton LLP | |
| Muhammad Dawud | .... | security | |
| Agustin De La Puente | .... | craft service | |
| Joshua P. Dease | .... | first assistant accountant | |
| Emily Evashevski | .... | production assistant | |
| Maria Pia Fanigliulo | .... | assets | |
| Maria Pia Fanigliulo | .... | green representative | |
| Megan Gagnon | .... | production assistant | |
| Shellie Gillespie | .... | production accountant | |
| Erika Goldfarb | .... | assistant production coordinator | |
| Trish Gray | .... | location scout | |
| Eva Hannon | .... | accounting clerk | |
| Rob Herling | .... | location assistant | |
| Erica Joseph Hunter | .... | second assistant accountant (as Erica Joseph-Hunter) | |
| Ashley Kravitz | .... | clearance services | |
| Ronnie Kupferwasser | .... | location manager | |
| Yana Collins Lehman | .... | post production accountant | |
| Keith Marlin | .... | production assistant | |
| Carol McConnaughey | .... | unit publicist | |
| K.C. McLeod | .... | assistant: Caroline Baron | |
| Leslie Merlin | .... | production assistant | |
| Joel Morales | .... | craft service | |
| Huy Nguyen | .... | legal services: Sheppard Mullin Richter & Hampton LLP | |
| Mathew Noack | .... | location assistant | |
| Kory O'Donnell | .... | production coordinator | |
| Douglas Odell | .... | water safety | |
| Paul Pena | .... | production assistant | |
| Martin Peterson | .... | production assistant | |
| Michael Riolo | .... | production assistant | |
| Natasha Rivera | .... | production assistant | |
| Tafv Sampson | .... | production assistant | |
| Mike Sapia | .... | parking assistant (as Big Mike) | |
| Christopher Sarli | .... | production assistant | |
| Kelsey Schuyler | .... | assistant post production accountant | |
| Traci Spicer | .... | location assistant | |
| Tessie Tan | .... | payroll accountant (as Tessie P. Tan) | |
| Anthony Torres | .... | chef | |
| Daniel Tresca | .... | assistant location manager (as Dan Tresca) | |
| Lauren Tuck | .... | assistant: Andrew Miano | |
| Finise Avery | .... | stand-in/double (uncredited) | |
| Edmar Flores | .... | production assistant (uncredited) | |
| Sarah Follett | .... | location scout (uncredited) | |
| David C. Huet | .... | second unit production assistant (uncredited) | |
| Ana Laura Pulido | .... | location intern (uncredited) | |
| Brandee Sanders | .... | crew (uncredited) | |
Thanks | |||
| Patricia Weitz | .... | special thanks | |
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| Running with Scissors | The Myth of Fingerprints | Sullivan's Travels | Catch Me If You Can | Adventureland |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Based on the memoirs of poet Nick Flynn entitled Another Bullshit Night in Suck City, Being Flynn works thanks to the performances put in by Robert De Niro and Paul Dano, playing the father and son Jonathan and Nick Flynn, estranged for many years no thanks to Jonathan's life of a con artist catching up with him, communicating with his son through letters for the most parts of his life, never meeting up. Growing up alone with his mom (Julianne Moore), one might think this is yet another dysfunctional family story, but Nick has a lot more to tell, baring his soul to recount the painful absence and hard fought reaching out to the only close relative he's got, and this journey is one that reminds us on blood being thicker than water, or alcohol for that matter here.
Under the direction of Paul Weisz, whose filmography included vulgar flicks like American Pie and The Little Fockers, which of course also starred De Niro, it was great that this film gets more closely aligned with his other narratively powerful films like About a Boy and In Good Company. While the book by Nick Flynn had a whole host of styles adopted in its various chapters, Weisz tried to capture the same essence in adopting different points of views in this film, as well as to lightly touch it with some comedy. But what it had set its sights on, is to bring out the pain of having to not grow up with a dad present and to be brought up by a single mom, and the struggles one has to experience as an aimless drifter until something clicked, and one puts the foot down to embark on a determined change of lifestyle.
There were elements that I enjoyed in this film, one of which is the parallels drawn between the father and son's lives, both seemingly getting from bad to worse with nary a roof over their heads, and the dependence on substance abuse as a vice, be it the bottle or drugs, in the hope that these will help alleviate the severe discomfort brought on by not being able to have ambitions developed and met. Like father, like son, each of them dreams of making it big one day as a successful writer, but like the chip off the old block, this potential rarely got realized when their lives continue to be at the doldrums.
It provides an inspiration to those of us who deem it impossible to pursue our dreams for a variety of reasons, and while it delivers that awkward feeling of having to reconnect with someone related to by blood, especially if that's a mom or a dad, it pushes anyone caught in similar dilemmas into the same direction of reconciliation, for bygones to be bygones, and that there's nothing more powerful than having to rediscover relations that once was, or even never had begun. Weisz adopted a rather fractured narrative, that tells of the present day with Nick and Jonathan's crossing of paths when the latter gets kicked out of his apartment, and having to live on and off in the homeless shelter his son volunteers in, and interspersed that with Nick's memories of the days being brought up by mom through a series of flashbacks, seen through a relatively innocent prism of a young boy growing up in harsh times.
Subplots came and went without much fanfare, such as Nick's on-off romantic relationship with Denise (Olivia Thirlby), a co-worker at the shelter, and we don't really get to know the other co-workers with any depth other than they each come with issues but are volunteering time at the shelter. But there are moments that sneak in, to make you pause and take stock about whether similar situations with the homeless do exist in our own country, and wonder just what is being done, by others as well as ourselves, in contributing to make some change for the better, whether donation in terms of time, or in kind. And not to mention how bullies often target those without support that will make one seethe at the senseless violence dished out.
Robert De Niro continues to prove to be a dramatic tour de force in putting up another fine performance as the cranky, and what I thought to be proud, man who thinks rather highly of his non-existent talent, and subtly shows how Jonathan is actually very proud of the son he should have made contact with many years ago. Paul Dano may have perfected playing laid back characters, but perhaps having to act opposite a veteran such as De Niro forced him to up his game as well, resulting in a natural chemistry between the two that carried the film from start to end. Recommended, with an eclectic soundtrack serving as a bonus.