This hour long documentary on the making of Alfred Hitchcock's "Marnie" incorporates the usual melange of contemporary interviews with surviving participants and liberal helpings of film ... See full summary »
This documentary is a narrated account of the making of Alfred Hitchcock's film, Torn Curtain (1966). Much of this documentary focuses on the difficulties of making the film, and of course, how it all came together in the end.
A wonderfully informative 80-minute documentary combining current interviews with archival materials and scenes from the film. Hitchcock's daughter Pat, production designer Robert Boyle, ... See full summary »
A retrospective on the entire movie, from start to finish. There are interviews with many of the principle cast and crew (including Janet Leigh and Joseph Stefano), who all talk openly and ... See full summary »
Good arrangement, other than the elephant in the room
This is the only featurette on the DVD of Family Plot. It is a sort of retro-active making-of and look at the film, and is made up of recent interviews, behind the scenes footage and clips of the movie(at times ironically edited). For some reason, they don't at all address that Harris doesn't appear in this at all. They talk about her from during production, and no ill is spoken of her. I have no idea why she is absent. This is an informational and interesting 48 and a half minutes. Everyone who is in this has something to say, and Dern does a decent imitation of Hitchcock(Black does one, too... hers is... uhm...), we get priceless anecdotes wherein we get more examples of the Master's sardonic and sharp wit, and they talk a little about his other work. They go into why the car sequence is so darn effective(the secret is to *stay in the vehicle*, once inside, no wide shots, only POV from front and reaction shots of the passengers). We even hear about the project that was set to be Alfred's(R.I.P.) next. While there is a bit of the obligatory lovefest, it isn't excessive and they do argue their case. It's cool to hear from John Williams, who clearly has respect for the great director. Well-edited and keeps a nice pace. There is disturbing content in this, and this documentary spoils its subject. I recommend this to any fan. 7/10
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