"Don't Be a Menace to South Central While Drinking your Juice in the Hood" is a parody of a lot of black U.S. movies, for instance "Boyz n the Hood", "South Central", "Menace II Society", "... See full summary »
A senator arranges for his son, a rich white kid who fancies himself black, to be kidnapped by a couple of black actors pretending to be murderers to try and shock him out of his plans to become a rapper.
John Lyshitski is a car stealing slacker, with a weed problem, and has been in Illinois' Rossmore State Penitentiary so many times, he knows its entire population of both staff and cons by their first names. Cursed with the old ill luck of being in the wrong place, at the wrong time, in possession of the wrong car, he's been deemed a lost cause repeat offender in the eyes of everyone else. When the heartless judge, who has been behind most of his sentences, goes to the big court house in the sky, John decides to ruin the man's legacy by having the judge's only offspring, Nelson Biederman IV, thrown in the slammer along with him. Here, the world-class selfish jerk learns a certain old lesson the hard way: Do unto others as you would have others do unto you. But has John gone too far in the payback department? Written by
In a poor attempt to keep a low profile, John Lyshitski (Dax Shepard's character) appears disguised with suspicious looking outfits such as the Unabomber and Travis Bickle (from Taxi Driver). See more »
Early in the film when Nelson is driving from the park dedication, his yellow tie appears in various stages of being tied and loosened. See more »
There are movies that follow a relatively obvious plot. There are movies where you expect every plot twist ten minutes in advance. This certainly is one of those movies. But then, why would you go see a comedy looking for gripping plot lines? This is one of those movies that would have bombed, in the wrong hands. Given an average director and a mediocre cast, this movie would have been barely watchable. But under the care of Bob Odenkirk and a trio of skilled actors, it turns out as one of the funnier movies of the year.
Let me be clear about one thing: this movie is all about subtle, dry humor. The situations are, on their own, intentionally not funny. Played a different way, many of them would be downright terrifying. But the way the actors carry themselves through it, their timing, their facial expressions, bring out the absurdity of the serious script.
If you go into the movie expecting it to hit you in the face with everything it's got, you may be disappointed. But if you go prepared to pay attention and catch the nuances as well as the broad strokes, you'll barely stop laughing.
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