Now the dead can come back through mobile phones and Wi-Fi. Stephen and daughter Justine run from an internet ghost of Stephen's late wife to a cabin but she appears on a laptop via emails ... See full summary »
An intelligent pulse of electricity is moving from house to house. It terrorizes the occupants by taking control of the appliances, either killing them or causing them to wreck the house in... See full summary »
Cliff De Young,
When things get tough for offbeat Carys Reitman, she does what any emotionally isolated, modern girl would do - she goes to strangers' funerals. At one fateful funeral, she unexpectedly ... See full summary »
A young boy uses his video camera that he got for his birthday to spy on his mother's boyfriend, who's plotting a crime. Mix in a nosy neighbor, jealous fiancé, shady maintenance man, a UPS... See full summary »
Cedric the Entertainer,
Vivica A. Fox
This off-beat drama about man's search for meaning amidst the ache of despair chronicles Finn, an introspective English teacher entering a mid-life crisis impelled by a recent tragedy, as ... See full summary »
Aaron J. Wiederspahn
In Los Angeles, Andy Conners works in Fearless Records selecting new talents. Andy is in love and engaged to Lauren Baker for one year but he is unable to satisfy Lauren in bed. Further, he... See full summary »
The year is 2048, and global warming has flooded much of Earth's land areas. A father and his two sons try to salvage treasures from sunken buildings when they are given an important assignment by the New Vatican.
Jean de Segonzac
The hacker Josh invades the computer of Douglas Ziegler, who is developing a powerful wireless signal, and accidentally releases a mysterious force that takes the will to live of human beings, generating a suicide epidemic and increasing the force. His girlfriend and student of psychology, Mattie, sees each one of their common friends die and the destruction of the modern world, and together with her new acquaintance Dexter, they try to plan a virus developed by Josh in the network to shutdown the system and save mankind. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Towards the end of Pulse, a US remake of the hit Asian horror Kairo, there was a moment which actually made me jump. It was a cheap mechanical scare that was totally predictable, but it still managed to jolt me. And I was grateful that it did, because it stopped me from lapsing fully into a coma.
After the dreadful American remakes of other J-horror hits such as The Ring, The Grudge and Dark Water, all of which did their best to cause my brain to shut down entirely, I did wonder about the wisdom of watching yet another. But I'm a fair man, and I like to give films the benefit of the doubt, so in went the disc...
Sporting a grungy, desaturated look, and nasty MTV style editing, Pulse is typical of the unimaginative and stale horror output that has blighted the genre this decade. The film, aimed at the teen demographic, does away with logic, suspense and a decent plot; instead, we get an easy-on-the-eye cast, some cool CGI effects, and a story that makes no sense whatsoever.
In this confusing tale, a hacker accidentally allows strange creatures from another dimension to come into our world, using communication devices as conduits. Once in our world, these things suck out our will to live, which results in people either disintegrating into ash, or committing suicide (and by the end of the film, you'll know exactly how they feel!). As these monsters slowly take over any part of the world in which technology allows them access, a couple of teens discover the existence of a computer virus which may be able to put an end to the evil invaders, but with red tape as their only protection (don't ask!), will they succeed?
Dreary cinematography, coupled with a dull-as-ditchwater script and uninspired performances from a bored looking cast, make Pulse an experience that I am not in a hurry to repeat. Director Jim Sonzero manages one or two visually impressive moments (involving the bizarre other-worldly freaks, which look like they're straight out of a Chris Cunningham video), but for the most part, he seems content to translate the illogical, badly written and plot-hole ridden screenplay into uninspired visual tripe, without giving a moment's thought to the fact that nothing makes much sense.
10 of 15 people found this review helpful.
Was this review helpful to you?