Now the dead can come back through mobile phones and Wi-Fi. Stephen and daughter Justine run from an internet ghost of Stephen's late wife to a cabin but she appears on a laptop via emails ... See full summary »
An intelligent pulse of electricity is moving from house to house. It terrorizes the occupants by taking control of the appliances, either killing them or causing them to wreck the house in... See full summary »
Cliff De Young,
In Los Angeles, Andy Conners works in Fearless Records selecting new talents. Andy is in love and engaged to Lauren Baker for one year but he is unable to satisfy Lauren in bed. Further, he... See full summary »
When things get tough for offbeat Carys Reitman, she does what any emotionally isolated, modern girl would do - she goes to strangers' funerals. At one fateful funeral, she unexpectedly ... See full summary »
This off-beat drama about man's search for meaning amidst the ache of despair chronicles Finn, an introspective English teacher entering a mid-life crisis impelled by a recent tragedy, as ... See full summary »
Aaron J. Wiederspahn
A young boy uses his video camera that he got for his birthday to spy on his mother's boyfriend, who's plotting a crime. Mix in a nosy neighbor, jealous fiancé, shady maintenance man, a UPS... See full summary »
Cedric the Entertainer,
Vivica A. Fox
The hacker Josh invades the computer of Douglas Ziegler, who is developing a powerful wireless signal, and accidentally releases a mysterious force that takes the will to live of human beings, generating a suicide epidemic and increasing the force. His girlfriend and student of psychology, Mattie, sees each one of their common friends die and the destruction of the modern world, and together with her new acquaintance Dexter, they try to plan a virus developed by Josh in the network to shutdown the system and save mankind. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Mattie enters her apartment at the beginning of the movie, she is wearing blue jeans. Then, while reading in bed, she is wearing light brown slacks. During her walk from her bed to Izzie's room, she is wearing the light brown slacks and suddenly has blue jeans on again. See more »
We can never go back. The cities are theirs. Our lives are different now. The things that were supposed to connect us to each other, instead connected us to forces we could never have imagined. The world we know is gone, but the will to live never dies. Not for us... and not for them.
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I am sure you are all familiar with how a good book can be ruined by its movie rendition. Well, this is a perfect example of how a good movie can be ruined by its American remake. Sure there are advantages to Hollywood-ification; take a look at the difference in special effects for 'The Ring' and 'The Grudge'. But, in turn, what is then sacrificed is quality in story and plot development, case and point being the American 'Ring 2' involving an attack from possessed deer. Yes... deer.
The movie that inspired this one, 'Kairo' (aka 'Pulse'), had a very complex plot line with real suspense, real attachment of audience feeling, and real take-home messages. The storyline for the new 'Pulse' is something a child could have come up with and is highly reminiscent of a movie released a few years back - 'Dot com'. The whole direction and point of the American version is so far distant from that of the original Japanese that I have no idea why they didn't just separate themselves from it in the first place. Basically, whoever wrote the script had just seen 'Kairo' and thought to himself, "Hey, some of those scenes were awesome! And the way they did this and that? Wow." Twenty minutes later, the script for an 'original' Pulse was created where certain events were directly copied but liberated from all that 'plot' baggage.
Honestly, I cannot find an ounce of merit for this film. Not suspenseful, not scary in the least, and even the effects failed to impress. The action felt rushed, the logic behind everything abandoned for the sake of a 'just go with it', and the message dumbed down so far that even the densest of movie-goers can get smacked across the face with it.
I am not preaching that you should watch the original; just, please, for the sake of America's general intelligence level, do not consider this movie good or clever or inventive. Or good. Thanks.
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