Two lost souls: she a con-artist in L.A.; he a puppeteer in San Antonio have the same dream linking each with the other. He travels to L.A. to find this woman he has become obsessed with. ... See full summary »
When Suzanne Stein has a genetic analysis done on her unborn child, she discovers that although she has a healthy baby, the child will most likely be born gay, like her brother, David. She ... See full summary »
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
After the death of his strictly religious parents, forlorn young Darkly gets lost in the woods. A truck driver, Jude, rescues the exhausted man, who has only a bible for comfort. He brings ... See full summary »
On a lark in Tijuana, a carefree Brazilian art student crosses paths with a brooding Mexican journalist, sparking a cascade of events across both Mexico and Brazil. As Dolores and Damián discover an intimate love and a mysterious spiritual heritage, they struggle with ever more costly choices.
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Ana Maria Braga,
Cássio Gabus Mendes
In a dark and decadent area of São Paulo, the exiled Americans Sinatra and his son Paul own a brothel. Paul is a compulsive gambler addicted in cocaine and his father is married with the former prostitute Angie, and they have a little son. When a client is killed by his wife in their establishment, they find a suitcase with drugs. In the night that they have scheduled a negotiation with African buyers, their African liaison dies while having sex with the travesty Nazda. Sinatra proposes to the Nigerian dishwasher of the brothel, Wemba, to travel to the harbor of Santos, close the business with the drug dealers and in return he would receive a large amount. Wemba accepts but while returning to his car in the harbor, he is attacked by two smalltime thieves and passes out. His lack of contact with Sinatra and Paul leads to a sequence of misunderstandings with a tragic end. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Just came back from the premiere in the Tribeca Film Fest, and I must say I am very disappointed. I was looking forward to this film as it includes great American and Brazilian talent involved, but it all seemed wasted.
The audience in general did not seemed thrilled by the movie. An unexciting Q and A followed the screening and even the actor themselves (especially Mos Def) did not seem to be very interested in discussing the movie.
The plot is over the top, full of holes. The movie does not strike a balance between in gritty reality and supernatural elements. Many shockers (she-male sex scene, gore) only disgust, but do not add the the narrative power of the movie. Characters jump in and out of scenes without any development and explanation. Unintentional laughs all along the screening.
The city of Sao Paulo, Brazil was poorly used. It could have been just any other poor area in a third world country. Little do people know, the city is a megalopolis with much to be explored, but the filmmakers just used it for shock value. It is a poorly executed portrayal of a complex city. They could have very much used a sound stage.
The actors are obviously very talented, yet ultimately miscast. Brendan Fraser tries hard, but he is not born to play an asshole role. It just came over as over the top and preposterous. Scott Glenn was solid, as was Catalina. Mos Def is the standout though.
The filmmakers do not seem very confident of what language they want to use. While I appreciate the fact that locals spoke Portuguese with subtitles, even English speaking main characters every once in a while changed their language whilst in the middle of dialogue. It sounds phony, rehearsed and plainly sucks.
The plot attempts and Tarantino-esquire mish mash of characters that somehow inter wine - but they are so poorly developed that everything seems silly and point out to holes in the plot.
Believe me, I was looking forward to this and tried very hard to like it. If you are interested in gritty dramas about Brazilian suburbs, rent City of God, Central Station, heck, Mango Yellow instead.
TOO MUCH WASTED TALENT, and honestly, I blame on the director. This had a lot of potential. Gritty cinematography is of high quality though.
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