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Inside Man (2006)

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A police detective, a bank robber, and a high-power broker enter high-stakes negotiations after the criminal's brilliant heist spirals into a hostage situation.

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6 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Chaim (as Bernard Rachelle)
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Captain Coughlin
Victor Colicchio ...
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Gerry Vichi ...
Herman Gluck
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Storyline

From a cell, a man tells us he has planned the perfect bank robbery; he invites us to watch. An efficient gang enters a Manhattan bank, locks the doors, and takes hostages. They work deliberately, without haste. Detective Frazier is assigned to negotiate, but half his mind is occupied with the corruption charges he is facing. The bank's president has something to protect in a safe deposit box, so he brings in Madeleine White, a high-power broker with a hidden agenda. With an army of police surrounding the bank, the thief, the cop, and the plutocrat's fixer enter high-stakes negotiations. Why are the robbers asking for a plane, if they are so competent and they know they won't get one? Why aren't they in more of a hurry? If the job's perfect, why is the thieves' leader in a cell? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

It looked like the perfect bank robbery. But you can't judge a crime by its cover.


Motion Picture Rating (MPAA)

Rated R for language and some violent images | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

24 March 2006 (USA)  »

Also Known As:

El plan perfecto  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

£1,806,854 (UK) (24 March 2006)

Gross:

$88,504,640 (USA) (30 June 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Shot in 39 days. See more »

Goofs

At the end of the film, Dalton is leaving the "storage room". On the left side of the screen, one can see a set of doors that have glass over them, and a short distance back, outside windows with sunlight streaming in. The distance is too short to match up to the apparent length of the storage room as seen in the earlier parts of the film. There is also no indication that there could be any ceiling over that space. See more »

Quotes

[first lines]
Dalton Russell: My name is Dalton Russell. Pay strict attention to what I say because I choose my words carefully and I never repeat myself. I've told you my name: that's the Who. The Where could most readily be described as a prison cell. But there's a vast difference between being stuck in a tiny cell and being in prison. The What is easy: recently I planned and set in motion events to execute the perfect bank robbery. That's also the When. As for the Why: beyond the obvious financial motivation...
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Crazy Credits

All leading and supporting actors as well as some of the minor characters are credited with a picture of each at the beginning of the end credits. See more »

Connections

References Sudden Impact (1983) See more »

Soundtracks

Chaiyya Chaiyya - Bollywood Joint
Written by A.R. Rahman, Gulzar, Panjabi MC
Performed by Sukhwinder Singh, Sapna Awasthi featuring Panjabi MC
Courtesy of Venus Records and Tapes Pvt. Ltd, India Talkies Pvt. Ltd & A.R. Rahman
Orchestral Arrangement by Terence Blanchard
Produced and Scratched by DJ Premier
See more »

Frequently Asked Questions

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User Reviews

 
High time the academy gives Spike Lee some respect!
24 March 2006 | by (los angeles) – See all my reviews

Whether I was into the subject or not, there's always a filmmaker at work in a Spike Lee film... he's one moviemaker who never loses sight of being a filmmaker first and foremost, and he's absolutely outdone himself with INSIDE MAN, a taut thriller which avoids the colloquialism that alienated mainstream audiences from some of his earlier work.

If you've seen the trailer or heard anything about this pic, you have been misled. Everything I heard left me feeling like yeah, OK, I'm going for Denzel. Denzel vs. Clive Owen will be interesting.

From the first shots and opening credits, you are submerged in artistic vision, and a finely honed piece of work the likes of which I haven't seen in years. I'd almost give this one a ten.. and I don't hand out tens freely. I do not want to spoil this. You have to walk in cold, and let this film grab you by the short and curlies.

This is one film where there isn't a spare frame or wasted cheap shot. Every zinger zings, and there are laughs too, laughs at merciful intervals to break the tension and remind an audience on the edges of its seats that movie-going's supposed to be entertaining, dammit. The cinematography is brilliant, and the music is fantastic - true cinematic score, true genius. I can't praise this one enough.

Christopher Plummer is superb, in what is (perhaps coincidentally) an ironic bit of casting. Jodie Foster rises to a challenging persona with aplomb and ease, and my only complaint of the entire exercise is that her character's name 'Madeline White' is perhaps a little cliché. Beyond that, there isn't a filmmaker alive who brings New York to the screen with anything approximating Spike Lee's vision.

It seems there hasn't been a lot of junket for this one, and that Spike Lee's presence has been downplayed... as if the studio downplayed the fact that this is a Spike Lee film slightly, until the word was out that this film is over and beyond what an audience might already expect from one of his films.

So... let me just say.. man o man this is a cinematic mind-blowing amazing one and a half hours... it's brilliant, tight, funny, articulate, intense, and high time the academy gives Spike Lee some respect.


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