When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
From a cell, a man tells us he has planned the perfect bank robbery; he invites us to watch. An efficient gang enters a Manhattan bank, locks the doors, and takes hostages. They work deliberately, without haste. Detective Frazier is assigned to negotiate, but half his mind is occupied with the corruption charges he is facing. The bank's president has something to protect in a safe deposit box, so he brings in Madaline, a high-power broker with a hidden agenda. With an army of police surrounding the bank, the thief, the cop, and the plutocrat's fixer enter high-stakes negotiations. Why are the robbers asking for a plane, if they are so competent and they know they won't get one? Why aren't they in more of a hurry? If the job's perfect, why is the thieves' leader in a cell? Written by
The scene in the coffee shop was improvised. On the DVD commentary, Spike Lee states that when Denzel Washington ad-libbed the line, "I'll bet you can get a cab though," he nearly ruined the take by laughing so loud at Washington's line. See more »
When we first see Madeline White she has a bit of hair wrapped around her pony tail. Later when she meets with Case there is no "wrapper." Then it is back when she meets with the mayor. See more »
My name is Dalton Russell. Pay strict attention to what I say because I choose my words carefully and I never repeat myself. I've told you my name: that's the Who. The Where could most readily be described as a prison cell. But there's a vast difference between being stuck in a tiny cell and being in prison. The What is easy: recently I planned and set in motion events to execute the perfect bank robbery. That's also the When. As for the Why: beyond the obvious financial motivation...
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At the beginning of the opening, instead of the regular "A Film by...." the title reads "A Spike Lee Joint" See more »
A pleasure from start to finish. An older Denzel Washington has begun to emerge, and his performance here suggests he has many good years left. Clive Owen is terrific as the mastermind. He, and the plot, keeps you guessing. And while there are plenty of clues, they are so well incorporated that very few viewers will see how this one comes together in the end.
One major quibble: Jodie Foster's character is more archetype than person so it's to her credit that she pulls it off as well as it does. However, don't let that deter you from enjoying one of the best movies of the year. I'm glad to see Spike Lee tackle another genre film. He brings a re-invigorating approach to what, in other hands, would be a tiresome rehash. That liveliness seems to have worked on him, too -- this is his best film in several years.
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