Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
From a cell, a man tells us he has planned the perfect bank robbery; he invites us to watch. An efficient gang enters a Manhattan bank, locks the doors, and takes hostages. They work deliberately, without haste. Detective Frazier is assigned to negotiate, but half his mind is occupied with the corruption charges he is facing. The bank's president has something to protect in a safe deposit box, so he brings in Madeleine White, a high-power broker with a hidden agenda. With an army of police surrounding the bank, the thief, the cop, and the plutocrat's fixer enter high-stakes negotiations. Why are the robbers asking for a plane, if they are so competent and they know they won't get one? Why aren't they in more of a hurry? If the job's perfect, why is the thieves' leader in a cell? Written by
The barber, in the scene at the exclusive men's club where Jodie Foster confronts Christopher Plummer named Vincent (his nameplate is affixed to the mirror, and Plummer addresses him by name too), is in real-life, the barber at the Down Town Association on Pine Street. See more »
As the ESU team is approaching the vault during the Capt's break-down of their entry, the Sgt.'s (Guy on the left of the screen) weapon fires two-three times before any visual is made of Dalton. Once as he comes around the column and another time as he walks toward the vault. It appears to be a mistake on the actor or malfunction of the weapon. See more »
My name is Dalton Russell. Pay strict attention to what I say because I choose my words carefully and I never repeat myself. I've told you my name: that's the Who. The Where could most readily be described as a prison cell. But there's a vast difference between being stuck in a tiny cell and being in prison. The What is easy: recently I planned and set in motion events to execute the perfect bank robbery. That's also the When. As for the Why: beyond the obvious financial motivation...
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At the beginning of the opening, instead of the regular "A Film by...." the title reads "A Spike Lee Joint" See more »
A pleasure from start to finish. An older Denzel Washington has begun to emerge, and his performance here suggests he has many good years left. Clive Owen is terrific as the mastermind. He, and the plot, keeps you guessing. And while there are plenty of clues, they are so well incorporated that very few viewers will see how this one comes together in the end.
One major quibble: Jodie Foster's character is more archetype than person so it's to her credit that she pulls it off as well as it does. However, don't let that deter you from enjoying one of the best movies of the year. I'm glad to see Spike Lee tackle another genre film. He brings a re-invigorating approach to what, in other hands, would be a tiresome rehash. That liveliness seems to have worked on him, too -- this is his best film in several years.
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