On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Wes Craven produces this remake of his 1977 classic of the same name, about the Carters, an idyllic American family travelling through the great American southwest. But their trip takes a detour into an area closed off from the public, but more importantly from society. An area originally used by the U.S. Government for nuclear testing that was intended to be empty...or so they thought? When the Carter's car breaks down at the old site, they're stranded...or are they? As the Carters may soon realize that what seemed like a car casually breaking down, might actually be a trap. This trap might be perpetrated by the inhabitants of the site who aren't pulling a prank, but are out to set up a gruesome massacre. Written by
The mutants were created by CGI, physical effects or both. Most of the mutants with full deformations were created by prosthetic makeup. But the deformed children who were playing were digitally distorted using tracking dots on their faces. Ruby was a mixture of the two, using the tracking dots for distortion and prosthetic teeth. See more »
The first time we see the family's 1990 Chevy Suburban, it's sitting on tall/wide off road tires and after-market chrome spoke wheels. Later in the same scene and for the rest of the movie, the Suburban is riding on the more narrow factory stock wheels and tires . See more »
The Hills Have Eyes, although a remake of the original, was everything a horror movie should be. Typically, I'm not a fan of slasher flicks, but this movie had elements I like to see in a movie. I don't like to see the protagonists making stupid mistakes (the old "curiosity killed the cat" syndrome), I don't like being able to guess the villain 20 minutes into the movie (although this wasn't the scenario in this particular movie). I don't enjoy picking out who's going to do die first, and being correct. I don't think sex scenes have any place in horror movies. I like things to be important and advance the plot.
Although the movie had some "MTV" elements to it, it still adhered to the classic horror movie thrills. The thing I liked about this movie was the fact that they repeatedly "crossed the line", doing things that you wouldn't expect modern movies to do, nothing is off limits in this movie. Horrifying elements that made you, well, terrified. Lots of "boo" surprises, but also more complex and twisted than modern movies have allowed. I spent most of the movie with my mouth agape... It's not just the gore, although there is a lot of that. They didn't leave anything to the imagination, did not imply anything...they showed you everything.
It was admittedly a little slow at first, but then all of the sudden things began to take a turn for the wicked. One thing this movie did that most horror movies don't bother to do is go into character development. Not a lot, but more so than a typical thriller will bother to do.
This movie was so disturbing, I'm not sure I'd want to see it again. That "Deliverance" mentality...you see it once, you're glad you saw it, but so disgusting you're pretty sure you don't want to experience that again.
Any horror aficionado should see this movie.
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