A group of friends whose leisurely Mexican holiday takes a turn for the worse when they, along with a fellow tourist embark on a remote archaeological dig in the jungle, where something evil lives among the ruins.
On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
Wes Craven produces this remake of his 1977 classic of the same name, about the Carters, an idyllic American family travelling through the great American southwest. But their trip takes a detour into an area closed off from the public, but more importantly from society. An area originally used by the U.S. Government for nuclear testing that was intended to be empty...or so they thought? When the Carter's car breaks down at the old site, they're stranded...or are they? As the Carters may soon realize that what seemed like a car casually breaking down, might actually be a trap. This trap might be perpetrated by the inhabitants of the site who aren't pulling a prank, but are out to set up a gruesome massacre. Written by
Alexandre Aja and art director Grégory Levasseur originally planned to film in Morocco because of its similarity to the New Mexico desert. Initially the producers objected to this, for fear of terrorist attacks, but after Aja and Levasseur failed to find suitable locations in the US, they relented. See more »
When the two mutants are in the trailer, their positions (one by the baby, one with the daughter) changed with the cut to the mother who entered the trailer and back. See more »
If you're in the mood for one of 2006's most brutal movies...
Shocking. Disturbing. At times hard to watch. All words to describe the horror of being forced to watch Michael Moore take his shirt off. But these terms also accurately describe this brutally vicious upgrade on Wes Craven's 1977 low-budget horror classic.
What would you do if you were traveling through the desert and became stranded amongst a group of genetically-mutated freaks who were intent on killing you? You'd probably die. Granted, I would kick all sorts of genetically-mutated butt (not an easy accomplishment when said butt has a foot growing out of it kicking right back), but the average human would be in some major trouble, just like the Carter family.
The father looks like he could handle himself in a fair fight, after all he is a detective, but what are three girls, a boy, a cell phone-selling geek, and a pizza place (maybe two of you will get that lame joke) going to do against a bunch of unnaturally strong psychos? How will they survive? Will it be through might or strategy? You'll have to watch the movie to find out. And if you're squeamish then you'll most likely find yourself cringing in your seat and watching with your hands over your eyes. The Hills Have Eyes is a movie that knows exactly what it needs to do to satisfy its target audience, and it does it well.
Case in point... I'm not very vocal during movies. I usually don't clap and scream and hoot and holler like most the dorks sitting around me, but there were a couple of scenes where I literally said aloud, "Ooooooooooh, crap!" Of course, one of those instances was during a trailer for Phat Girlz, but one scene of violence left my mouth hanging open for about 30 seconds. Then I realized that my mouth was agape like some buffoon, so I quickly closed it.
It takes a lot to shock and disturb me these days, so congrats go to The Hills Have Eyes for accomplishing that. It comes at you fast and hard and isn't interested in sugar-coating the violence it's about to serve up. The intensity level starts high and never gives you an opportunity to take a bathroom break. I highly recommend you address any and all bladder issues before the movie begins.
For me, the main drawback of the movie was the "hero." You can argue that he was more of a "regular guy" and not a typical macho hero, but I felt he transitioned a little too quickly from a gun-hating wuss to an ax-wielding killing machine. My hat's off to the dog though; that canine rocked! Easily the coolest dog in a movie since the German Shepherd in The Lost Boys.
"I like horror movies, Johnny, but I liked to be creeped out more than being subjected to a lot of gore. Would I like this?" It's very doubtful. I'll make this as blunt as possible: this is a movie that contains severed body parts, brutal shootings, axes to the head, a person biting off a bird's head and drinking its blood, and disturbing violence to helpless women.
If that description turns you off then you know to save your money. However, if that fits your style then the movie will succeed in giving you exactly what you want. But I have to say that if you think this sounds like fun for the entire family then I'll have to decline any invitations to sit down with you for a family dinner.
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