| Photos (see all 10 | slideshow) | Videos (see all 5) |
| Debbie Doebereiner | ... | Martha | |
| Omar Cowan | ... | Martha's Father | |
| Dustin James Ashley | ... | Kyle (as Dustin Ashley) | |
| Phyllis Workman | ... | Bakery Shopkeeper | |
| Laurie Lee | ... | Kyle's Mother | |
| Daniel R. Christian | ... | Factory Supervisor | |
| Misty Wilkins | ... | Rose | |
| Madison Wilkins | ... | Jesse | |
| K. Smith | ... | Jake | |
| Decker Moody | ... | Detective Don Taylor | |
| Thomas R. Davis | ... | Sergeant Davis | |
| Ross Clegg | ... | CSI | |
| Scott Smeeks | ... | Officer Smeeks | |
| M. Stephen Deem | ... | Pawn Shop Owner | |
| Leonora K. Hornbeck | ... | Tackle Shopkeeper | |
| Katherine Beaumier | ... | Hairdresser | |
| Joyce Brookhart | ... | Martha's Niece | |
| rest of cast listed alphabetically: | |||
| David Hubbard | ... | Pastor (uncredited) | |
Directed by | |||
| Steven Soderbergh | |||
Writing credits(WGA) | ||
| Coleman Hough | (written by) | |
Produced by | |||
| Mark Cuban | .... | executive producer | |
| Gregory Jacobs | .... | producer | |
| Jason Kliot | .... | executive producer | |
| Todd Wagner | .... | executive producer | |
Original Music by | |||
| Robert Pollard | |||
Cinematography by | |||
| Steven Soderbergh | (as Peter Andrews) | ||
Film Editing by | |||
| Steven Soderbergh | (as Mary Ann Bernard) | ||
Casting by | |||
| Carmen Cuba | |||
Production Management | |||
| Robin Le Chanu | .... | production manager | |
| Gretchen McGowan | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Trey Batchelor | .... | second assistant director | |
| Gregory Jacobs | .... | first assistant director | |
Art Department | |||
| Scott Getzinger | .... | property master | |
Sound Department | |||
| Paul Flinton | .... | boom operator | |
| Dennis Towns | .... | sound mixer | |
Camera and Electrical Department | |||
| Tom Jordan | .... | second assistant camera | |
| Steven Meizler | .... | first assistant camera: "a" camera | |
| John Joseph Minardi | .... | key grip | |
| Edward Viola | .... | digital imaging technician | |
| Peter Walts | .... | gaffer | |
Casting Department | |||
| Kelly Hunt | .... | extras casting | |
| Rich King | .... | extras casting | |
Costume and Wardrobe Department | |||
| Garet Reilly | .... | costume supervisor | |
Editorial Department | |||
| David Kirchner | .... | assistant editor | |
Music Department | |||
| Todd Tobias | .... | music recordist | |
Transportation Department | |||
| Shane Greedy | .... | transportation coordinator | |
Other crew | |||
| Carol A. Compton | .... | script clearance | |
| Betsy Dennis | .... | production secretary | |
| Rick Flowers | .... | production assistant | |
| Jason Hinkel | .... | first accountant | |
| Steve Holmgren | .... | office manager | |
| Kate Kelly | .... | production coordinator | |
| Sonya Lunsford | .... | accountant | |
| Carlos Moore | .... | location manager | |
| Irwin M. Rappaport | .... | production attorney | |
| Matthew Reid | .... | production assistant | |
| Jenna Theobald | .... | office assistant | |
| Jenna Theobald | .... | production assistant | |
| Kevin Wines | .... | production assistant | |
| Jason Zyla | .... | production assistant: art department | |
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| Volver | Murder in Greenwich | Making the Headlines | Murder She Said | The Two Jakes |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
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Minimalist film-making at its finest. A glimpse into the lives of ordinary people, Appalachian blue-collar factory workers, going about their lives waking up, going to work, doing their jobs, chatting in the break room, having a sandwich, having a cigarette, getting back to work, going home at the end of the day and watching television. The set-up to the defining moment of the film is as realistic a portrayal of regular old boring life as I have ever seen on film, and the set-up is most of the movie. Going into this, I hadn't heard or read anything about the film, and so had no idea what to expect. "But this is from the director of Traffic," I thought. "It'll have to be pretty exciting." Well, exciting is hardly the word. Well-crafted is more like it. I spent the first half hour waiting for something to happen before it finally sunk in that the whole point was to show us what most people's lives, at least outside of the city, are really like. The dialogue could not be more perfect, and the casting director did a remarkable job finding talented but unknown actors. And this is important because, had the acting been awkward, it would have completely undermined the feeling that we are viewing a true story. It doesn't have the feel of a documentary exactly, more like surveillance camera footage shot with high quality movie cameras. It is very convincing. I also found it oddly relaxing. The key event that takes place in the second half of the film is not shown. We see its set-up and aftermath and are left to imagine the details for ourselves. There is an element of mystery, but the revelation, as with everything else in this movie, is subtle.