6.3/10
283
8 user 18 critic

The Noah (1975)

After a nuclear attack kills everyone, the last man on earth, going mad from loneliness and isolation, creates a companion in his mind. He soon finds himself living a lie when his imaginary world builds up into something complex.

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, (story) (as Abraham Heffner)
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Cast

Complete credited cast:
...
...
Friday
...
Friday-Anne
Jim Blackmore ...
Trumpet (voice)
Herbert Hartig ...
(voice)
...
(voice)
Jack Schneider ...
Sgt. Kowalski (voice)
Richard Thomkins ...
College Student (voice)
David Bourla ...
Little Boy (voice)
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Storyline

Noah, the sole remaining survivor on our planet after a nuclear holocaust, finds himself unable to to accept his unique predicament. To cope with his loneliness, he creates an imaginary companion, then a companion for his companion and finally an entire civilization - a world of illusion in which there is no reality but Noah, no rules but those of the extinct world of his memory - our world. Written by Daniel Bourla

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy | Sci-Fi

Certificate:

R
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Details

Country:

Language:

Release Date:

10 April 1975 (USA)  »

Filming Locations:


Box Office

Budget:

$200,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Bourla turned down an offer by Irving Paul Lazar to do the film with Jack Lemmon and in color, as he felt that a star would stamp self-importance to the film and the film needed to be shot in black and white. Other suggested actors by various producers included Zero Mostel, Lee Marvin, and Red Buttons. See more »

Soundtracks

Svyashchennaya Voyna
Written by Vasily Lebedev-Kumach
Composed by Aleksandr Aleksandrov
Performed by Alexandrov Ensemble
Published by 1941 Gramplasttrest
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User Reviews

 
Intelligent and original, but painfully boring.
27 May 2015 | by (United Kingdom) – See all my reviews

It would be easy to dismiss this film as dull, and although there's no doubting the fact that I found this film very boring, I'm going to try to explain why this film's very unique concept just didn't come together in the end.

That's what I've got to give the film kudos for: it's an original idea: not just being stranded on a desert island, but assessing a man's insanity by recreating a world all from his memory and imagination. Also, you can't fault the filmmakers for having a real stab at this weird way of showing the insanity that comes with isolation, and some of the sequences, especially those using historical recordings, were interesting to see attempted.

However, in the end, it just doesn't work, largely because it's impossible to get engrossed in this film. It's an interesting story, but it's such an inaccessible way of presenting it, with unthinkably slow pacing, and a very pretentious latter stage that borders on the incomprehensible, and that all comes together to not only make this hard to understand, but exhausting to get through, being one of the heaviest film that I know I'll ever see.

One of the other things that frustrated me about this film was Richard Strauss' performance. His chemistry with the voices in his head is weirdly brilliant in the opening stages, and it makes for some intrigue, but it's his descent from isolation to insanity to complete madness as the film goes on that I just didn't buy.

His performance is ultimately not only intriguing, but it's annoying. He shouts his way through minutes on end of dialogue with himself, so loudly and incessantly that it just hurt my ears watching it, and was perhaps one of the most painful and draining periods of a film I've ever seen.

www.themadmovieman.com


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