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John Llewellyn Moxey
George O'Hanlon Jr.,
Noah, the sole remaining survivor on our planet after a nuclear holocaust, finds himself unable to to accept his unique predicament. To cope with his loneliness, he creates an imaginary companion, then a companion for his companion and finally an entire civilization - a world of illusion in which there is no reality but Noah, no rules but those of the extinct world of his memory - our world. Written by
The photo of a future Chinese leader in the shack, in black suit and tie, was included in the film at the time when Mao was still very much alive and a Chinese leader in capitalistic attire would have been unthinkable. See more »
I think that someone was trying to be allegorical. They Failed.
The first 2/3 of the film are mildly interesting as Noah invents friends and something resembling _DRAMA_ shows up, you almost feel as if maybe a _PLOT_ might ensue. There are nascent _CHARACTERS_ and some minor _CONFLICTS_ hinting that a larger conflict could occur. (Protagonist is up the tree, we know that rocks can be thrown at him.. and we are eagerly anticipating the first volley...) But then....nothing happens.
The final third of the film degrades into a cacophony of a history-buff's self-serving game with an audio tape recorder. All links to plot, allegory, drama, character, conflict, and sanity are severed. Maybe this is supposed to represent Noah's ever-less-grounded state of mind, but the degree of his grasp on reality was well-established earlier in the film and the noise becomes as annoying as a Phillip Glass composition.
Now to 2 small details worth mentioning: 1)There are some weak humorous points such as Noah's ability to construct a latrine or Noah's resemblance to one of the Marx Brothers. 2)The in-your-face allusion to The 10 Commandments was out of place and over the top.
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