In Los Angeles, a fallen soldier who has joined the ranks of the living dead reunites with his best friend in order to deal with the city's drug dealers and killers - a perfect way to collect the blood that one of them so desperately needs.
D. Kerry Prior
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A group of men head to a remote village to help one of their friends get over his divorce; when they get there, though, they discover that all the women have been infected with a virus that makes them man-hating cannibals.
Eight college students traveling to Florida for Spring Break stumble into a remote town in Georgia where they are set upon by the residents who are out to avenge their deaths by Union troops over 100 years earlier during the Civil War.
After Annika, a medical doctor, gets work at the local hospital, she and her 17-year old daughter Saga move to a small town in northern Sweden. Annika is keen to work with her idol, geneticist Professor Gerhard Beckert. However Beckert's sinister past in the Waffen-SS soon catches up with him when a couple of pill-popping interns mistake an experimental vaccine for party drugs. Mayhem ensues as the town's teenagers succumb one by one to the mysterious virus. Written by
Over here in Europe, and especially during the annual Horror & Fantasy Festivals all over the continent, "Frostbite" got endlessly praised and acclaimed as one of the most innovating and creative new vampire movies of the last few decades, but you honestly have to put all this eulogy into perspective a little. First of all because European horror critics understandably wish to promote our own stuff as opposed to that uninspired American "junk" and, secondly, because the guys behind the camera (director Anders Banke and producer Magnus Paulsson) used to be involved in the organization of the Swedish Fantasy Festival and thus the critics support each other. Don't get me wrong, I'm a big fan of the horror-festivals and I'm grateful that I can go and watch a truckload of new cult stuff there every year, but this circle of European Fantasy Festivals is undeniably some sort of elite club. That being said, I don't intend to state "Frostbite" is a bad film or anything It just isn't as original and refreshing as it pretends to be. Given the North-Swedish setting, the tag line and the synopsis, I was anticipating a sort of predecessor to "30 Days of Night" but it's actually something completely different. The story revolves on an obsessive doctor trying to create the ultimate breed of vampires ever since he himself became one during World War II. He invented these red pills to fine-tune vampirism, but they accidentally end up at a local teenager's house party and all the guests gradually transform into bloodthirsty monsters. "Frostbite" features a lot of ideas and simultaneously attempts to parody the horror genre, but unfortunately it only became a very incoherent, not-so-funny and seemingly finished horror movie. The intro-flashback is overlong and, in general, not a whole lot is happening during the first hour. The last half hour compensates for a lot, though, since the film becomes extremely gory, absurd and tasteless. The actual ending comes abruptly and makes no sense at all, but the foregoing house-party massacre is quite cool to watch. The special and make-up effects are excellent (clearly, most of the budget went there) and the acting performances of the primarily young and inexperienced cast members are more than adequate. "Frostbite" is definitely an interesting and potentially terrific film, but the writers nearly didn't make enough use of the location's possibilities and the polar night concept.
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