In Los Angeles, a fallen soldier who has joined the ranks of the living dead reunites with his best friend in order to deal with the city's drug dealers and killers - a perfect way to collect the blood that one of them so desperately needs.
D. Kerry Prior
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A group of men head to a remote village to help one of their friends get over his divorce; when they get there, though, they discover that all the women have been infected with a virus that makes them man-hating cannibals.
Eight college students traveling to Florida for Spring Break stumble into a remote town in Georgia where they are set upon by the residents who are out to avenge their deaths by Union troops over 100 years earlier during the Civil War.
After Annika, a medical doctor, gets work at the local hospital, she and her 17-year old daughter Saga move to a small town in northern Sweden. Annika is keen to work with her idol, geneticist Professor Gerhard Beckert. However Beckert's sinister past in the Waffen-SS soon catches up with him when a couple of pill-popping interns mistake an experimental vaccine for party drugs. Mayhem ensues as the town's teenagers succumb one by one to the mysterious virus. Written by
It is nice to see some genre-movies produced in Sweden, finally. This is an ambitious project but somewhat let-down by (among other things) a low budget. The script is very enjoyable with funny set pieces and some good dialog which, unfortunately, is not always delivered well. The direction is lacking, some scenes are very awkwardly blocked, hardly rising above film-school level, and some of these things can not be blamed solely on the low budget. The ending is too abrupt, also. Much effort seems to have been put into the special effects, and they generally look very good. The score is symphonic, which is a really good choice, and it works well, although it is a bit overused. The sound is also really bad in some places, which add to the "film school"-feeling. The Russian music during the opening titles is really inspired and creates a nice atmosphere (reminiscent of Polanski's "The Fearless Vampire Killers). It is sad that the rest of the movie doesn't quite hold up. But it deserves to be praised for its ambition and just because it at least tries to be different from every other film produced in our, film standard-wise, mediocre country. It should have been a full Swedish "Lost Boys" but instead we got about 1/3 of it. (Hm, the IMDb comments spelling device makes suggestions identical to what I have typed, happen to anybody else?)
7 of 11 people found this review helpful.
Was this review helpful to you?