Based on the award winning novel by Nick Earls, 48 Shades of Brown, this coming of age comedy is about a 16 year old, Dan, who must choose between going to Geneva with his parents for a ... See full summary »
This is the story of teenage girl Steph, who is brought up by her fiery aunt Jude after her pregnant mother Jass and Vietnamese father are killed in a car crash. The arrival of her late ... See full summary »
A writer, Ned Kendall, is asked to return to the family home by his sister Sally, to say goodbye to his father who is dying. The family home is in a very remote and isolated area. While ... See full summary »
During the Second Sino-Japanese War, in 1940, Lieutenant Kurokawa returns home as a honored and decorated soldier... but deprived of his arms and legs lost in battle in mainland China. All ... See full summary »
One winter's day Jacob and his sister Marie are left behind in the woods by their unemployed father. In his coat Jacob finds a note from his mother urging them to go to their uncle in Spain... See full summary »
Alex van Warmerdam
Pete & Jerry are cousins living in Sydney's Western Suburbs, where life consists of drinking, getting stoned, getting in fights and hanging out. But things change forever when Pete and Jerry both fall in love with the same girl.
Annabelle was born to dance. In her final year of high school, she is the rising star of the local ballet academy and has just been cast as the lead in the end of year gala performance - ... See full summary »
This is the first film to be funded by the Australian Film Commission's IndiVision Project Lab. See more »
Emily rides her bicycle everywhere but does not wear a bicycle helmet. Australian states had all introduced legislation requiring bicycle riders to wear helmets by 1992. As this film appears to be set after then, Emily should be wearing one. It is most noticeable as a goof when Carl Roberts (the police officer) sees her riding without a helmet and does nothing about it. See more »
Great acting and cinematography fail to save this film from its hackneyed themes and characters
Thoughtful cinematography, potent acting and a wintry, rugged location are not enough to push The Caterpillar Wish forward from the ranks of the trans-Tasman "teen girl's search for identity" films (Somersault, Peaches, In My Father's Den). Starring the talented Victoria Thaine as Emily, a 17 year old who longs for a father, The Caterpillar Wish is woven around an ensemble of characters harbouring secrets in the South Australian coastal town of Robe. Adultery, suicide, family estrangement, teen pregnancy; each character inches forward while struggling against the past.
Written and directed by first-timer Sandra Sciberras, the film demonstrates her skill at extracting powerful performances and offers promise of future success. Unfortunately, it fails to add anything fresh to the genre. Notable were Susie Porter, Emily's mother Susan, a topless barmaid who casually bares her body but exposes her soul to no one; Robert Mammone as Stephen a damaged fisherman; and Wendy Hughes playing Elizabeth, Stephen's frozen sister whose crumpled face reflects her internal anguish. All the characters undergo metamorphosis and, in a closing montage, each emerges to stretch their new and fragile wings in the summer sun.
I left the cinema pondering the film's tag-line, "This winter, one wish will change everything". Sadly, I think the only thing that viewers will wish is that the story had sufficient substance to stay with them longer than the drive home.
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