Based on the Aramoana Massacre that occurred on 13 November and 14 November 1990. Resident David Gray, an unemployed gun collector, went on a rampage in which 13 people were shot dead, before Gray himself was shot by police.
An unfocused twentysomething (Peter Fenton) moves in with a former co-worker (Sacha Holder), who is suffering from low self-esteem because of her weight, looks, and a case of eczema. Their ... See full summary »
Sybylla Melvyn is an independent young woman who soon after arriving to live with her Grandmother Bossier and aunt Helen announces that she will never marry and plans on having a career ... See full summary »
Nowhere Boys: The Book of Shadows picks up a year after the boys crossed dimensions, discovered magic and battled the restoring demon. Having grown apart, they are drawn together again when... See full summary »
Surviving Georgia is a heartwarming romantic comedy about family and finding your own identity in the world. About realising that sometimes to move forward, we have to let go of the past. ... See full summary »
Annabelle was born to dance. In her final year of high school, she is the rising star of the local ballet academy and has just been cast as the lead in the end of year gala performance - ... See full summary »
This is the first film to be funded by the Australian Film Commission's IndiVision Project Lab. See more »
Stephen gives Emily a tripod for her camera and then immediately attaches the camera to the tripod. However the tripod is of the style where a baseplate must be first attached the camera base and then clipped into the tripod head. See more »
Plot's a bit clichéd but everything else about this movie is good.
Despite the clichéd, somewhat melodramatic plotting, the characterisation, performances, photography and sets of Caterpillar Wish make this an absorbing and entertaining film about the complexities of life and relationships in a small coastal town. The characters are inflicted with some degree of inarticulateness about their feelings and an inability to acknowledge the big issues in their lives and, although this device can be a bit obvious, the film skillfully builds its dramatic tension from this base. Victoria Thaine is wonderful as Emily, the only person willing to seek a solution to her emotional dilemmas, whatever the cost, and Susie Porter turns in another great performance as her mum, scarred by her past. The photography is beautiful, making the most of the rugged coastal setting and successfully captures the ambiance of small town Australia. I guess this film just struck an emotional chord with me when it could have easily slid into overthetop melodrama or saccharine pap. You could argue that the ending is a bit neat and cheerful, but I'm not adverse to a happy ending from time to time.
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