Based on the award winning novel by Nick Earls, 48 Shades of Brown, this coming of age comedy is about a 16 year old, Dan, who must choose between going to Geneva with his parents for a ... See full summary »
An advertising executive dies and goes to hell... except nothing changes. Well, his daughter is buying drugs with sexual favours from her brother, and the number of cancer-causing products ... See full summary »
During the Second Sino-Japanese War, in 1940, Lieutenant Kurokawa returns home as a honored and decorated soldier... but deprived of his arms and legs lost in battle in mainland China. All ... See full summary »
Hitchhiking home to a family she's never known, Heidi meets Michael. In the stunning orange groves of country Australia, they embark on an adventure, discovering their secrets and lives may be better shared.
Pete & Jerry are cousins living in Sydney's Western Suburbs, where life consists of drinking, getting stoned, getting in fights and hanging out. But things change forever when Pete and Jerry both fall in love with the same girl.
Set in the Australian wheat-belt in 1968, SEPTEMBER is a character driven film about two 15 year old boys - one black, one white - whose friendship begins to fall apart under the stress of ... See full summary »
Clarence John Ryan,
On the beautiful Mediterranean island of Malta, a man with a colourful past is about to return home with the young daughter he didn't know he had until her mother Lucia died. His daughter ... See full summary »
This is the first film to be funded by the Australian Film Commission's IndiVision Project Lab. See more »
Emily rides her bicycle everywhere but does not wear a bicycle helmet. Australian states had all introduced legislation requiring bicycle riders to wear helmets by 1992. As this film appears to be set after then, Emily should be wearing one. It is most noticeable as a goof when Carl Roberts (the police officer) sees her riding without a helmet and does nothing about it. See more »
Plot's a bit clichéd but everything else about this movie is good.
Despite the clichéd, somewhat melodramatic plotting, the characterisation, performances, photography and sets of Caterpillar Wish make this an absorbing and entertaining film about the complexities of life and relationships in a small coastal town. The characters are inflicted with some degree of inarticulateness about their feelings and an inability to acknowledge the big issues in their lives and, although this device can be a bit obvious, the film skillfully builds its dramatic tension from this base. Victoria Thaine is wonderful as Emily, the only person willing to seek a solution to her emotional dilemmas, whatever the cost, and Susie Porter turns in another great performance as her mum, scarred by her past. The photography is beautiful, making the most of the rugged coastal setting and successfully captures the ambiance of small town Australia. I guess this film just struck an emotional chord with me when it could have easily slid into overthetop melodrama or saccharine pap. You could argue that the ending is a bit neat and cheerful, but I'm not adverse to a happy ending from time to time.
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