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Directed by | |||
| James Keach | |||
Writing credits(in alphabetical order) | ||
| Christopher Theo | ||
Produced by | |||
| Steve Bickel | .... | executive producer (as Steven Bickel) | |
| Roger Carey | .... | associate producer | |
| Nicolas Hippisley-Coxe | .... | line producer | |
| James Keach | .... | producer | |
| Joy Mellins | .... | producer | |
| Debra Pearl | .... | associate producer | |
| Jane Seymour | .... | executive producer | |
| David Shanks | .... | producer (as Dave Shanks) | |
| Christopher Theo | .... | associate producer | |
| Costa Theo | .... | producer | |
| Costa John Theo | .... | associate producer | |
Original Music by | |||
| Heitor Pereira | |||
Cinematography by | |||
| Julio Macat | |||
Film Editing by | |||
| Larry Bock | |||
Casting by | |||
| Lisa Beach | |||
| Sarah Katzman | |||
| Kate Plantin | |||
| Cate Praggastis | |||
Production Design by | |||
| Eric Weiler | |||
Art Direction by | |||
| Mark J. Mullins | |||
| Linden Snyder | |||
Set Decoration by | |||
| Mark J. Mullins | |||
Costume Design by | |||
| Cheri Ingle | |||
Makeup Department | |||
| Gina Homan | .... | makeup department head | |
| Jenna Kilgrow | .... | assistant hair stylist | |
| Lora Laing | .... | hair department head | |
| Greg T. Moon | .... | additional assistant hair stylist | |
| Greg T. Moon | .... | additional assistant makeup artist | |
| Stephanie Scott | .... | assistant makeup artist | |
Production Management | |||
| Robert Hackl | .... | post-production supervisor | |
| Donald Hauer | .... | production manager (as Don Hauer) | |
Second Unit Director or Assistant Director | |||
| Mitchell Bock | .... | second assistant director | |
| Nicolas Hippisley-Coxe | .... | first assistant director | |
| Polly Ann Mattson | .... | second second assistant director (as Polly Mattson) | |
| Robert Andrew Reeves | .... | second second assistant director (as Robert Reeves) | |
Art Department | |||
| Michael Craig Adams | .... | carpenter (as Craig Adams) | |
| Jason Brady | .... | prop intern | |
| Reuben Kay Clark | .... | carpenter | |
| Nicole Eldredge | .... | assistant property master | |
| Russell Evans | .... | carpenter | |
| Josie Fife | .... | key scenic artist | |
| Julie Fife | .... | scenic artist | |
| Darrin Fletcher | .... | storyboard artist | |
| Libby Gilbert | .... | art department coordinator | |
| Jacob A. Jessop | .... | set dresser (as Jacob Jessop) | |
| Kalen Keach | .... | set dresser | |
| John Malmborg | .... | construction coordinator (as John L. Malmborg) | |
| Joel McKee | .... | property master | |
| Roger L. Miller | .... | carpenter | |
| Matthew Morgan | .... | on-set dresser (as Matthew J. Morgan) | |
| Stephen P. Noell | .... | leadman | |
| Jonathan Roatcap | .... | set dresser | |
| Nate Rockwood | .... | art department intern | |
| Nathan Stock | .... | set dresser | |
| David Vala | .... | scenic artist | |
| Cody Watkins | .... | prop intern | |
Special Effects by | |||
| Abe Josephsen | .... | special effects assistant | |
| Rick Josephsen | .... | special effects coordinator | |
Visual Effects by | |||
| Johnathan Amerikaner | .... | mti artist | |
| Adrian Colbert | .... | digital imaging | |
| Greg Eldridge | .... | iq assistant | |
| Nicholas Hasson | .... | iq artist (as Nick Hasson) | |
| Carl Jacobson | .... | digital imaging | |
| Peter Koczera | .... | senior Inferno artist | |
| Michael D. Most | .... | visual effects supervisor (as Mike Most) | |
| Ed Thompson | .... | digital imaging | |
| Jorge Zepeda | .... | iq assistant | |
| Christopher Wild Rogers | .... | digital intermediate post-production supervisor (uncredited) | |
Stunts | |||
| Chad Camilleri | .... | stunt performer | |
| Joe Finnegan | .... | stunt performer | |
| Randy Kinyon | .... | stunt performer | |
| Bill McIntosh | .... | stunt coordinator | |
| Julie Minahan | .... | stunt performer | |
| Chris Nielsen | .... | stunt performer | |
| Anthony G. Schmidt | .... | stunt performer (as Anthony Schmidt) | |
Casting Department | |||
| Charla Bowersox | .... | casting assistant: Los Angeles | |
| Elizabeth Cier | .... | casting: Utah | |
Costume and Wardrobe Department | |||
| Nancy Cavallaro | .... | assistant costume designer | |
| Alyson Hancey | .... | set costumer (as Alyson N. Hancey) | |
| Kacie Seamons | .... | costume supervisor | |
| Dana R. Woods | .... | assistant costume designer (as Dana Woods) | |
| Jacqueline Johnson | .... | costumer (uncredited) | |
Editorial Department | |||
| Shawn Broes | .... | digital intermediate editorial | |
| Marisa Clayton | .... | digital intermediate producer: Modern VideoFilm | |
| Axel Hubert | .... | additional editor | |
| Scott Maloney | .... | colorist: dailies | |
| Robb Porter | .... | post-production coordinator: Modern VideoFilm | |
| Randy Starnes | .... | colorist: digital intermediate | |
Music Department | |||
| Slamm Andrews | .... | music mixer | |
| Slamm Andrews | .... | music recordist | |
| Jeffrey Biggers | .... | assistant music sound engineer (as Jeff Biggers) | |
| Liz Gallacher | .... | music supervisor | |
| John Samuel Hanson | .... | assistant to composer | |
| Steven Kofsky | .... | music production services | |
| Barbara McDermott | .... | music editor | |
| Daniel Pinder | .... | music editor | |
| Michael Raco-Rands | .... | assistant to composer | |
| Joe E. Rand | .... | music editor | |
| Matthew J. Ward | .... | assistant music sound engineer (as Matt Ward) | |
| Bill Pearson | .... | score recordist (uncredited) | |
Transportation Department | |||
| Mary B. Borg | .... | driver (as Mary Borg) | |
| Benjamin Carter | .... | driver | |
| Mark Colloton | .... | driver | |
| Jeff Fischer | .... | driver | |
| Rob 'R.J.' Johnson | .... | driver | |
| Andrew Kernan | .... | driver | |
| Randy Kinyon | .... | transportation coordinator | |
| David Madsen | .... | driver | |
| Mark Masters | .... | driver | |
| Delynn Maw | .... | transportation captain (as Delynn R. Maw) | |
| Kenny Maw | .... | driver | |
| Ronald Owens | .... | driver (as Ron Owens) | |
Other crew | |||
| Greg W. Anderson | .... | stand-in | |
| Hayley Badham | .... | additional set production assistant | |
| Marie Brookman | .... | first assistant production accountant | |
| Stephen Carroll | .... | insurance: AON/Albert G. Ruben Company | |
| Kelsey Daniels | .... | accounting production assistant (as Kelsey Landry) | |
| Donna Eliason | .... | medical technical advisor | |
| Steven Fayne | .... | legal services: US, Akim Gump Strauss Hauer & Feld (as Steve Fayne) | |
| Mario G. Flores | .... | chef | |
| Jim Foreman | .... | studio supervisor: PCH Studio | |
| Terry Gaertner | .... | assistant production coordinator | |
| June Hatch | .... | production coordinator | |
| David G. Havard | .... | insurance: AON/Albert G. Ruben Company (as David Havard) | |
| Ani Heinig | .... | location manager | |
| Andrew K. Hodge | .... | assistant location manager | |
| Jeff Horne | .... | production assistant | |
| Sheena Irving | .... | assistant to producers: London | |
| John Jencks | .... | key set production assistant | |
| Dixie Jones | .... | production accountant | |
| Richard Keith | .... | assistant: James Keach | |
| Kathy McMillan | .... | teacher | |
| Maria Mellins | .... | assistant to producers: London | |
| Derek E. Mellus | .... | additional assistant location manager (as Derek Mellus) | |
| Monica Morgan | .... | production secretary | |
| Kate Morrison | .... | script supervisor | |
| Jebb Muir | .... | first helper | |
| Jedd Muir | .... | chef | |
| Steven Nevius | .... | title designer | |
| Ken Phipps | .... | stand-in | |
| Gregory Power | .... | craft service | |
| Michael A. Riches | .... | medic | |
| Paul F. Ruegner | .... | caterer: The Pig Boys Inc. (as Paul Ruegner) | |
| Barry Smith | .... | legal services: UK, Richards Butler | |
| Mike Staheli | .... | medic (as Michael Staheli) | |
| Tom Sullivan | .... | technical advisor | |
| Joanne Valdez | .... | stand-in | |
| Aaron Winter | .... | set production assistant | |
| Brian Ainsworth | .... | additional effects (uncredited) | |
| Joshua S. Ashdown | .... | set security (uncredited) | |
| Michael Barnes | .... | financial legal services (uncredited) | |
| Carol A. Compton | .... | script clearance (uncredited) | |
Thanks | |||
| Brian Ainsworth | .... | special thanks | |
| W. Mel Martins | .... | special thanks (as Mel Martins) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The title and cover of this DVD suggest a film that is more fluff than substance. But don't be fooled by these clues. BLIND DATING is a well-written (Christopher Theo), well-directed (James Keach - brother of Stacy Keach and husband of Jane Seymour) story about the coping of the visually impaired, the quirks of Italian and Indian families, brotherhood, and the gamut of finding the right partner in a world of essential blind dating! One of the reasons the movie works so well is the ability of actor Chris Pine to make us believe he is blind and convey the positive manner in which people with impairments 'view' those around them.
Danny (Chris Pine) was born prematurely and as a result is blind, and as he grows toward age 21 he feels he is unattractive to women. His family is warm, loving and Italian and supportive - especially his brother Larry (Eddie Kaye Thomas) who runs a Limo service and is constantly trying to find Danny his first physical encounter, be that with hookers, girls from the office or neighborhood, or just referrals - each of whom is a disaster when it comes to dealing with a date who is blind! Danny discovers an operation that implants a camera-like contraption in his brain that will allow him the possibility to see again, even if the images are simply black and white and indistinct. In the office of ophthalmologist Dr. Perkins (Stephen Tobolowsky) is a young girl Leeza (Anjali Ray) who is Indian and whose parents have arranged a wedding with a man she does not love. And yes, in time Danny and Leeza are attracted to each other in what appears to be a doomed relationship - for family reasons. Danny has his operation and is able to see some images, but the implant fails and Danny once again is without sight - but far from being without hope, as both his and Leeza's families undergo changes of heart.
There is a sense of love that emanates from the screen, due in part to the script, the direction, and to the acting. Chris Pine is exceptionally fine in a challenging role, finding the balance between courage, comedy, and tenderness that make his character believable and lovable, and never once making a move that breaks his image as a sightless person. The entire cast is fine, including a hilarious Jane Seymour as Dr. Evans, Chris' therapist with a penchant for disrobing in front of her sightless patient! But the aspect of the film that sets it apart from many is the presentation of everyday type prejudices that can be every bit as hampering as a physical impairments! This is a warmhearted, very human comedy with many messages. Grady Harp