Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one that believes he's innocent.
A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
In the 70's, the boy Billy is born with yellow skin due to a liver disease and his dysfunctional mother rejects him. Later he witnesses his mother and her lover killing his beloved father and burying him in the basement of their house, and he is locked in the attic alone along his childhood. When he is a teenager, he is sexually abused by his mother and she has a baby girl called Agnes. During Christmas, the deranged Billy escapes from his imprisonment, kills his mother and stepfather and blinds one eye of Agnes. He is declared insane and his sister is sent to an orphanage. In the present days, Billy escapes from the Clark Sanatorium to spend Christmas with his family. Meanwhile, his former house is the Delta Alpha Kappa sorority house in the campus of the Clement University, and the housemother and the sisters Kelli Presley, Dana, Lauren Hannon, Megan, Heather, Megan Helms, Melissa and Eve Agnew are preparing the house for Christmas party in a stormy night while Clair Crosby is in ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During one scene the famous "leg lamp" from A Christmas Story (1983) can be seen in the background. This may be a reference to Bob Clark, the director of the original Black Christmas. He also directed A Christmas Story in 1983. See more »
When Ms. Mac is first telling the story of Billy, she eats a marshmallow that she just cooked in the fire. There is no way that the marshmallow and the tongs that just came out of the fire place wouldn't have burned her mouth. See more »
[Mrs. Lenz walks into the kitchen to make Agnes some Christmas cookies. Before starting, she turns on the stove and lights up a cigarette. Right after she lit the cigarette, the phone rang]
[answers the phone]
Hello? Merry Christmas.
[There's no answer so she repeats]
[Again no answer]
Hey! Merry Christmas!
She's my family now.
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The final credits include the message "Goodbye, Shirley," in tribute to composer Shirley Walker, a frequent collaborator with director Glen Morgan. Walker passed away in November 2006, before "Black Christmas"' release. See more »
Well, call me old school, but to say that this movie was as good or better than the original is confounding and appalling. Scanning some of the comments, I find it interesting that some folks downgrade the original 1974 version because it leaves loose ends, and the new one explains things. I will say that the remake does provide a back story on the killer lacking in the original, but that doesn't make it any better. Quite the contrary. Another slash and gore bore.
The subtle atmospheric dread and suspense BC 1974 in the old version, while not great, is vastly superior. It is hard to improve on one of the best of the genre, and the original Black Christmas certainly belongs near the top. It did influence Halloween, When A Stranger Calls, Friday the 13th I and other classics of a few years later and is as good or better than all of them.
The 2006 version belongs near the back of the rental area at your local DVD store. Watch it on cable some night, but for those who have seen neither, ignore the new version and find a copy of the old one to buy or rent. You'll be better served for your DVD dollar.
A final editorial comment: I have yet to see a 200X horror film remake that came close to the original in spite of all the FX technology.....e.g. The Haunting. No, the Thirteen Ghosts remake was better, but only because the old Castle version was so cheap and campy. One man's opinion is that the Black Christmas remake would have been better not made. Final Destination I (at least) was quite unusual and quality in this genre.
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