| Alejandro Urdapilleta | |||
| Valeria Bertuccelli | |||
| rest of cast listed alphabetically: | |||
| Julieta Cardinali | |||
| Rafael Ferro | |||
| Raúl Hochman | |||
| Ricardo Merkin | |||
| Sol Moreno | ... | Ana | |
| Gustavo Pastorini | ... | Man in the street | |
| Carlos Piñeiro | |||
| Florencia Raggi | |||
Directed by | |||
| Esteban Sapir | |||
Writing credits(in alphabetical order) | ||
| Esteban Sapir | screenplay | |
Produced by | |||
| Federico Rotstein | .... | assistant producer | |
Original Music by | |||
| Leo Sujatovich | |||
Cinematography by | |||
| Cristian Cottet | |||
Film Editing by | |||
| Pablo Barbieri Carrera | |||
Art Direction by | |||
| Daniel Gimelberg | |||
Set Decoration by | |||
| Valentina Llorens | |||
| Sebastián Serra | |||
Costume Design by | |||
| Andrea Mattio | |||
Makeup Department | |||
| Mariana Brizuela | .... | assistant makeup artist | |
| Sandra Rabinowickz | .... | assistant makeup artist | |
| Manuela Scheldbauer | .... | makeup artist | |
Production Management | |||
| Alejandro Cinelli | .... | production manager | |
| Claudia Ferrero | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lorena Contardo | .... | second assistant director | |
| Ana Laura Gussoni | .... | first assistant director | |
Art Department | |||
| Valentín Cosentino | .... | props | |
| Maximiliano Oliver | .... | props assistant | |
| Luciana Quartaruolo | .... | assistant to the art director | |
| Aurea Tolo | .... | assistant to the art director | |
Sound Department | |||
| José Luis Díaz | .... | sound | |
Visual Effects by | |||
| Juan Antin | .... | stop motion animator | |
| Sergio Azpeitia | .... | digital compositor | |
| Pablo Barbieri Carrera | .... | artistic supervisor | |
| Patricio Barreiro | .... | digital compositor | |
| Flavio Bianchi | .... | digital compositor | |
| Francisco Botto | .... | visual effects supervisor | |
| Miguel de Aguirre | .... | visual effects | |
| Fernando Dominguez Sarmiento | .... | visual effects supervisor | |
| Adrian Fares | .... | digital compositor | |
| Diego Faur | .... | online editor | |
| Tomas Garcia | .... | graphic designer | |
| Tomas Garcia | .... | motion graphics | |
| Jorge Gentile | .... | online editor | |
| Juan Federico Mackeprang | .... | on-line editor | |
| Macarena Mancebo | .... | visual effects coordinator | |
| Paola Peralta | .... | graphics assistant | |
| Federico E. Quiros | .... | visual effects | |
| Juan Pablo Rainieri | .... | digital compositor | |
| Diego Rojas | .... | digital compositor | |
| Matias Salinas | .... | digital matte painting | |
| Miguel Spinelli | .... | technical advisor | |
Camera and Electrical Department | |||
| Alan Badan | .... | electrician | |
| Mariana Bruno | .... | assistant camera | |
| Matias Buzzalino | .... | electrician | |
| Daniel Ciurleo | .... | electrician | |
| Paula Grandio | .... | cinematographer: second unit | |
| Marcelo Lavintman | .... | cinematographer: model unit | |
| Marcelo Lavintman | .... | cinematographer: second unit | |
| Nestor Paradiso | .... | grip | |
| Diego Poleri | .... | gaffer | |
| Alejandro Ríos | .... | assistant grip | |
| Vanesa Ritaco | .... | camera operator | |
| Juan Manuel Tizón | .... | electrician: additional unit | |
Costume and Wardrobe Department | |||
| Carla Danio | .... | assistant costume designer | |
| Flavia Gaitán | .... | assistant costume designer | |
| Ana Press | .... | assistant costume designer | |
Editorial Department | |||
| Patricio Pena | .... | assistant editor | |
Other crew | |||
| Juan Aguirre | .... | production assistant | |
| Liz Campi | .... | production assistant | |
| Agustin Carbonere | .... | production assistant | |
| Romeo Fasce | .... | coordinator | |
| Agustín Miranda | .... | location manager | |
| Maria Alejandra Uz | .... | script supervisor | |
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| Noche en la terraza | Ni vivo, ni muerto | Vladimir en Buenos Aires | Ciudad de Dios | Mujer sin un destino |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Argentina section | Add this title to MyMovies |
The summary line is some men's wet dream for the ideal woman ... ;o) Seriously though, back to the movie, which has classic cinema written all over it (pun intended and quite literally shown in the picture, too as you'll see)!
How could someone make a silent movie in this year and age? It's not completely silent for once (take the music for instance). With great cinematography is the answer. And it's no wonder that it did win prizes (as another user stated) in this area! But it's also sometimes it's downfall. Although the pictures are great, it sometimes delves too much in them instead of moving forward (plot and time wise). If you can cope with that, than you'll enjoy it even more than me. I haven't told you anything about the story, but I'll never do that, because I don't want to spoiler anything for you ...