| Naseeruddin Shah | ... | Mohit | |
| Girish Karnad | ... | Guruji | |
| Shreyas Talpade | ... | Iqbal | |
| Shweta Prasad | ... | Khadija | |
| Yatin Karyekar | ... | Anwar | |
| Prateeksha Lonkar | ... | Saida | |
| Dilip Salgaonkar | ... | Bipin | |
| Jyoti Joshi | ... | Farida | |
| Aadarsh Balakrishna | ... | Kamal | |
| Gururaj Manepalli | ... | Akash | |
| Rajita Joshi | ... | Doctor | |
| Srikanth Chitrao | ... | Sunil Mitra, the Selector | |
| Vikram Inamdar | ... | DeSouza, the Team Manager | |
| Elahe Hiptoola | ... | TV Reporter | |
| Balaji Manohar | ... | Mohammed, the Team Captain | |
| D. Santosh | ... | Satish Bhatavadekar | |
| Vibhu Kashyap | ... | Match Reporter | |
| K. Sridhar | ... | Boy at KCA | |
| T.P. Varun | ... | Boy at KCA | |
| Rohit Bharadwaj | ... | Boy at KCA | |
| Nitin Tangaraj | ... | Boy at KCA | |
| Chaitanya | ... | Boy at KCA | |
| Koti Babu | ... | Boy at KCA | |
| G. Avinash | ... | Boy at KCA | |
| Sridhar | ... | Boy at KCA | |
| rest of cast listed alphabetically: | |||
| Kapil Dev | ... | Himself | |
Directed by | |||
| Nagesh Kukunoor | |||
Writing credits(in alphabetical order) | ||
| Nagesh Kukunoor | ||
Produced by | |||
| Subhash Ghai | .... | producer | |
| Elahe Hiptoola | .... | executive producer | |
| Prem Pillai | .... | consulting producer | |
Original Music by | |||
| Salim Merchant | (as Salim-Sulaiman) | ||
| Suleiman Merchant | (as Salim Sulaiman) | ||
| Sukhwinder Singh | |||
Cinematography by | |||
| Sudeep Chatterjee | |||
Film Editing by | |||
| Sanjib Datta | |||
Production Design by | |||
| Devika Bahudhanam | |||
Art Direction by | |||
| Sunil Babu | |||
Costume Design by | |||
| Fabeha | |||
| Elahe Hiptoola | |||
Production Management | |||
| Vibhu Kashyap | .... | production manager | |
| Pranav Surendra Shastri | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Shashi Sudigala | .... | first assistant director | |
Art Department | |||
| Manjula Dasgupta | .... | assistant art director | |
| Janani Ravichandran | .... | assistant art director | |
Sound Department | |||
| Sanjay Kurian K. | .... | sound recordist | |
| Namita Nayak | .... | sound designer | |
| Justin Jose | .... | assistant sound re-recording mixer (uncredited) | |
Camera and Electrical Department | |||
| Anirban Chatterjee | .... | second assistant camera | |
Music Department | |||
| John Stewart Eduri | .... | engineer: score (as John Stewart) | |
| Sandeep Shirodkar | .... | additional background music | |
Other crew | |||
| Nabeel Abbas | .... | publicity designer | |
| Dennis Davidson | .... | Publicity campaign | |
| Raj Khatri | .... | design visualizer | |
| Alnoor Merchant | .... | website design | |
| Akash Patel | .... | design visualizer | |
| Devang Shah | .... | design visualizer | |
| Mihir Shah | .... | design visualizer | |
| Recent Posts (updated daily) | User |
|---|---|
| the movie was bad!!! | srakesh |
| Great film | skakodker |
| Subhash Ghai ditches deaf cricketers | AvinashPatalay |
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| Black | Lagaan: Once Upon a Time in India | Chakde! India | Johnny Belinda | Bend It Like Beckham |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb India section |
Iqbal doesn't require those plain, ch..ya reviews but aggressive reviews. Call it a bouncer, a sixer, a century, whatever. The experience is as exhilarating. Welcome new cinema. Welcome Iqbal. A movie devoted to a criminally ignored aspect of cricket called bowling with so much of spunk, style, freshness, novelty and surprises that even those not interested in game find it simply irresistible. It has all the aces. Firstly, amazing stories and people happening in small towns too who are crying to be a part of mainstream but nobody really took notice of them. No need to add situational/ item numbers (read non situational)songs or beautiful bimbettes in the name of "heroines". Instead a brother-sister combo is remarkably portrayed. And when it starts talking cricket-the game, the passion, the technique, the struggle, the pain, the politics, the victory, everything beautifully woven interspersed in between in subtle humor such that it all looks as real as life itself in flesh and blood. The honors should equally be shared by background score, songs, cinematography, editing (especially), sound design and script. All performances are first rate. Ultimately, and at last a director's film-Nagesh Kukunoor's best among his six and not to forget a superb one coming from producers mukta arts years after. Three cheers. Now few Grey areas. The film slightly looses its crispness in certain parts such as-Iqbal trying hard to get Naseer to coach him; the struggle Iqbal went through after inducted in Ranji Team and lastly the film ends on a slightly abrupt note. But all these are minor diversions. Lastly, a word of advice to established set ups tried and tested, star-studded, NRI romances format of film making. Please step aside. Your turn is over. A New dawn has set. A New player in the offing. Indian films finally finding their identity. Undoubtedly, the best film released so far this year, year 2005 will be remembered for Iqbal and likes. And Box office. F... box office. To those conventional distributors, being a modest budget film it is an easy break even so you GTH (go to hell) Also, if Tax free status is not granted sooner to this film then it is better to abolish this system of promotion via tax-free. Jiyo Iqbal !