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Deja Vu (2006)

7.0
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Ratings: 7.0/10 from 209,556 users   Metascore: 59/100
Reviews: 396 user | 201 critic | 32 from Metacritic.com

An A.T.F. agent travels back in time to save a woman from being murdered, falling in love with her in the process.

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Cast

Cast overview, first billed only:
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Agent Pryzwarra
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Jack McCready
Rich Hutchman ...
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Minuti
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Beth (as Donna Scott)
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Mark Phinney ...
Agent Donnelly
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Storyline

A ferry filled with crewmen from the USS Nimitz and their families was blown up in New Orleans on Mardi Gras. BATF Doug Carlin is brought in to assist in the massive investigation, and gets attached to an experimental FBI surveillance unit, one that uses spacefolding technology to directly look back a little over four days into the past. While tracking down the bomber, Carlin gets an idea in his head: could they use the device to actually travel back in time and not only prevent the bombing but also the murder of a local woman whose truck was used in the bombing? Written by Jeff Cross

Plot Summary | Plot Synopsis

Taglines:

If you thought it was just a trick of the mind, prepare yourself for the truth.


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence and terror, disturbing images and some sensuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

22 November 2006 (USA)  »

Also Known As:

Déjà Vu  »

Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend:

£1,098,295 (UK) (15 December 2006)

Gross:

$64,034,835 (USA) (23 February 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Val Kilmer noted one of the reasons he wanted to work with Denzel Washington was that his kids once went to the same Los Angeles school as his own two children. See more »

Goofs

When the team sees the video tape of Carroll Oerstadt at the ferry (after using the facial recognition software to identify Oerstadt's "camcorder bag"), it is indicated thereon as "Monday", and Dr. Alexander Denny says that the tape is from two nights before the ferry explosion. But the ferry explosion is on Fat Tuesday, so the tape was really from the night before, not two nights before. See more »

Quotes

[first lines]
Ferry Captain: Can't believe it. They're right on time. Let's get these boys to their party.
See more »

Crazy Credits

Tony Scott's opening credit is obscured momentarily by a passing sailor. See more »


Soundtracks

When The Saints Go Marching In
Performed by the US Navy Southwest Regional Band
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
U can save her…Déjà Vu
24 November 2006 | by (buffalo, ny, usa) – See all my reviews

It's a real shame that everything I had read about Déjà Vu concerned the high-powered explosions and loud clatter of guru/producer Jerry Bruckheimer. No mention, except maybe as a footnote, was given to A-list director Tony Scott and the magic he has woven in his past three films. The man who brought us Top Gun has seen a sort of revival in style lately with the entertaining Spy Game, the amazing Man on Fire, and the kinetic Domino. Scott has taken the quick cuts of music videos and has infused them into his shooting style. His editor better be making some good money as these films fly by with filters, jump-cuts, grain, and camera angles swiveling at every turn. Greatly overshadowed by brother Ridley Scott and his more serious, award-winning epics, Tony has been pumping out some of the most solid and entertaining films of the past couple decades. With a reuniting of semi-regular star Denzel Washington, Déjà Vu proves that when Bruckheimer is paired with a like mind, his usual drivel can become great. Scott shows us how to hone the explosions, noise, and clutter to an effective level and gives us a helluva ride.

Déjà Vu could have easily reduced itself to timetravel farce, going by the books to show a time warp in order to solve a crime. The far-fetched premise of being able to see the past as it happens four and a half days later should seem crazy and by watching the previews you are given the idea that it will be just a series of do-overs. Fortunately the trailers these days show a totally different movie than what has been crafted. Scott and his screenwriters have not only developed a sci-fi tale seeped in enough reality to at least be looked upon as plausible for the sake of the story, but they nicely tidy up any chance of their being a plothole. Our story begins with a devastating domestic terrorist act upon a ferry carrying over 500 people, Navy and family. Washington's ATF agent is brought in and discovers that it was no accident. Intrigued by the efficiency he displays, an FBI agent, played with nicely effective restraint by Val Kilmer, calls him in to check out a new toy they have to find who the perpetrator is. During the use of this screen of the past, Denzel acquires a feeling of obligation to do all he can to prevent what he sees from occurring in the present, no matter what consequences that might entail for the future. The quest to stop the violence begins with an attractive young woman who unknowingly has become an integral part in what will ultimately transpire.

The beauty of this film is that with multiple timelines being shown parallel to each other, there are many questions that desperately need answering. To credit all involved, they appear to have put themselves in the audience's shoes and piece-by-piece wrote in a reason for everything. Anything that is seen either in the past, present, or future has a reason for being there and will be intelligently explained. Also, the performances are stellar, Denzel and Kilmer as well as a quietly maniacal Jim Caviezel and the emotionally exasperated Paula Patton, and the visuals unique. While Scott has toned down the ultra-kinetic cuts and filters for the main action, his style is still stamped on the graphics of their screen showing the past. The motion trails and speed scans lend a stylized digital editing program feel and are gorgeous to watch. Déjà Vu's best sequence, however, is the crazy car chase during the present in pursuit of a vehicle in the past, definitely a rush and orchestrated almost flawlessly. Even though Ridley gets the accolades and Tony gets the hack/overproduced label, I must say, while they are the best directing duo in Hollywood, I might have to give the edge on pure cinematic entertainment to the younger Tony. He is on a roll and doesn't seem to be stopping anytime soon.


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This movie reminds me of Sorce Code erikazboi2006
why didnt denzel phone police and say a bomb was on the ferry stevenkickstart
Anybody understood the ending? totti_valantino
A film so absurd, ridiculous and downright dumb that.... jackhunt
100 things we learned from Deja Vu hannethereza
Was that Denzel in the body bag? Haasino
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