Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A ferry filled with crewmen from the USS Nimitz and their families was blown up in New Orleans on Mardi Gras. BATF Doug Carlin is brought in to assist in the massive investigation, and gets attached to an experimental FBI surveillance unit, one that uses spacefolding technology to directly look back a little over four days into the past. While tracking down the bomber, Carlin gets an idea in his head: could they use the device to actually travel back in time and not only prevent the bombing but also the murder of a local woman whose truck was used in the bombing? Written by
The third time Denzel Washington and Tony Scott have worked together. They would collaborate on two other films before Scott's death in 2012. Its also the first film Scott, Washington and producer Jerry Bruckheimer have worked on since Crimson Tide (1995), and the last film Scott and Bruckheimer would work on after six collaborations. See more »
The bomber arrived at the ferry dock at 0440 which means Carlin's chase could not have started before 1040. During Agent Carlin's pursuit of the bomber, we get a glimpse of Pryzwarra's watch when he is picking up the phone that shows 5:45 which could be 0545 (five hours too early) or 1745 (meaning Carlin took seven hours to get to the Crescent City Bridge). When Carlin starts to walk away from the Hummer in daylight, his watch shows 0950 (50 minutes too soon) but when he gets on the other side of the house, the time shows 1135 (more in sync with the timeline). See more »
Can't believe it. They're right on time. Let's get these boys to their party.
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The opening credits rush in, framed by a box, and then rush out again. See more »
I'll start by saying that I was reluctant to even see this movie but after some insistence by family, I sat and watched in pure enjoyment.
Articles, reviews, trailers, TV spots, DO NOT do this film justice. Denzel Washington pulls out another great performance as well as an aged Val Kilmer. While some will point out that the plot is hard to swallow, it doesn't matter because it's wrapped up in sheer entertainment. You feel for these characters. There are no holes to be found in either the plot or it's twists. It's believable at the same time unbelievable. If you can get past the middle 20 minutes or so while they explain what the team can do, you're in for a great ride.
I can't, in three paragraphs, paint a picture like Deja Vu. Of the many films Mr.Washington has put out over the last 4 years or so, this is by far his best if not one of the best of the year.
Highly recommended for the open-minded.
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