After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A ferry filled with crewmen from the USS Nimitz and their families was blown up in New Orleans on Mardi Gras. BATF Doug Carlin is brought in to assist in the massive investigation, and gets attached to an experimental FBI surveillance unit, one that uses spacefolding technology to directly look back a little over four days into the past. While tracking down the bomber, Carlin gets an idea in his head: could they use the device to actually travel back in time and not only prevent the bombing but also the murder of a local woman whose truck was used in the bombing? Written by
The movie went through pre-production in New Orleans. Just weeks before production was to begin, Hurricane Katrina devastated the city. With the location in ruins, the movie made the decision to find a new location to shoot. Weeks after the decision, canceling the movie altogether was in talks. Finally, three months after the hurricane, the film returned to New Orleans, Louisiana and began pre-production once again. See more »
When the ferry explodes, vehicles are thrown into the river. The Algiers-Canal ferry is pedestrians only on Fat Tuesday. Also, for the same reason, the car with the explosives wouldn't have been allowed on board. See more »
Can't believe it. They're right on time. Let's get these boys to their party.
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Tony Scott's opening credit is obscured momentarily by a passing sailor. See more »
This richly dense action-thriller has Denzel Washington as his typical but well cast character in this well thought out script that uses the idea of time and space in a superb manner. In one of the best genre thriller of its type, this consistent execution, high-quality production provides an intellectual and mostly satisfying experience. the movie also contents musical strains reminiscent of the intense and action-focised Bourne Identity series (2002) that also offers a similar strength and sharpness the movie's appeal. Except for a "Stargate" (from the movie and television series) like structure that unnecessarily detracts from the scene and the obvious impossibility or at least gigantic leap of science two-thirds way through the movie, such lapses are minor compared to the intensity and small deja vu clues that actually enhance the movie till the end. Sometimes predictable, but nevertheless, it's in the execution that matters here. A solid eight out of ten.
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