One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
El Bola, a 12 year old boy a.k.a. "Pellet" is a 12 year old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The ... See full summary »
Juan José Ballesta,
Ourense, Spain, 1940. Every time that Elena locks the door, she locks her secrets. Her husband Ricardo spend years hidden in his house with his children (Elenita and Lorenzo), trying to ... See full summary »
True story of thirteen totally normal young women that suffered harsh questioning and were put in prison under made up charges of helping the rebellion against Franco back in the 1940's. ... See full summary »
Emilio Martínez Lázaro
Pilar López de Ayala,
Ruth is a young researcher in a college. She is asked to three of her ex's weddings. Along the way she is trying to find her soulmate and for a companion to every wedding, she enlists the help of her new fellow assistant.
Rafael witnesses Marina - a woman with a glass eye - being attacked on the street by Daniel; her long-time acquaintance since the orphanage, where they were both raised as kids. He rescues ... See full summary »
Jorge is a 25-year old janitor who desperately tries to find himself a new, and especially, better, job. This undertaking is complicated by the fact he takes care of his handicapped father who had a hart infarct seven years earlier. His soon-to-be-released brother Antonio finds a girlfriend (Paula) in jail who wants to get pregnant. When Antonio finds out he's infertile, Jorge is asked to make Paula pregnant. To make the dilemma even heavier, Jorge's childhood sweetheart Natalia returns after many years. Meanwhile, Jorge's best friend Israel (nicknamed Sean) secretly photographs men visiting an erotic masseur to find out something he didn't bargain for. Written by
Marco van Hoof <firstname.lastname@example.org>
Jorge (Quim Gutiérrez) is stuck in a dead-end job and with an unrequited long-term love for the girl next door. His father has suffered a stroke and needs constant supervision, which Jorge alone manages. His brother is in prison. His best friend is contemplating his sexuality. In short, he is the epitome of a "nice guy" the kind who is too nice to lie, cheat or think in even remotely self-serving paths. In Arévalo's directorial debut, we are offered a slice of his protagonist's life to no discernible end, but still a worthwhile watch.
The latter can best be attributed to the film's preference of continuity to climaxes. It offers next to no culminations, 'key' scenes or satisfying plot development and instead presents a highly low-key story that takes a gentle yet unflinching look at a young man's life. Quim Gutiérrez is handsome, affable and intrinsically good as Jorge, giving a sweet little performance that is just a smidge to humourless to wow the audience or even go the extra mile. None of the other actors are particularly noteworthy, although Raúl Arévalo caters to the comedy part which undoubtedly elevates the whole film above generic drama formula. Make no mistake however it is no comedy.
Azuloscurocasinegro is also one of the calmest films I have ever seen. seen. It is neither boring nor slow, but the pacing is peaceful and there is an underlying tranquility in the seamless intercutting of scenes, without resorting to dreamy cinematography or soothing nature shots. I suppose that is another way of saying not much happens in it, which is certainly quite true, but there is some emotional poignancy to be found, some sex scenes to be 'enjoyed' and above all remarkably insightful dialogue to be shared. It delivers little gems by the bucketload, puffed full of actual wisdom best of all, it never feels forced. In the end, Azuloscurocasinegro is quite forgettable, but a sweet viewing nonetheless.
7 out of 10
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