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Directed by | |||
| Robert Schwentke | |||
Writing credits(WGA) | ||
| Bruce Joel Rubin | (screenplay) | |
| Audrey Niffenegger | (novel) | |
Produced by | |||
| Richard Brener | .... | executive producer | |
| Dede Gardner | .... | producer | |
| Justis Greene | .... | executive producer | |
| Kristin Hahn | .... | co-producer | |
| Sara Moe | .... | associate producer | |
| Brad Pitt | .... | executive producer | |
| Nick Wechsler | .... | producer | |
| Michele Weiss | .... | executive producer | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Florian Ballhaus | (director of photography) | ||
Film Editing by | |||
| Thom Noble | |||
Casting by | |||
| Deborah Aquila | |||
| Robin D. Cook | |||
| Jennifer L. Smith | |||
| Tricia Wood | |||
Production Design by | |||
| Jon Hutman | |||
Art Direction by | |||
| Peter Grundy | |||
Set Decoration by | |||
| Patricia Cuccia | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Michal Bigger | .... | personal makeup artist: Ms. McAdams | |
| Ann Brodie | .... | makeup department head | |
| Susan Exton-Stranks | .... | key hair stylist | |
| Agnes M. Gibicar | .... | hair stylist: Chicago (as Agnes Gibicar) | |
| Vivian Guzman | .... | hair stylist: Chicago | |
| Laura MacCon | .... | dailies makeup artist | |
| Helen Marchfield | .... | makeup artist: Chicago | |
| Pamela Milone-McLaughlin | .... | hair stylist: Chicago | |
| Tim Mogg | .... | makeup artist | |
| Francesca Paris | .... | personal hair stylist: Ms. McAdams | |
| Vincent Sullivan | .... | head of hair department | |
| Thomas Terhaar | .... | additional hair stylist | |
| Christien Tinsley | .... | designer and creator: special make-up effects | |
| Kerry Vaughan | .... | assistant makeup artist: dailies | |
| Dorota Zajac | .... | key makeup artist | |
Production Management | |||
| Erik Holmberg | .... | executive in charge of production | |
| Heather Meehan | .... | unit production manager | |
| Sara Romilly | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Tim Cushen | .... | assistant director | |
| Gillian Müller | .... | daily assistant director | |
| Neesha Patki | .... | third assistant director | |
| Mike Topoozian | .... | first assistant director | |
| Donald Young | .... | daily assistant director | |
| Jennifer Zabawa | .... | daily assistant director | |
Art Department | |||
| Colin Adams | .... | on-set dresser | |
| John Bannister | .... | key scenic artist | |
| Kirk Cheney | .... | construction coordinator | |
| Danielle Fleury | .... | set decoration buyer | |
| John Fraser | .... | studio backing designer and artist | |
| James A. Frith | .... | art department coordinator | |
| Jason Graham | .... | first assistant art director | |
| Jason Graham | .... | graphic artist | |
| Elis Lam | .... | first assistant art director | |
| Yasmyn Lee | .... | art department apprentice | |
| Yasmyn Lee | .... | trainee assistant art director | |
| Alan Letts | .... | construction coordinator: reshoots | |
| John MacNeil | .... | set designer | |
| Joe McLean | .... | assistant head carpenter | |
| Kari Measham | .... | set decoration buyer | |
| Kenny Meinzinger | .... | set dresser | |
| Matt Middleton | .... | second assistant art director | |
| Marquee Reno | .... | buyer: Chicago | |
| Jaclyn Shoub | .... | concept artist | |
| Jeremy Simser | .... | storyboard artist | |
| Rob Valeriote | .... | head carpenter: reshoots | |
Special Effects by | |||
| Alex Burdett | .... | special effects supervisor | |
| Terence J. Cox | .... | pyrotechnician | |
| Joe Giles | .... | special effects: Tinsley Transfers Effects Studio | |
| Jason Hamer | .... | special effects technician | |
| Brian Hillard | .... | special effects makeup: Tinsley Transfers | |
| Michael Innanen | .... | special effects first assistant: re-shoot | |
| Tony Kenny | .... | special effects coordinator: reshoots | |
| Paul Krysinski | .... | special effects technician | |
| Craig McLauchlan | .... | special effects assistant | |
| Allison Oliver | .... | special effects artist: Tinsley Transfers | |
| Troy Rundle | .... | special effects key | |
| Brodie Spaull | .... | special effects technician | |
| Lino Stavole | .... | special effects: Tinsley Transfers Effects Studio | |
| Sophie Vertigan | .... | special effects snow key | |
| Diane Woodhouse | .... | special effects coordinator: Tinsley Transfers Inc. | |
Visual Effects by | |||
| Robert Adams | .... | tracking & integration: R!OT | |
| Jerry Andrews | .... | motion control operator | |
| Michael Angelo | .... | Inferno artist: R!OT | |
| Mayumi Arakaki | .... | digital producer (as Mayumi Arakaki Davies) | |
| Jennifer Avery | .... | visual effects production assistant | |
| Kelly Bumbarger | .... | digital compositor | |
| Patrick Clancey | .... | digital opticals | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Charles Collyer | .... | compositor: R!OT | |
| Tim 'Timco' Conway | .... | tracking & integration lead: R!OT (as Tim Conway) | |
| Robert Coquia Jr. | .... | data management: R!OT | |
| Del DePierro | .... | tracking & integration: R!OT | |
| Mark Edwards | .... | digital production manager: R!OT | |
| Dustin Foster | .... | assistant production manager: R!OT | |
| Jamie Hallett | .... | dfx supervisor: R!OT | |
| Lindsay Hallett | .... | executive producer: R!OT (as Lindsay Burnett) | |
| Phil Holland | .... | digital imaging specialist | |
| Holly Gregory Horter | .... | roto/paint: R!OT (as Holly Horter) | |
| David Jones | .... | visual effects supervisor (as David M.V. Jones) | |
| Evan Kantor | .... | vfx coordinator: R!OT | |
| Louis Kreusel | .... | render i/o coordinator: Rhythm & Hues | |
| David Lamps | .... | render i/o coordinator: Rhythm & Hues Studios | |
| Kurt Lawson | .... | compositor: R!OT | |
| Young Lee | .... | technical animator: Rhythm and Hues | |
| Laurence Lok | .... | 2d lead: R!ot | |
| Sean Looper | .... | pipeline architect: R!OT | |
| Brian Lutge | .... | fx: R!OT | |
| Sean Mattini | .... | digital colorist assist | |
| Erika A. McKee | .... | visual effects producer (as Erika McKee) | |
| Douglas Melville | .... | plate coordinator: R!OT | |
| Kanae Morton | .... | roto/paint: R!OT | |
| Marla Neto | .... | vfx production assistant: R!OT | |
| Hiroyuki Okubo | .... | fx: R!OT | |
| Mitch Paulson | .... | second digital colorist: EFILM | |
| Lauren Ritchie | .... | executive in charge of visual effects | |
| Cat Rowe | .... | digital colorist assist | |
| Steven J. Scott | .... | supervising digital colorist | |
| Daphne Simone | .... | compositor | |
| Brad Smith | .... | render I/O administrator | |
| Mai Suzuki | .... | roto/dustbust: R!OT | |
| Robert Tatum | .... | roto/paint: R!OT | |
| Ben Taylor | .... | render i/o coordinator | |
| Cecile Tecson | .... | roto/paint: R!OT (as Cecile F. Tecson) | |
| Will Telford | .... | digital effects supervisor: Rhythm & Hues Studios | |
| Alexander Tirasongkran | .... | tracking & integration: R!OT | |
| Zachary Tucker | .... | previsualisation: R!OT | |
| Cary Welton | .... | roto/paint: R!OT (as Cary B. Welton) | |
| Shane Christopher Wicklund | .... | roto artist: R!OT | |
| Andy Wilkoff | .... | CG supervisor: R!OT (as Andrew Wilkoff) | |
| Ned Wilson | .... | compositor: Riot | |
| Chris LeDoux | .... | compositor: R!OT (uncredited) | |
| Shuichi Suzuki | .... | cg modeler (uncredited) | |
Stunts | |||
| Brittney Banks | .... | utility stunts | |
| Matt Birman | .... | stunt performer | |
| Tobiasz Daszkiewicz | .... | stunts | |
| Flint Eagle | .... | stunt driver | |
| Rick Le Fevour | .... | stunt coordinator: Chicago | |
| Steve Lucescu | .... | stunt driver | |
| Regan Moore | .... | stunt performer | |
| Layton Morrison | .... | assistant stunt coordinator | |
| Layton Morrison | .... | stunts | |
| Billy Oliver | .... | stunt rigger | |
| Steve 'Shack' Shackleton | .... | stunt rigger | |
| Craig Snoyer | .... | stunts | |
| John Stoneham Jr. | .... | fight coordinator | |
| John Stoneham Jr. | .... | stunt coordinator | |
Animation Department | |||
| Jonathan Wolfe | .... | main title animator | |
Casting Department | |||
| Terri Douglas | .... | adr voice casting | |
| Samantha Finkler | .... | casting associate | |
| Darlene R. Hunt | .... | extras casting | |
| Rachel Komar | .... | extras casting | |
| Erin Toner | .... | casting associate | |
| Lisa Zagoria | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Constance Buck | .... | wardrobe supervisor | |
| Stella Cottini | .... | key costumer | |
| Laura Kaminski | .... | set costumer | |
| Loreen Lightfoot | .... | costume cutter | |
| Kathleen Meade | .... | costume supervisor | |
| Virginia Lise Melin | .... | costume production assistant | |
| Robyn Rosenberg | .... | costume truck supervisor | |
| Nadia 'Sunny' Sorge | .... | wardrobe assistant | |
| Stevie Baker | .... | wardrobe production assistant (uncredited) | |
Editorial Department | |||
| Betty Burkhart | .... | post-production coordinator | |
| Gary Burritt | .... | negative cutter | |
| Beth Dewey | .... | digital intermediate producer | |
| Matt Diezel | .... | additional editor | |
| Ashleigh Falls | .... | post-production assistant | |
| Bernie E. Gomez | .... | post-production assistant (as Bernie Gomez) | |
| Mary Juric | .... | post-production assistant | |
| Aaron Marshall | .... | first assistant editor | |
| Cam McLauchlin | .... | assistant editor: avid dailies | |
| Robert E. Phillips | .... | digital intermediate assistant producer | |
| John Potter | .... | high definition preview timer | |
| Jennifer Stellema | .... | second assistant editor: avid | |
| Bronwyn Waddington | .... | visual effects editor | |
Music Department | |||
| Bob Bowen | .... | music supervisor | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Richard Ford | .... | music editor | |
| Brad Haehnel | .... | score mixer | |
| Oliver Hug | .... | assistant music editor | |
| Joel Iwataki | .... | music scoring mixer | |
| Rouble Kapoor | .... | assistant score mixer | |
| Victor Pesavento | .... | music preparation | |
| Andrew Shulman | .... | musician | |
| Steven L. Smith | .... | music preparation | |
| Patrick Spain | .... | assistant scoring engineer | |
| Amritha Vaz | .... | music assistant (as Amritha Fernandes Bakshi) | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| James Beaudrow | .... | utility driver | |
| Jeff Bell | .... | transportation captain | |
| Gord Bettles | .... | picture car mechanic | |
| Bill Boyd | .... | picture car coordinator | |
| Emily Halfon | .... | transportation office coordinator | |
| Dana Howes | .... | transportation coordinator | |
| Wayne Ireland | .... | transportation co-captain | |
| Brian C. Pawlowski | .... | transportation manager | |
| Regina Petrik | .... | daily driver | |
| Dave Wilson | .... | picture car co-captain | |
| Ian C. Harris | .... | daily driver (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Something I often find bothersome in 'time travel fiction' is that there is usually a large chunk of the storytelling dedicated to the tedium of explaining 'how' time travel works, particularly when time travel is merely a device to aid the storytelling. We don't really need to know the science behind it because, simply put, science can neither logically explain its paradoxical nature, nor prove or dispute its possibility. "The Time Traveler's Wife" never makes pretenses to the science behind it, rather it centers its focus on the story.
At the heart of this film is a love story and the complexities that people bring to their relationships. What I liked most was its metaphorical allusion to the distance in relationships and how the important people in our lives stay with us even after they are gone. The scenes between Henry and young Clare were especially moving because they took literally the notion of feeling like you have known someone your whole life. It's kind of like when you share stories from your past with friends and significant others, retelling them time and again until your experiences are indistinguishable from theirs, except in the case of Henry and Clare, the experiences are real if not linear.
Just go and watch it. Decide for yourself if you like it. Just don't dwell too much on the technicalities. After all, Scientific Theorists have been slamming their heads against the wall on the matter of time travel for centuries. Take the story for what it is and enjoy the ride.