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Directed by | |||
| Robert Schwentke | |||
Writing credits(WGA) | ||
| Bruce Joel Rubin | (screenplay) | |
| Audrey Niffenegger | (novel) | |
Produced by | |||
| Richard Brener | .... | executive producer | |
| Dede Gardner | .... | producer | |
| Justis Greene | .... | executive producer | |
| Kristin Hahn | .... | co-producer | |
| Sara Moe | .... | associate producer | |
| Brad Pitt | .... | executive producer | |
| Nick Wechsler | .... | producer | |
| Michele Weiss | .... | executive producer | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Florian Ballhaus | (director of photography) | ||
Film Editing by | |||
| Thom Noble | |||
Casting by | |||
| Deborah Aquila | |||
| Robin D. Cook | |||
| Jennifer L. Smith | |||
| Tricia Wood | |||
Production Design by | |||
| Jon Hutman | |||
Art Direction by | |||
| Peter Grundy | |||
Set Decoration by | |||
| Patricia Cuccia | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Michal Bigger | .... | personal makeup artist: Ms. McAdams | |
| Ann Brodie | .... | makeup department head | |
| Susan Exton-Stranks | .... | key hair stylist | |
| Agnes M. Gibicar | .... | hair stylist: Chicago (as Agnes Gibicar) | |
| Vivian Guzman | .... | hair stylist: Chicago | |
| Laura MacCon | .... | dailies makeup artist | |
| Helen Marchfield | .... | makeup artist: Chicago | |
| Pamela Milone-McLaughlin | .... | hair stylist: Chicago | |
| Tim Mogg | .... | makeup artist | |
| Francesca Paris | .... | personal hair stylist: Ms. McAdams | |
| Vincent Sullivan | .... | head of hair department | |
| Thomas Terhaar | .... | additional hair stylist | |
| Christien Tinsley | .... | designer and creator: special make-up effects | |
| Kerry Vaughan | .... | assistant makeup artist: dailies | |
| Dorota Zajac | .... | key makeup artist | |
Production Management | |||
| Erik Holmberg | .... | executive in charge of production | |
| Heather Meehan | .... | unit production manager | |
| Sara Romilly | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Tim Cushen | .... | assistant director | |
| Gillian Müller | .... | daily assistant director | |
| Neesha Patki | .... | third assistant director | |
| Mike Topoozian | .... | first assistant director | |
| Donald Young | .... | daily assistant director | |
| Jennifer Zabawa | .... | daily assistant director | |
Art Department | |||
| Colin Adams | .... | on-set dresser | |
| John Bannister | .... | key scenic artist | |
| Kirk Cheney | .... | construction coordinator | |
| Danielle Fleury | .... | set decoration buyer | |
| John Fraser | .... | studio backing designer and artist | |
| James A. Frith | .... | art department coordinator | |
| Jason Graham | .... | first assistant art director | |
| Jason Graham | .... | graphic artist | |
| Elis Lam | .... | first assistant art director | |
| Yasmyn Lee | .... | art department apprentice | |
| Yasmyn Lee | .... | trainee assistant art director | |
| Alan Letts | .... | construction coordinator: reshoots | |
| John MacNeil | .... | set designer | |
| Joe McLean | .... | assistant head carpenter | |
| Kari Measham | .... | set decoration buyer | |
| Kenny Meinzinger | .... | set dresser | |
| Matt Middleton | .... | second assistant art director | |
| Marquee Reno | .... | buyer: Chicago | |
| Jaclyn Shoub | .... | concept artist | |
| Jeremy Simser | .... | storyboard artist | |
| Rob Valeriote | .... | head carpenter: reshoots | |
Special Effects by | |||
| Alex Burdett | .... | special effects supervisor | |
| Terence J. Cox | .... | pyrotechnician | |
| Joe Giles | .... | special effects: Tinsley Transfers Effects Studio | |
| Jason Hamer | .... | special effects technician | |
| Brian Hillard | .... | special effects makeup: Tinsley Transfers | |
| Michael Innanen | .... | special effects first assistant: re-shoot | |
| Tony Kenny | .... | special effects coordinator: reshoots | |
| Paul Krysinski | .... | special effects technician | |
| Craig McLauchlan | .... | special effects assistant | |
| Allison Oliver | .... | special effects artist: Tinsley Transfers | |
| Troy Rundle | .... | special effects key | |
| Brodie Spaull | .... | special effects technician | |
| Lino Stavole | .... | special effects: Tinsley Transfers Effects Studio | |
| Sophie Vertigan | .... | special effects snow key | |
| Diane Woodhouse | .... | special effects coordinator: Tinsley Transfers Inc. | |
Visual Effects by | |||
| Robert Adams | .... | tracking & integration: R!OT | |
| Jerry Andrews | .... | motion control operator | |
| Michael Angelo | .... | Inferno artist: R!OT | |
| Mayumi Arakaki | .... | digital producer (as Mayumi Arakaki Davies) | |
| Jennifer Avery | .... | visual effects production assistant | |
| Kelly Bumbarger | .... | digital compositor | |
| Patrick Clancey | .... | digital opticals | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Charles Collyer | .... | compositor: R!OT | |
| Tim 'Timco' Conway | .... | tracking & integration lead: R!OT (as Tim Conway) | |
| Robert Coquia Jr. | .... | data management: R!OT | |
| Del DePierro | .... | tracking & integration: R!OT | |
| Mark Edwards | .... | digital production manager: R!OT | |
| Dustin Foster | .... | assistant production manager: R!OT | |
| Jamie Hallett | .... | dfx supervisor: R!OT | |
| Lindsay Hallett | .... | executive producer: R!OT (as Lindsay Burnett) | |
| Phil Holland | .... | digital imaging specialist | |
| Holly Gregory Horter | .... | roto/paint: R!OT (as Holly Horter) | |
| David Jones | .... | visual effects supervisor (as David M.V. Jones) | |
| Evan Kantor | .... | vfx coordinator: R!OT | |
| Louis Kreusel | .... | render i/o coordinator: Rhythm & Hues | |
| David Lamps | .... | render i/o coordinator: Rhythm & Hues Studios | |
| Kurt Lawson | .... | compositor: R!OT | |
| Young Lee | .... | technical animator: Rhythm and Hues | |
| Laurence Lok | .... | 2d lead: R!ot | |
| Sean Looper | .... | pipeline architect: R!OT | |
| Brian Lutge | .... | fx: R!OT | |
| Sean Mattini | .... | digital colorist assist | |
| Erika A. McKee | .... | visual effects producer (as Erika McKee) | |
| Douglas Melville | .... | plate coordinator: R!OT | |
| Kanae Morton | .... | roto/paint: R!OT | |
| Marla Neto | .... | vfx production assistant: R!OT | |
| Hiroyuki Okubo | .... | fx: R!OT | |
| Mitch Paulson | .... | second digital colorist: EFILM | |
| Lauren Ritchie | .... | executive in charge of visual effects | |
| Cat Rowe | .... | digital colorist assist | |
| Steven J. Scott | .... | supervising digital colorist | |
| Daphne Simone | .... | compositor | |
| Brad Smith | .... | render I/O administrator | |
| Mai Suzuki | .... | roto/dustbust: R!OT | |
| Robert Tatum | .... | roto/paint: R!OT | |
| Ben Taylor | .... | render i/o coordinator | |
| Cecile Tecson | .... | roto/paint: R!OT (as Cecile F. Tecson) | |
| Will Telford | .... | digital effects supervisor: Rhythm & Hues Studios | |
| Alexander Tirasongkran | .... | tracking & integration: R!OT | |
| Zachary Tucker | .... | previsualisation: R!OT | |
| Cary Welton | .... | roto/paint: R!OT (as Cary B. Welton) | |
| Shane Christopher Wicklund | .... | roto artist: R!OT | |
| Andy Wilkoff | .... | CG supervisor: R!OT (as Andrew Wilkoff) | |
| Ned Wilson | .... | compositor: Riot | |
| Chris LeDoux | .... | compositor: R!OT (uncredited) | |
| Shuichi Suzuki | .... | cg modeler (uncredited) | |
Stunts | |||
| Brittney Banks | .... | utility stunts | |
| Matt Birman | .... | stunt performer | |
| Tobiasz Daszkiewicz | .... | stunts | |
| Flint Eagle | .... | stunt driver | |
| Rick Le Fevour | .... | stunt coordinator: Chicago | |
| Steve Lucescu | .... | stunt driver | |
| Regan Moore | .... | stunt performer | |
| Layton Morrison | .... | assistant stunt coordinator | |
| Layton Morrison | .... | stunts | |
| Billy Oliver | .... | stunt rigger | |
| Steve 'Shack' Shackleton | .... | stunt rigger | |
| Craig Snoyer | .... | stunts | |
| John Stoneham Jr. | .... | fight coordinator | |
| John Stoneham Jr. | .... | stunt coordinator | |
Animation Department | |||
| Jonathan Wolfe | .... | main title animator | |
Casting Department | |||
| Terri Douglas | .... | adr voice casting | |
| Samantha Finkler | .... | casting associate | |
| Darlene R. Hunt | .... | extras casting | |
| Rachel Komar | .... | extras casting | |
| Erin Toner | .... | casting associate | |
| Lisa Zagoria | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Constance Buck | .... | wardrobe supervisor | |
| Stella Cottini | .... | key costumer | |
| Laura Kaminski | .... | set costumer | |
| Loreen Lightfoot | .... | costume cutter | |
| Kathleen Meade | .... | costume supervisor | |
| Virginia Lise Melin | .... | costume production assistant | |
| Robyn Rosenberg | .... | costume truck supervisor | |
| Nadia 'Sunny' Sorge | .... | wardrobe assistant | |
| Stevie Baker | .... | wardrobe production assistant (uncredited) | |
Editorial Department | |||
| Betty Burkhart | .... | post-production coordinator | |
| Gary Burritt | .... | negative cutter | |
| Beth Dewey | .... | digital intermediate producer | |
| Matt Diezel | .... | additional editor | |
| Ashleigh Falls | .... | post-production assistant | |
| Bernie E. Gomez | .... | post-production assistant (as Bernie Gomez) | |
| Mary Juric | .... | post-production assistant | |
| Aaron Marshall | .... | first assistant editor | |
| Cam McLauchlin | .... | assistant editor: avid dailies | |
| Robert E. Phillips | .... | digital intermediate assistant producer | |
| John Potter | .... | high definition preview timer | |
| Jennifer Stellema | .... | second assistant editor: avid | |
| Bronwyn Waddington | .... | visual effects editor | |
Music Department | |||
| Bob Bowen | .... | music supervisor | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Richard Ford | .... | music editor | |
| Brad Haehnel | .... | score mixer | |
| Oliver Hug | .... | assistant music editor | |
| Joel Iwataki | .... | music scoring mixer | |
| Rouble Kapoor | .... | assistant score mixer | |
| Victor Pesavento | .... | music preparation | |
| Andrew Shulman | .... | musician | |
| Steven L. Smith | .... | music preparation | |
| Patrick Spain | .... | assistant scoring engineer | |
| Amritha Vaz | .... | music assistant (as Amritha Fernandes Bakshi) | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| James Beaudrow | .... | utility driver | |
| Jeff Bell | .... | transportation captain | |
| Gord Bettles | .... | picture car mechanic | |
| Bill Boyd | .... | picture car coordinator | |
| Emily Halfon | .... | transportation office coordinator | |
| Dana Howes | .... | transportation coordinator | |
| Wayne Ireland | .... | transportation co-captain | |
| Brian C. Pawlowski | .... | transportation manager | |
| Regina Petrik | .... | daily driver | |
| Dave Wilson | .... | picture car co-captain | |
| Ian C. Harris | .... | daily driver (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
There seem to be two reasons why some people rave about a truly dumb movie like this: 1) they're fans of the book on which it was based, so the movie completes a personal loop for them; and 2) it's a so-called "love story."
As to the first reason, someone viewing a film should not have to be familiar with the source material in order to "get" the story and enjoy the film version; a film should be able to stand or fall on its own storytelling merits. This one fails and falls with a dull thud. There is no arc to the story, which flat-lines for almost two hours of convoluted tedium, making me wonder how boring the book must be. Even when the protagonist finally dies (hey, a plot point!), the story doesn't end, because he comes back again for a quick, reassuring hug---yay!
The only points made in the film are that this guy is a time traveler and that his apparently random, Whack-a-Mole popping in and out of the time continuum is a real problem for the woman who loves him. (Gee, ya think?) The concept of time travel is not new, and therefore shouldn't require exhaustive explanation. But in most novels and films on the subject, we at least know "why" someone is able to travel through time (see "The Time Machine", or a much better time-travel/love story, "Somewhere in Time"). If this is given even the most cursory explanation in TTTW, I must've missed it. I guess the guy is a time traveler because...uh...he's a time traveler.
As to the second reason people (probably 99% of them women) seem to like this movie, apparently all it takes for a narrative to be deemed a "love story" is for two very sexy people to gaze longingly into each others' eyes and whisper sweet nothings, eventually leading to some amber-lighted lovemaking. But that's not a love story, it's the cinematic equivalent of a romance novel. (To you aspiring filmmakers: one sure-fire way to have a successful career in Hollywood is to throw together some scenes involving an extremely attractive couple exchanging meaningful looks and enjoying some cutesy playfulness---perhaps trying on goofy hats, or chasing each other in the park or at the beach, accompanied by the appropriate music---and spice it up with a little hot sex, during which the woman must be in the throes of rapturous ecstasy---he must be The One!)
I've been a writer my entire life, and I earned an Emmy nomination for a documentary I wrote and directed, so I'm no stranger to structure and narrative. I'm also a movie lover. I really enjoy a knotted plot, a dense storyline, complex characters, and/or a challenging exposition, and I also enjoy a moving, well-told love story. TTTW has none of these. After only a few minutes, I was totally confused, but I assumed that the answers to any salient questions (such as why the guy travels through time) would be revealed in due course. They weren't. Instead, we have this guy showing up naked every few minutes, at various ages, and talking to his love interest (at various ages) or to himself (at various ages) or to his parents (at various ages) or to his daughter (at various ages). And what do they talk about during these brief visits? The fact that he's a time traveler, of course! Uh-oh, story losing steam? No problem---just have the guy shed his clothes and pop up nude somewhere!
I want my two hours back...